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The Reformation-era writings that make up the Lutheran Confessions remain lively resources for Christian ministry and mission today. Because each of the documents within the Book of Concord was written with a specific context and rhetorical purpose in mind, each has its own compelling story and objectives. Luther's catechisms present the faith for daily life at the grass-roots level, with teaching elements that we might now view as typical of social media and multimedia. The Augsburg Confession and its Apology provide an adaptable foundation for preaching, teaching, church organization, and dialogue that is rooted in the promise of Christ, received through faith. Fifteen years after the Diet of Worms, the Smalcald Articles reveal yet another "Here I stand" moment for Luther. Finally, the Formula of Concord shows how the next generations of Lutherans used collaboration and consensus as they wrestled with important themes of faith and life. In summary, as these texts engage us with their stories, they invite us to consider what is most important about our journeys of faith and Christian witness in today's twenty-first-century contexts.
Most of the Gospel Harmonies use parallel columns to give side-by-side comparisons of the various events in Jesus' life and ministry. But how much easier could His storyline be followed if it were presented in one seamless narrative, streamlined in chronological order? Features: • The four Gospels woven into a single, running narrative • All Scriptures taken from the Holman Christian Standard Bible • Sidebars call attention to major themes and difficult passages in the Gospels • Hundreds of study notes— a regular feature of every page—illuminate the text • Useful for both lesson and sermon preparation as well as stand-alone reading • Systematic reading plan for family worship and devotional use
Pietism is a reform movement originating among German Lutherans in the 17th century. It focused on personal faith, reacting against Lutheran Church's emphasis on doctrine and theology over Christian living. The movement quickly expanded, exerting anenormous influence on various forms of Christianity, and became concerned with social and educational matters. Indeed, Piestists showed a strong interest in issues of social and ecclesial reform, the nature of history and historical inquiry, the shape and purpose of theology and theological education, the missional task of the church, and social justice and political engagement. Though, the movement remained largely misunderstood, especially in Anglo-American contexts: negative stereotypes depicted Pietism as a quietist and sectarian form of religion, merely concerned with the 'pious soul and its God'. The main proposal of the editors of this volume is to correct this misunderstanding: assembling a deep collection of essays written by scholars from a variety of fields, this work demonstrates that Piestism was a movement characterized by great depth and originality. Besides, they show the vitality and impulse of Pietism today and emphasize the ongoing relevance of the movement for contemporary problems and questions.
One of the easiest-to-use parallel text harmonies of the Gospels now has an easier-to-read four-column type design.
Comprehensive and richly illustrated, Close Harmony traces the development of the music known as southern gospel from its antebellum origins to its twentieth-century emergence as a vibrant musical industry driven by the world of radio, television, recordings, and concert promotions. Marked by smooth, tight harmonies and a lyrical focus on the message of Christian salvation, southern gospel--particularly the white gospel quartet tradition--had its roots in nineteenth-century shape-note singing. The spread of white gospel music is intricately connected to the people who based their livelihoods on it, and Close Harmony is filled with the stories of artists and groups such as Frank Stamps, the Chuck Wagon Gang, the Blackwood Brothers, the Rangers, the Swanee River Boys, the Statesmen, and the Oak Ridge Boys. The book also explores changing relations between black and white artists and shows how, following the civil rights movement, white gospel was influenced by black gospel, bluegrass, rock, metal, and, later, rap. With Christian music sales topping the $600 million mark at the close of the twentieth century, Close Harmony explores the history of an important and influential segment of the thriving gospel industry.
The book discusses this long-standing relationship from a historical point of view, which in the past has been sometimes indifferent, sometimes fruitful and sometimes full of conflict. The relationship continues well into the present. While Christian fundamentalists attack evolution and related palaeontological findings as well as the geological evidence of the age of the Earth, mainstream theologians strive for a fruitful dialogue between science and religion. Much of what is written and discussed today can only be understood, when the historical perspective is added. This book considers the following topics: the development of geology from mythological approaches towards the European Enlightenment, Biblical or Geological Flood and the age of the Earth, geology within 'religious' organizations, biographical case studies of geological clerics and religious geologists, religion and evolution, historical aspects of creationism and its motives.
In 1740, Benjamin Franklin published the first American edition of Gospel Sonnets, by the eminent Scottish Presbyterian minister Ralph Erskine. The work, already in its fifth British edition, quickly became an American bestseller and remained so throughout the eighteenth century. Franklin was aware of what most scholars of American religion and literature have forgotten -that poetry played a central role in the "surprising works of God" that birthed evangelicalism. The far-reaching social transformations precipitated by the transatlantic evangelical revivals of the eighteenth century depended upon the development of a major literary form, that of revival poetry. Literary scholars and historians of religion have prioritized sermons, conversion narratives, periodicals, and hymnody. Wendy Roberts here argues that poetry offered a unique capacity to "diffuse celestial Fervor through the World," in the words of the cleric Samuel Davies. Awakening Verse is the first monograph to address this large corpus of evangelical poetry in the American colonies, shedding light on important dimensions of eighteenth-century religious and literary culture. Roberts deftly assembles a large, previously unknown archive of immensely popular poems, examines how literary history has rendered this poetic tradition invisible, and demonstrates how a vibrant popular poetics exercised a substantial effect on the landscape of early American religion, literature, and culture.