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The evolving character of architectural practice, the changing media used for its production and dissemination and the resulting challenges in organizational and creative processes in architecture are the starting point for this research project. The dissertation discusses the role of high-end visualization in architectural competitions, with a focus on the involvement of visualization specialists and the connected cooperation process between them and the designing architects. The research on these issues places the developments in recent years of digital media and in particular of visualizations within the wider context of architectural practice. Employing different methods, four main gaps within practice as well as between practice and the public are located. These gaps help describe the dynamic of the situation and suggest a direction for improvement. The dissertation illustrates an aspect of increasing specialization in architecture and its effect on creative and organizational processes. It further discusses the meaning of ever more advanced production and dissemination techniques for the representation of architecture and its communication with people within as well as outside the architectural process. Results of the research indicate an ongoing distancing of architectural practice from visualizations as tools for design as well as communication. It further gives suggestions on how to respond to the new challenges due to this ongoing specialization.
Available for the first time in English, this study offers insights into the genesis of German Romanticism.
Architectural practices worldwide have to deal with increasingly complex design requirements. How do practices acquire the ability to do so? The Changing Shape of Practice provides a handbook of examples for practices that wish to integrate more research into their work and a reference book for students that seek to prepare themselves for the changing shape of practice in architecture. It addresses the increasing integration of research undertaken in architectural practices of different sizes ranging from small to very large practices from the UK, USA, Europe and Asia. The book is organized according to the size of the practices which is significant in that it addresses the different structures and resourcing requirements that are enabled by specific practice sizes, as this determines and constrains the type, scope and modes of research available to a given practice. The practices covered include: Woods Bagot Perkins + Will White AECOM UN Studio Shop Architects PLP Architecture Kieran Timberlake 3XN ONL AZPML Thomas Herzog + Partners Herreros Arquitectos Spacescape OCEAN Design Research Association By taking stock of the current shape of practice, the book provides essential information for professional architects who are integrating research into their practice.
The first systematic survey of Blake's reception in European literature, art and culture, illustrated throughout, with bibliographies of major translations and chapters by international scholars.
In this book the author provides a systematic history of the horror movie genre, discussing individual movies in detail, while also drawing out the more general patterns in the development of the genre. It is based on an analysis of almost 1000 films.
"Speaking of Sadness, based on fifty in-depth interviews, provides first-hand accounts of the depression experience while discovering clear regularities in the ways that personal identities are shaped over the course of an "illness career." The new edition of the book is highlighted by a thoroughly new and extensive introduction"--
Poet, painter, engraver and mystic, William Blake (1757-1827) is unequalled for the imaginary force and visionary power of his works. This work collects all the known documentary records relating to Blake's long and productive life. G.E. Bentley, the editor of the first edition of Blake Records and Blake Records Supplement, brings together new and updated material on Blake's life, career, family, friends and patrons.
Isabella or The Pot of Basil A Story from Boccaccio John Keats This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
In the early chapters, the author sorts out some of the confusion about the term fantasy, distinguishing the fantastic as a technique from fantasy as a popular formula and a literary genre. Looking back to the early reception of Tolkien's trend-setting epic fantasy, he points out how critical theory at the time was simply unable to account for either the strengths or the weaknesses of The Lord of the Rings. By contrast, critical methods developed for coping with postmodernist metafictions are shown to apply equally well to the genre of fantasy. Having worked primarily with older fantasies in his study of The Fantasy Tradition in American Literature, Attebery focuses here on important recent examples such as Gene Wolfe's Book of the New Sun, Suzette Haden Elgin's Ozark Trilogy, and John Crowley's Little, Big.