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"The objects described and depicted range from late Classical and Byzantine examples to art nouveau and art deco statuettes for the early 20th century. The pride of the collection, however, consists of Renaissance and Baroque statuettes representing the development of the art in Italy, German, France, the Netherlands, Spain and England."--Jacket.
Exploring the various forms taken by sculpture collections, this volume presents new research on collectors, modes of display, and the aesthetics of viewing sculpture, making a notable addition to the literature on the history of sculpture and art collecting as a cultural phenomenon.
The Bronze Age, roughly 2500 to 750 BC, was the last fully prehistoric period in Europe and a crucial element in the formation of the Europe that emerged into history in the later first millennium BC. This book focuses on the material culture remains of the period, and through them provides an interpretation of the main trends in human development that occurred during this timespan. It pays particular attention to the discoveries and theoretical advances of the last twenty years that have necessitated a major revision of received opinions about many aspects of the Bronze Age. Arranged thematically, it reviews the evidence for a range of topics in cross-cultural fashion, defining which major characteristics of the period were universal and which culture and area-specific. The result is a comprehensive study that will be of value to specialists and students, while remaining accessible to the non-specialist.
The catalogue is abundantly illustrated, including multiple views of each sculpture."--BOOK JACKET.
A catalogue of one of the finest collections of Etruscan artifacts outside of Italy, that of Wold Museum, Liverpool. This publication is highly illustrated with over 100 plates in full colour.
This elegant exhibition catalog includes sixty-six works of art by this virtuoso sculptor, plus accompanying essays. Born in The Hague, Adriaen de Vries worked with the official sculptor to the Medici dukes beginning in 1580s, and in 1601 he was appointed official court sculptor to Rudolf II in Prague, where he worked until his death. Some of his best-known works are illustrated and described in this comprehensive volume, including the Bust of Emperor Rudolph II, the fountain Mercury and Cupid, Psyche Born Aloft by Putti, Juggling Man and The Wrestlers.
A reference tool for universities, libraries, curators, collectors and dealers. The sculptures in the Quentin Collection reveal the extraordinary range of artistry, invention and technical refinement characteristic of works made when the tradition of the European statuette was at its height.
Relations between Byzantium and its neighbours are the focus of this volume. The papers address questions of cultural exchange, with special attention to art historical relations as shown by technical, iconographic and diplomatic exchanges. While addressed to specialists, both their approach and the language make these papers accessible to students at all levels.