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In the sequel to the Nebula finalist The Strange Case of the Alchemist’s Daughter, Mary Jekyll and the rest of the daughters of mad scientists from literature embark on a madcap adventure across Europe to rescue another monstrous girl and stop the Alchemical Society’s nefarious plans once and for all. Mary Jekyll’s life has been peaceful since she helped Sherlock Holmes and Dr. Watson solve the Whitechapel Murders. Beatrice Rappaccini, Catherine Moreau, Justine Frankenstein, and Mary’s sister Diana Hyde have settled into the Jekyll household in London, and although they sometimes quarrel, the members of the Athena Club get along as well as any five young women with very different personalities. At least they can always rely on Mrs. Poole. But when Mary receives a telegram that Lucinda Van Helsing has been kidnapped, the Athena Club must travel to the Austro-Hungarian Empire to rescue yet another young woman who has been subjected to horrific experimentation. Where is Lucinda, and what has Professor Van Helsing been doing to his daughter? Can Mary, Diana, Beatrice, and Justine reach her in time? Racing against the clock to save Lucinda from certain doom, the Athena Club embarks on a madcap journey across Europe. From Paris to Vienna to Budapest, Mary and her friends must make new allies, face old enemies, and finally confront the fearsome, secretive Alchemical Society. It’s time for these monstrous gentlewomen to overcome the past and create their own destinies.
In the sequel to the Nebula finalist The Strange Case of the Alchemist’s Daughter, Mary Jekyll and the rest of the daughters of mad scientists from literature embark on a madcap adventure across Europe to rescue another monstrous girl and stop the Alchemical Society’s nefarious plans once and for all. Mary Jekyll’s life has been peaceful since she helped Sherlock Holmes and Dr. Watson solve the Whitechapel Murders. Beatrice Rappaccini, Catherine Moreau, Justine Frankenstein, and Mary’s sister Diana Hyde have settled into the Jekyll household in London, and although they sometimes quarrel, the members of the Athena Club get along as well as any five young women with very different personalities. At least they can always rely on Mrs. Poole. But when Mary receives a telegram that Lucinda Van Helsing has been kidnapped, the Athena Club must travel to the Austro-Hungarian Empire to rescue yet another young woman who has been subjected to horrific experimentation. Where is Lucinda, and what has Professor Van Helsing been doing to his daughter? Can Mary, Diana, Beatrice, and Justine reach her in time? Racing against the clock to save Lucinda from certain doom, the Athena Club embarks on a madcap journey across Europe. From Paris to Vienna to Budapest, Mary and her friends must make new allies, face old enemies, and finally confront the fearsome, secretive Alchemical Society. It’s time for these monstrous gentlewomen to overcome the past and create their own destinies.
In the sequel to the critically acclaimed The Strange Case of the Alchemist’s Daughter, Mary Jekyll and the rest of the daughters of literature’s mad scientists embark on a madcap adventure across Europe to rescue another monstrous girl and stop the Alchemical Society’s nefarious plans once and for all. Mary Jekyll’s life has been peaceful since she helped Sherlock Holmes and Dr. Watson solve the Whitechapel Murders. Beatrice Rappaccini, Catherine Moreau, Justine Frankenstein, and Mary’s sister Diana Hyde have settled into the Jekyll household in London, and although they sometimes quarrel, the members of the Athena Club get along as well as any five young women with very different personalities. At least they can always rely on Mrs. Poole. But when Mary receives a telegram that Lucinda Van Helsing has been kidnapped, the Athena Club must travel to the Austro-Hungarian Empire to rescue yet another young woman who has been subjected to horrific experimentation. Where is Lucinda, and what has Professor Van Helsing been doing to his daughter? Can Mary, Diana, Beatrice, and Justine reach her in time? Racing against the clock to save Lucinda from certain doom, the Athena Club embarks on a madcap journey across Europe. From Paris to Vienna to Budapest, Mary and her friends must make new allies, face old enemies, and finally confront the fearsome, secretive Alchemical Society. It’s time for these monstrous gentlewomen to overcome the past and create their own destinies.
Based on some of literature’s horror and science fiction classics, this “tour de force of reclaiming the narrative, executed with impressive wit and insight” (Publishers Weekly, starred review) debut is the story of a remarkable group of women who come together to solve the mystery of a series of gruesome murders—and the bigger mystery of their own origins. Mary Jekyll, alone and penniless following her parents’ death, is curious about the secrets of her father’s mysterious past. One clue in particular hints that Edward Hyde, her father’s former friend and a murderer, may be nearby, and there is a reward for information leading to his capture…a reward that would solve all of her immediate financial woes. But her hunt leads her to Hyde’s daughter, Diana, a feral child left to be raised by nuns. With the assistance of Sherlock Holmes and Dr. Watson, Mary continues her search for the elusive Hyde, and soon befriends more women, all of whom have been created through terrifying experimentation: Beatrice Rappaccini, Catherin Moreau, and Justine Frankenstein. When their investigations lead them to the discovery of a secret society of immoral and power-crazed scientists, the horrors of their past return. Now it is up to the monsters to finally triumph over the monstrous.
Mary Jekyll and the Athena Club foil a plot to unseat the Queen and race to save one of their own in this electrifying conclusion to the Locus Award winning trilogy that began with The Strange Case of the Alchemist’s Daughter. Life’s always an adventure for the Athena Club...especially when one of their own has been kidnapped! After their thrilling European escapades rescuing Lucina van Helsing, Mary Jekyll, and her friends return home to discover that their friend and kitchen maid Alice has vanished—and so has their friend and employer Sherlock Holmes! As they race to find Alice and bring her home safely, they discover that Alice and Sherlock’s kidnapping are only one small part of a plot that threatens Queen Victoria, and the very future of the British Empire. Can Mary, Diana, Beatrice, Catherine, and Justine save their friends—and the Empire? In the final volume of the trilogy that Publishers Weekly called “a tour de force of reclaiming the narrative, executed with impressive wit and insight” in a starred review, the women of the Athena Club will embrace their monstrous pasts to create their own destinies.
One enchanting romance. Two lovers keeping secrets. And a uniquely crafted book that binds their stories forever. When Evelyn Morgan walked into the village bookstore, she didn’t know she would meet the love of her life. When Brendan Thorne handed her a medieval romance, he didn’t know it would change the course of his future. It was almost as if they were the cursed lovers in the old book itself . . . The Thorn and the Blossom is a remarkable literary artifact: You can open the book in either direction to decide whether you’ll first read Brendan’s, or Evelyn’s account of the mysterious love affair. Choose a side, read it like a regular novel—and when you get to the end, you’ll find yourself at a whole new beginning.
Bonus content 2024! Read an excerpt from Theodora Goss's new book, The Collected Enchantments! 2020 Mythopoeic Fantasy Award Winner for Adult Literature! 2020 Locus Award finalist for Best Collection Contains "A Country Called Winter," 2020 Locus Award finalist for Best Novelette “I was expecting this to be good, but it’s wonderful. Seeing these pieces together makes me realize what a vivid, authentic and important voice Goss is. These are real fairytales, magical, unsettling, touching, and brilliant. I loved every word.” —Jo Walton, World Fantasy, Nebula, and Hugo award–winning author of Among Others “Fairy tales are clothing, and to retell them is fashion. The fashion of these particular stories and poems is an abundance of lace, roses and porcelain contrasting with fur, snow and blood.” —Amal El-Mohtar, The New York Times “As a Hungarian-American raised on Hans Christen Andersen and the Brothers Grimm, Goss takes obvious delight in reweaving classic European folk tales to reveal new, often deeply feminist, perspectives . . . This toothsome collection is best read in one go.” —Publishers Weekly, starred review A young woman hunts for her wayward shadow at the school where she first learned magic—while another faces a test she never studied for as ice envelopes the world. The tasks assigned a bookish boy lead him to fateful encounters with lizards, owls, trolls and a feisty, sarcastic cat. A bear wedding is cause for celebration, the spinning wheel and the tower in the briar hedge get to tell their own stories, and a kitchenmaid finds out that a lost princess is more than she seems. The sea witch reveals what she hoped to gain when she took the mermaid’s voice. A wiser Snow White sets out to craft herself a new tale. In these eight stories and twenty-three poems, World Fantasy Award winner Theodora Goss retells and recasts fairy tales by Charles Perrault, the Brothers Grimm, Hans Christian Andersen, and Oscar Wilde. Sometimes harrowing, sometimes hilarious, always lyrical, the works gathered in Snow White Learns Witchcraft re-center and empower the women at the heart of these timeless narratives. Science Fiction and Fantasy Writers of America Grand Master Jane Yolen, in her introduction, proclaims that Goss “transposes, transforms, and transcends times, eras, and old tales with ease. But also there is a core of tough magic that runs through all her pieces like a river through Faerie . . . I am ready to reread some of my new favorites.” More praise for Snow White Learns Witchcraft “Theodora Goss re-fleshes and re-clothes old tales in multifarious ways. Sometimes the stories’ new garments are classic and mythic, sometimes they’re up-to-the-minute, twenty-first-century creations, fresh cuts and colors that bring new truths from the underlying structures. Through prose and poetry, Goss shines her unique light into the fairytale forest—and many bright eyes gleam back.” —Margo Lanagan, New York Times–bestselling and World Fantasy Award–winning author of Tender Morsels “Theodora Goss’s Snow White Learns Witchcraft is a gorgeous, lyric collection of fairy tale retellings. Goss has the ability—the witchcraft—to be able to see the heart of the tale, and show it, polished and reflected and new, to the reader. I loved these stories and poems, their wildness, their beauty, their truth.” —Kat Howard, Alex Award–winning author of An Unkindness of Magicians “With each story, Theodora Goss weaves new myths from the threads of childhood and legend. This collection does what the best songs and poems and spells do: slips gently into your consciousness, then slowly changes the way you see the world. A wonderful addition to Goss’s works.” —Fran Wilde, World Fantasy, Nebula, and Hugo finalist and author of the award-winning Bone Universe trilogy “The elegance of Goss’s work has never ceased to amaze me. It feels effortless, but endlessly evocative and suggestive, flowing with the rhythms of both the natural world and the intimate socio-familial cosmos. Goss’s language fits together like gems in a complex crown, a diadem of images and motifs, resting gently on the head, but with a deceptive weight.” —Catherynne M. Valente, New York Times-bestselling author of Space Opera “In Snow White Learns Witchcraft, Theodora Goss weaves words that look disturbingly like snow and feathers into new stories that are familiar but uniquely remade. A Goss heroine breathes life into silent castles, imprints her own image in darkling mirrors, and plucks enchanted apples from the hands of peddlers; she is a bear’s bride, a newly minted queen, a thunderstorm of a woman and so much more. Dr. Goss cements her position as one of our foremost re-interpreters of fairy tales.” —Angela Slatter, World Fantasy Award-winning author of The Bitterwood Bible “What will you find in these pages, dear reader? Why, the encyclopedia of everything (as written by an owl), what the mirror really knows, rubies red with wolf’s blood-and, surprise!—the secret of who actually spun that straw into gold. Ice, iron, apples, birds, bones, subversion: Theodora Goss’s new collection of stories and poems Snow White Learns Witchcraft is woven of the finest spider silk, a funnel-web of faerie tales that will catch you fast and not let you go.” —C. S. E. Cooney, World Fantasy Award-winning author of Bone Swans Cover art by Ruth Sanderson
Nineteen writers dig into the imaginative spaces between conventional genres—realistic and fantastical, scholarly and poetic, personal and political—and bring up gems of new fiction: interstitial fiction. This is the literary mode of the new century, a reflection of the complex, ambiguous, and challenging world that we live in. These nineteen stories, by some of the most interesting and innovative writers working today, will change your mind about what stories can and should do as they explore the imaginative space between conventional genres. The editors garnered stories from new and established authors in the United States, Canada, Australia, and the United Kingdom, and also fiction translated from Spanish, Hungarian, and French. The collection features stories from Christopher Barzak, Colin Greenland, Holly Phillips, Rachel Pollack, Vandana Singh, Anna Tambour, Catherynne Valente, Leslie What, and others. "A wildly varied cacophony of a book, by turns beautiful, funny, frightening, frustrating, and baffling, but never boring." —New Haven Review "Odd, Deep, Delightful" —Atlanta Journal-Constitution "This idea of playing with genre conventions is interstitiality's charm and what makes it a movement for the hypertext age. We want words to do more now and for our time not to have been spent with just one idea." —Adrienne Martini, Baltimore City Paper Delia Sherman was born in Tokyo and brought up in New York City. She earned a PhD in Renaissance studies at Brown University and taught at Boston and North-eastern universities. She is the author of the novels Through a Brazen Mirror, The Porcelain Dove (a Mythopoeic Award winner), and Changeling. Sherman co-founded the Interstitial Arts Foundation, dedicated to promoting art that crosses genre borders. Theodora Goss was born in Hungary and spent a peripatetic childhood in various European countries. She teaches at Boston University, is completing a PhD, and is introducing classes on the fantastic tradition in English literature. She is the author of a short story collection, In the Forest of Forgetting.
“It doesn't seem too hasty to exclaim, ‘Classic!’” —Booklist, starred review “An original voice, and an original vision: crystalline, precise, mordant and devastating.” —Ellen Kushner. A Mythopoeic Award finalist Mythic Delirim Books is proud to make World Fantasy Award and Locus Award winner Theodora Goss’s 2006 story collection In the Forest of Forgetting available in electronic format. With an introduction by Terri Windling, this book gathers seventeen tales from an author that Locus at the time dubbed “one of the more distinctive, graceful, and haunting new voices in fantasy.” Cover art by Virginia Lee.
Red as Blood and White as Bone by Theodora Goss is a dark fantasy about a kitchen girl obsessed with fairy tales, who upon discovering a ragged woman outside the castle during a storm, takes her in--certain she’s a princess in disguise. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.