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A narration of dramas played out from 1578 to 2000 in Tierra del Fuego by the native Yamana, Darwin, explorers, sealers, whalers and missionaries.
In Loss and Wonder at the World's End, Laura A. Ogden brings together animals, people, and things—from beavers, stolen photographs, lichen, American explorers, and birdsong—to catalog the ways environmental change and colonial history are entangled in the Fuegian Archipelago of southernmost Chile and Argentina. Repeated algal blooms have closed fisheries in the archipelago. Glaciers are in retreat. Extractive industries such as commercial forestry, natural gas production, and salmon farming along with the introduction of nonnative species are rapidly transforming assemblages of life. Ogden archives forms of loss—including territory, language, sovereignty, and life itself—as well as forms of wonder, or moments when life continues to flourish even in the ruins of these devastations. Her account draws on long-term ethnographic research with settler and Indigenous communities; archival photographs; explorer journals; and experiments in natural history and performance studies. Loss and Wonder at the World's End frames environmental change as imperialism's shadow, a darkness cast over the earth in the wake of other losses.
Reciprocity, Wonder, Consequence : Object Lessons in the Land of Fire -- Of Blindness, Blood, and Second Sight : Transpersonal Journeys from Brazil to Ethiopia -- Creole Authenticity and Cultural Performance : Ethnographic Personhood in the Twentieth Century -- Performing Diaspora : The Science of Speaking for Haiti -- Conclusion : "I Danced, I Don't Know How" : Media, Race, and the Posthuman
Migrants cuts through the toxic debates to tell the rich and collective stories of humankind's urge to move. 'Fascinating... Miller's perspective may be just what we need' Daily Telegraph 'Enjoyable, provocative and timely' Spectator 'Timely and empathetic: a rare combination on this most controversial issue' Remi Adekoya, author of Biracial Britain 'Tremendous: blends the personal and the panoramic to great effect' Robert Winder, author of Bloody Foreigners Humans are, in fundamental ways, a migratory species, more so than any other land mammal. For most of our existence , we were all nomads, and some of us still are. Houses and permanent settlements are a relatively late development - dating back little more than twelve thousand years. Borders and passports are much more recent. From the Neanderthals, Alexander the Great, Christopher Columbus and Pocahontas to the African slave trade, Fu Manchu, and Barack Obama, Migrants shows us that it is only by understanding how migration and migrants have been viewed in the past, that we can re-set the terms of the modern-day debate about migration. Migrants presents us with an alternative history of the world, in which migration is restored to the heart of the human story. And in which humans migrate for a wide range of reasons: not just because of civil war, or poverty or climate change but also out of curiosity and a sense of adventure. On arrival, migrants are expected both to assimilate and encouraged to remain distinctive; to defend their heritage and adopt a new one. They are sub-human and super-human; romanticised and castigated, admired and abhorred. Migrants tells us that this is not a new narrative; this is the history of us all, part of everybody's backstory - for those who consider themselves migrants and those who do not.
'This is a book that required a great many research hours, the kind of volume you may be glad someone took the time to compile.'The Quarterly Review of Biology This is the ultimate guide to the life and work of Charles Darwin. The result of decades of research through a vast and daunting literature which is hard for beginners and experts alike to navigate, it brings together widely scattered facts including very many unknown to even the most ardent Darwin aficionados. It includes hundreds of new discoveries and corrections to the existing literature. It provides the most complete summaries of his publications, manuscripts, lifetime itinerary, finances, personal library, friends and colleagues, opponents, visitors to his home, anniversaries, hundreds of flora, fauna, monuments and places named after him and a host of other topics. Also included are the most complete lists (iconographies) ever created of illustrations of the Beagle, over 1000 portraits of Darwin, his wife and home as well as all known Darwin photographs, stamps and caricatures. The book is richly illustrated with 350 images, most previously unknown.
“This bracing history charts the myths, the exploration, and the inhabitants of the all-too-real and wild circumpolar ocean to our south.” —The Sydney Morning Herald, Pick of the Week Unlike the Pacific, Atlantic, Indian, and Arctic Oceans with their long maritime histories, little is known about the Southern Ocean. This book takes readers beyond the familiar heroic narratives of polar exploration to explore the nature of this stormy circumpolar ocean and its place in Western and Indigenous histories. Drawing from a vast archive of charts and maps, sea captains’ journals, whalers’ log books, missionaries’ correspondence, voyagers’ letters, scientific reports, stories, myths, and her own experiences, Joy McCann embarks on a voyage of discovery across its surfaces and into its depths, revealing its distinctive physical and biological processes as well as the people, species, events, and ideas that have shaped our perceptions of it. The result is both a global story of changing scientific knowledge about oceans and their vulnerability to human actions and a local one, showing how the Southern Ocean has defined and sustained southern environments and people over time. Beautifully and powerfully written, Wild Sea will raise a broader awareness and appreciation of the natural and cultural history of this little-known ocean and its emerging importance as a barometer of planetary climate change. “A sensitive portrait of a complex ecosystem, from krill to blue whales, and of the ice, winds, and currents that are critical to the circulation of the world’s oceans.” —Harper’s “Wilderness seekers will rejoice in this stirring portrait . . . McCann deftly navigates both natural glories and archival complexities.” —Nature
This volume is part of the definitive edition of letters written by and to Charles Darwin, the most celebrated naturalist of the nineteenth century. Notes and appendixes put these fascinating and wide-ranging letters in context, making the letters accessible to both scholars and general readers. Darwin depended on correspondence to collect data from all over the world, and to discuss his emerging ideas with scientific colleagues, many of whom he never met in person. The letters are published chronologically: volume 26 includes letters from 1878, the year in which Darwin with his son Francis carried out experiments on plant movement and bloom on plants. Francis spent the summer at a botanical research institute in Germany; and father and son exchanged many detailed letters about his work. Meanwhile, Darwin tried to secure government support for attempts by one of his Irish correspondents to breed a blight-resistant potato.
"...As author Lou Rosenblatt explains, the year 1832 in Darwin's life was crucial for the development of his theory of evolution. A century and a half of study of Darwin, the man, and his work, including close readings of his books, notebooks, letters, and even the books he read, has led to a working appreciation of his genius. The "success" of this account has, however, kept us from seeing several important issues: most notably, why did he pursue evolution in the first place? While this book is neither an almanac of 1832, nor a biography of Charles Darwin (though both are at the heart of Rosenblatt's work), Buckets from an English Sea offers a unique take on the factors that shaped Darwin's legendary theory and the making of him as a scientist..."--Dust jacket.
From the international bestselling author of KILLERS OF THE FLOWER MOON and THE LOST CITY OF Z, a mesmerising story of shipwreck, mutiny and murder, culminating in a court martial that reveals a shocking truth. On 28th January 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty’s ship the Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While chasing a Spanish treasure-filled galleon, the Wager was wrecked on a desolate island off the coast of Patagonia. The crew, marooned for months and facing starvation, built the flimsy craft and sailed for more than a hundred days, traversing 2,500 miles of storm-wracked seas. They were greeted as heroes. Then, six months later, another, even more decrepit, craft landed on the coast of Chile. This boat contained just three castaways and they had a very different story to tell. The thirty sailors who landed in Brazil were not heroes – they were mutineers. The first group responded with counter-charges of their own, of a tyrannical and murderous captain and his henchmen. While stranded on the island the crew had fallen into anarchy, with warring factions fighting for dominion over the barren wilderness. As accusations of treachery and murder flew, the Admiralty convened a court martial to determine who was telling the truth. The stakes were life-and-death—for whomever the court found guilty could hang.
Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgments -- Maps -- 1. The Unhidden City: Imagining Indigenous Londons -- Interlude One: A Devil's Looking Glass, circa 1676 -- 2. Dawnland Telescopes: Making Colonial Knowledge in Algonquian London 1580-1630 -- Interlude Two: A Debtor's Petition 1676 -- 3. Alive from America: Indigenous Diplomacies and Urban Disorder 1710-1765 -- Interlude Three: Atlantes 1761 -- 4. "Such Confusion As I Never Dreamt": Indigenous Reasonings in an Unreasonable City 1766-1785 -- Interlude Four: A Lost Museum 1793