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This new publication is intended to bring together a mass of research dealing with all aspects of British naval swords. Unlike the much sought after Swords of Sea Service by May and Annis, this work offers a far broader coverage and, for the first time, the complete story of swords and swordsmanship is presented in one concise volume. While the swords themselves are described the authors also tell the story of naval swordsmanship For exsample, subjects such as how swords and cutlasses were used in action and how training was conducted and covered. The authors also address how how the use of swords developed into a sport in the Navy, and how swords and swordsmanship may have entered naval symbology in such areas as ships' names. Many current myths are addressed and corrected, and the story is brought right up to date with information on the sport from 1948 to 2000. While the book concentrates on the Royal Navy, foreign weapons, including those of the Irish Naval Service, are mentioned where appropriate Other British Maritime organisations such as the Merchant Navy, the Customs and Coastguard Services, and the Reserves are also addressed The book also covers subjects such as dating, collecting, and conservation of swords and re-examines those swords attributed to Nelson. The Appendices include the first list of Swords of Peace awarded to naval units to be published. Recent research by the authors is also reflected in the updated lists of Patriotic Fund Awards, City of London Swords, and Naval fencing champions contained in the Appendicitises The comprehensive nature of the work has not been attempted before and the book will appeal to a wide range of naval enthusiasts and historians, collectors of weapons, fencers and re-enactors.
The story of arms in Western Europe from the Renaissance to the Industrial Revolution. A treasury of information based on solid scholarship, anyone seeking a factual and vivid account of the story of arms from the Renaissance period to the Industrial Revolution will welcome this book. The author chooses as his starting-point the invasion of Italy by France in 1494, which sowed the dragon's teeth of all the successive European wars; the French invasion was to accelerate the trend towards new armaments and new methods of warfare. The authordescribes the development of the handgun and the pike, the use and style of staff-weapons, mace and axe and war-hammer, dagger and dirk and bayonet. He shows how armour attained its full Renaissance splendour and then suffered itssorry and inevitable decline, culminating in the Industrial Revolution, with its far-reaching effects on military armaments. Above all, he follows the long history of the sword, queen of weapons, to the late eighteenth century, when it finally ceased to form a part of a gentleman's every-day wear. Lavishly illustrated. EWART OAKESHOTT was one of the world's leading authorities on the arms and armour of medieval Europe. His other works on the subject include Records of the Medieval Sword and The Sword in the Age of Chivalry.
Medieval Architecture and its Intellectual Context reflects the range of Peter Kidson's own interests and are united in following his approach to medieval architecture and art: a determination to see buildings and objects in the intellectual terms of the time in which they were created.
Descriptive catalogue with typology of a British sword-type with a 500-year history.
This book examines literary depictions of the construction and destruction of the armored male body in combat in relation to early modern English understandings of the past. Bringing together the fields of material culture and militarism, Susan Harlan argues that the notion of “spoiling” – or the sanctioned theft of the arms and armor of the vanquished in battle – provides a way of thinking about England’s relationship to its violent cultural inheritance. She demonstrates how writers reconstituted the spoils of antiquity and the Middle Ages in an imagined military struggle between male bodies. An analysis of scenes of arming and disarming across texts by Christopher Marlowe and William Shakespeare and tributes to Sir Philip Sidney reveals a pervasive militant nostalgia: a cultural fascination with moribund models and technologies of war. Readers will not only gain a better understanding of humanism but also a new way of thinking about violence and cultural production in Renaissance England.
This sixteenth-century German guide to sword fighting and combat training is a crucial source for understanding medieval swordplay techniques. Following his translation of Joachim Meyer’s The Art of Combat, Jeffrey L. Forgeng was alerted to an earlier version of Meyer’s text, discovered in Lund University Library in Sweden. The manuscript, produced in Strasbourg around 1568, is illustrated with thirty watercolor images and seven ink diagrams. The text covers combat with the longsword (hand-and-a-half sword), dusack (a one-handed practice weapon comparable to a sabre), and rapier. The manuscript’s theoretical discussion of guards sheds significant light on this key feature of the historical practice, not just in relation to Meyer but in relation to medieval combat systems in general. The Art of Sword Combat also offers an extensive repertoire of training drills for both the dusack and the rapier, a feature largely lacking in treatises of the period and critical to modern reconstructions of the practice. Forgeng’s translation also includes a biography of Meyer, much of which has only recently come to light, as well as technical terminology and other essential information for understanding and contextualizing the work.
This fascinating reference covers the weapons and armor used by warriors from the 4th to the 15th century and discusses how and why they changed over time. In the Middle Ages, the lack of standardized weapons meant that one warrior's arms were often quite different from another's, even when they were fighting on the same side. And with few major technological advances in that period, the evolution of those weapons over the centuries was incremental. But evolve they ultimately did, bringing arms, armor, and siege weapons to the threshold of the modern era. From the fall of the Roman Empire to the beginnings of the Renaissance, Medieval Weapons: An Illustrated History of Their Impact covers the inexorable transformation from warrior in the mail shirt to fully armored knight, from the days of spears and swords to the large-scale adoption of the handgun. Medieval Weapons covers this fascinating expanse of centuries in chapters devoted to the early medieval, Carolingian, Crusade, and late medieval periods. Within each period, the book details how weapons and armor were developed, what weapons were used for different types of battles, and how weapons and armor both influenced, and were influenced by, changing tactics in battles and sieges.
Articles fundamental to the study of warfare in England and Normandy in the 11th and 12th centuries collected here in one volume. The influence of war on late Anglo-Saxon and Anglo-Norman society was dominant and all-pervasive. Here in this book, gathered together for the first time, are fundamental articles on warfare in England and Normandy in the 11th and12th centuries, combining the work of some of the foremost scholars in the field. Redressing the tendency to study military institutions and obligations in isolation from the practice of war, equal emphasis is given both to organisation and composition of forces, and to strategy, tactics and conduct of war. The result is not only an in-depth analysis of the nature of war itself, but a study of warfare in a broader social, political and cultural context. The Themes dealt with largely span the period of the Conquest, offering an assessment of the extent to which the Norman invasion marked radical change or a degree of continuity in the composition of armies and in methods offighting. This important collection, with an introduction and select bibliography, will be is essential not simply for the student of medieval warfare, but for all studying Anglo-Norman society and its ruling warrior aristocracy whose raison d'être was war. Contributors: NICHOLAS HOOPER, MARJORIE CHIBNALL, J.C. HOLT, J.O. PRESTWICH, R. ALLEN BROWN, JOHN GILLINGHAM, JIM BRADBURY, MATTHEW STRICKLAND, MATTHEW BENNETT.