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In Between presents Eva Schlegel's works created for the eponymous exhibition at MAK (Austrian Museum of Applied Arts / Contemporary Art, Vienna) and also documents her broad spectrum of artistic creation, from pornographic varnish paintings to current works in lead.
Summary: Survival: The Saga of My Ancestors describes five generations that emanated from Germany and Italy. It is based on research through ancestry.com and other internet sources as well as interviews with relatives and discoveries in long-forgotten closets and scrapbooks. It includes tales of immigration, settling, and dealing with successes and failures. The people depicted are hard-working, most of them in the steel related industries of Pittsburgh, Pennsylvania. In addition to chapters on each of the four branches of the author's heritage, there are chapters that deal with the research process.
"Why Have There Been No Great Women Artists?" asked the prominent art historian Linda Nochlin in a provocative 1971 essay. Today her insightful critique serves as a benchmark against which the progress of women artists may be measured. In this book, four prominent critics and curators describe the impact of women artists on contemporary art since the advent of the feminist movement.
This monograph on the work of Austrian architect Carl Pruscha (born 1936) is divided into the three geographical areas of his life and legacy: the United States, Kathmandu, and Vienna. Following his study of architecture at the Academy of Fine Arts Vienna, Pruscha spent the early 1960s attending Harvard University s Graduate School of Design, constantly in search of inspiration and visions, a balance between work and free time, and a desire for freedom and self-determination. An invitation by the UN to go to Nepal in 1964 enabled him to establish himself as a practicing architect. Various construction projects along with the Kathmandu Valley Development and Preservation Project made it possible for him to observe and document, to plan and build. Living within a foreign culture encouraged him to examine roles, status, and privileges in society and investigate the works of Kenzo Tange and Louis Kahn. After returning to Vienna in 1978, he was a professor and later the head of the Academy of Fine Arts. Pruscha s academic and societal influence brought to light the differences between teaching and practice in architecture and made this activist and bohemian a defining figure in the city. The three chapters are accompanied by photographic portfolios by Iwan Baan and Hertha Hurnaus, numerous project documentations, and a detailed timeline that illustrates the geopolitical, cultural, and technological developments surrounding the life and times of Carl Pruscha. 150 images
Contains topics that range from glass joints, fixings and adhesives to architectural designs to the strength, stability and safety of glass. This book also covers issues such as laminates and composite designs, glass lighting, the curving and bending of glass and the many facades of glass.
The title of the book sets the two fields of activity pursued by the architect, architectural historian and theorist August Sarnitz – building and writing – in a reciprocal relation: the context to what has been built emerges in the process of writing, just as the context to what has been written emerges in the process of building. The structure of the book follows precisely this reciprocity: an essay about architectural history and Big Data is followed by three on the topics of urban development, social housing, and the fiction of space. A number of influential Viennese architects appear as well: Frank, Kiesler, Hollein and Prix. The topics of housing, design and furniture are all illustrated with Sarnitz’s own projects; the end of the book is dedicated to architectural photography, which is especially important to Sarnitz in his capacity as publicist. The richly illustrated book is the first to document Sarnitz’s work as author, designer, exhibition designer, architect and photographer.