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Physico-theology celebrated the observation of nature as a way toward the recognition of God as Creator and to demonstrate the compatibility of the biblical record with the new science. It was a crucial, albeit often underestimated element in the intellectual as well as socio-cultural establishment of the new science in western and central Europe beginning in the mid-seventeenth century. The importance of physico-theology in enhancing the acceptance of the new science among a broad educated public cannot be underestimated. Unfortunately, this insight has not yet received much attention in the history of early modern science, chiefly because the history of physico-theology tends to highlight the activities of virtuosi rather than well-known scientists. A contribution to the history of knowledge, this is the first monograph in English on physico-theology on the European scale. It concentrates on two genres, the argument from design, and the palaeontological argument regarding the role of the Deluge in the formation of fossils. It does so without neglecting practice (correspondence and collecting). It pays considerable attention to the historical context, above all to the new image of God as a wise, benevolent, rather than unpredictable being, which provided the practitioners of physico-theology (including clergy, physicians, lawyers, and philologists) with a new and powerful argument. It draws attention to the predominantly Protestant nature of the phenomenon and looks at the longevity of the argument from design in Britain and the Netherlands, where its demise came about as late as the first half of the nineteenth century.
Physico-theology celebrated the observation of nature as a way toward recognising God as Creator, demonstrating the compatibility of the biblical record with new science. This is an English-language monograph which studies the impact of physico-theology on the intellectual and socio-cultural establishment in Europe from the mid-17th century.--
This book assembles a paradigm of anthropodom--anthropology governed and constituted by sovereign secular reason as a progeny of the Enlightenment--in order to explore existent and potential relations with its ostensible other, theology.
Uses lexical analyses of key terms employed by medieval people to valuate their own aesthetic feelings to show how flux and change, and the creative tension of antithetical physical qualities from which all things were thought to be made (cold, hot, dry, wet), govern the pleasures medieval artists sought to produce.
Today, the statement that Anglicans are fond of the Fathers and keen on patristic studies looks like a platitude. Like many platitudes, it is much less obvious than one might think. Indeed, it has a long and complex history. Jean-Louis Quantin shows how, between the Reformation and the last years of the Restoration, the rationale behind the Church of England's reliance on the Fathers as authorities on doctrinal controversies, changed significantly. Elizabethan divines, exactly like their Reformed counterparts on the Continent, used the Church Fathers to vindicate the Reformation from Roman Catholic charges of novelty, but firmly rejected the authority of tradition. They stressed that, on all questions controverted, there was simply no consensus of the Fathers. Beginning with the 'avant-garde conformists' of early Stuart England, the reference to antiquity became more and more prominent in the construction of a new confessional identity, in contradistinction both to Rome and to Continental Protestants, which, by 1680, may fairly be called 'Anglican'. English divines now gave to patristics the very highest of missions. In that late age of Christianity - so the idea ran - now that charisms had been withdrawn and miracles had ceased, the exploration of ancient texts was the only reliable route to truth. As the identity of the Church of England was thus redefined, its past was reinvented. This appeal to the Fathers boosted the self-confidence of the English clergy and helped them to surmount the crises of the 1650s and 1680s. But it also undermined the orthodoxy that it was supposed to support.
This volume collects papers initially written as the plenary addresses for the largest international scholarly conference held in connection with the 500th anniversary of Calvin's birth, organized in Geneva by the Institute of Reformation History. The organizers chose as theme for the conference ''Calvin and His Influence 1509-2009,'' hoping to stimulate reflection about what Calvin's ideas and example have meant across the five centuries since his lifetime, as well as about how much validity the classic interpretations that have linked his legacy to fundamental features of modernity such as democracy, capitalism, or science still retain.
This book discusses the intersection of the great military and intellectual disruptions of the mid-seventeenth century. It examines how the Thirty Years' War scattered representatives of Ramism from central Europe into old and new institutions, especially into the northwest, the Dutch Republic, and England.
Commentators have long argued about whether to read Paul's personification of Sin in Romans literally or figuratively. Matthew Croasmun suggests both that the cosmic power Sin is nothing more than an emergent feature of a vast network of human transgression and that this power is nevertheless a real person.
Ramism was the most controversial pedagogical movement to sweep through the Protestant world in the latter sixteenth century. This book, the first contextualized study of this rich tradition, has wide-ranging implications for the intellectual, cultural, and social histories not only of the Holy Roman Empire but also of the entire Protestant world in the crucial decades immediately preceding the advent of the "new philosophy" in the mid-seventeenth century.
Charles Philipon (1800-1862) was the founder of the satirical illustrated press in France. With the newspapers he owned and directed, La Caricature and Le Charivari, he led an unprecedentedly coherent and vitriolic campaign of disrespect against King Louis-Philippe and his regime. Using a group of young caricaturists (the most talented of whom were Daumier, Grandville, and Travies) and the collaboration of a gifted team of writers (including Balzac) he crafted a new language of opposition. This book is the first full scholarly study of the structure of the illustrated press in the 1830s, its contribution to political debate in France, the dissemination of caricature and its potential as political propaganda, and the links between caricature and other forms of political-cultural discourse under the July Monarchy.