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Eldred Evans and David Shalev are among Britain's most respected architects. The first monograph on their work, this book covers their entire sixty-year career including cultural landmarks such as Bede's World Museum, Jarrow, and Tate St Ives.
Item consists of collected criticism and essays on art in Britain written in the 1990's for 'The Times'.
From the Louvre to the Bilbao Guggenheim and Tate Modern, the museum has had a long-standing relationship with the city. Examination of the meaning of museum architecture in the urban environment, considering issues such as forms of civic representation, urban regeneration, cultural tourism and the museumification of the city itself. Ranging from the seventeenth century to the present day, case-studies are drawn from Europe, South America and Australia. Contributions written by J.Birksted, V.Fraser, H.Lewi, D.J.Meijers and others.
This book and its companion volume External Components encourage an evaluation of alternative methods for putting components together. Both use contemporary case studies to relate component design to real building.
'Space and Place' is the first monograph on the work of Evans and Shalev, one of the most significant architecture offices practicing in the UK over the last 50 years. Evans and Shalev have produced a notable body of work, including award-winning civic projects such as the Truro Crown Court, 1988, and Tate St Ives, 1993. Founded by Eldred Evans and David Shalev, the practice has been long noted for a commitment to place-making and for the care, skill and intelligence with which each project is realised. The serene and powerful buildings that the practice has designed over the years have a complexity often only revealed through their use. This is not architecture designed for the easy 'money' shot unlike so much contemporary architecture. 'Space and Place' includes Evans and Shalev's key early projects which demonstrate their use of raw concrete and a considered articulation of both plan and section, such as in their seminal work: Newport High School, 1969-1972 (since demolished), and their Home for the Younger Physically Handicapped in Alexandra Road, London, 1972-1976, while later projects such as the Quincentenary Library at Jesus College, Cambridge, 1995, with its use of brick and engagement with adjacent buildings, show the more contextual development of their work through the 1980s and '90s. 220 colour and b/w illustrations
From William Blake through to Iain Sinclair, literature has sought to engage with and transform urban space. Architects now seek the input of poets, and storytelling is employed in urban regeneration. Writing Urban Space investigates this relationship between imaginative writing and the built environment. ,
The definitive illustrated guide to modern British architecture, from one of the most acclaimed critics at work today Modernism is now a century old, and its consequences are all around us, built into our everyday lived environments. Its place in Britain's history is fiercely contested, and its role in our future is the subject of ongoing controversy - but modernist buildings have undoubtedly changed our cities, politics and identity forever. In Modern Buildings in Britain, Owen Hatherley applauds the ambition and explores the significance of this most divisive of architectures, travelling from Aberystwyth to Aberdeen, from St Ives to Shetland, in search of our most important and distinctive modern buildings. Drawing on hundreds of examples, we learn how the concrete of Brutalism embodies post-war civic principles, how corporate values were expressed in the glass façades of the International Style, and why Ecomodernist experimentation is often consigned to the geographic fringes. As Hatherley considers the social, political and cultural value of these structures - a number of which are threatened by demolition - two linked questions emerge: what happens to a building after it has been lived in, and what becomes of an idea when its time has passed? With more than six hundred pages of trenchantly opinionated, often witty analysis, and with three hundred photographs in duotone and colour, Modern Buildings in Britain is a landmark contribution to the history of British architecture.
Thoroughly illustrated with images of the buildings under discussion, advertisements, and other historical photographs, Britain is an authoritative, yet highly accessible, account of twentieth-century British architecture.