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Established in 1950, the Columbia Museum of Art is the only public museum in South Carolina with an extensive collection of international art. This is thanks in no small part to significant donations from the Samuel H. Kress Foundation between 1954 and 1974, which have made the museum one of the nation's major depositories of Kress gifts of art. This catalogue serves as a striking visual reference to the museum's holdings in European art from the late Gothic period to the end of the Renaissance and includes paintings, drawings, prints, sculptures, decorative bronzes, furniture, ceramics, stained glass, and textiles. In all, eighty-four pieces are presented in color illustrations and detailed in an art historical context to benefit scholars and researchers as well as interested museum visitors. Fifty-six works of Renaissance art--several by such prominent figures as Bernardo Daddi, Sandro Botticelli, Giovanni Antonio Boltraffio, Andrea Solario, Mariotto Albertinelli, Albrecht Dürer, Parmigianino, Ambrosius Benson, Alessandro Allori, François Clouet, and Jacopo Tintoretto--are described by accomplished art historian Charles R. Mack and a team of researchers in catalogue essays that each provide an in-depth consideration of the artist's biography and contribution, the work, its provenance, and its history of attributions, ownership, and exhibition. The entries also describe such matters as condition, conservation history, and, in the case of paintings, the authenticity of frames. Arranged in chronological order by date of execution, the pieces in this section represent most of the museum's Kress materials. An additional twenty-six pieces are more briefly described in an illustrated checklist. The volume also includes an essay on the formation and distribution of the Kress Collection and an essay on the history of medieval and Renaissance art, with particular attention paid to the museum's holdings. The catalogue concludes with three appendixes treating changes in attribution, the correlation of museum inventory numbers with catalogue numbers, and the correlation of 1962 Kress Collection catalogue numbers with new catalogue numbers.
Land, Burton Dunbar, Judith Mann, Marjorie Och, and William E. Wallace."--BOOK JACKET. "This catalog will be accessible to both the art historian and the general reader."--Jacket.
Bernardo Bellotto is considered to be one of the greatest topographical and landscape painters of the eighteenth century. Trained as a painter of cityscapes, he produced vivid and memorable images of many of the greatest cities of Europe, including Venice, Florence, Rome, Dresden, Munich, Vienna, and Warsaw. He also ventured successfully into genre, portraiture, allegory, and history painting. This beautiful book, written by leading specialists on Bellotto, examines his career and artistic development, places his work in the context of the political needs of central European monarchs, and presents a selection of his major paintings from each of his principal periods and genres. Bellotto began as a painter of conventional views of Venice in the manner of his more famous uncle, Canaletto. However, his quest for new subject matter led him to visit half a dozen cities in northern and central Italy in the early 1740s, and at twenty-five he left Italy for northern Europe, where he spent the rest of his life working for royal and aristocratic patrons. In Dresden he was engaged in the service of Augustus III, where he created many glorious canvases and was awarded the title of Court Painter. He then moved to Vienna and recorded its attractions for Empress Maria Theresa. He ended his career as Court Painter in Warsaw, and his detailed paintings of the city played an important role in its reconstruction after the Second World War. The book demonstrates that in each of the places Bellotto lived, he was able to capture the particular light and life with sensitivity and imagination.
Old master drawings kept in storage, their access limited to a few, will now be made widely accessible in this new series which will eventually include all drawings in some 70 midwestern collections. The first volume introduces a corpus of the rarest of European drawings through the year 1500, a time when artists had just begun to value drawings as works of art. It presents 30 entries written by 12 scholars, each a specialist in the art of the period, and each with immediate access to the artwork itself. Annotation copyright by Book News, Inc., Portland, OR
"Murphy recognized and supported the social and cultural revolution under way during the tumultuous 1960s and influenced the power elite to accept changing values and to promote diversity. Davis's account brings to light the influence of L.A.'s powerful families and chronicles the mixed motives behind large public endeavors. Channeling more than one billion dollars into the city's arts and educational infrastructure, Franklin Murphy elevated Los Angeles to a vibrant world-class city positioned for its role in the new era of global trade and cross-cultural arts."--BOOK JACKET.
This book presents a concise approach to the major themes and events that define contemporary South Carolina.