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An illustrated guide to "green" design strategies "This is a book that many in the design community have been waiting for--a volume that clearly and succinctly lays out the strategies and tools at our disposal for creating interiors that will serve not only our clients' needs, but also those of the planet. Best of all, it's an inspiration to read, allowing each of us to see our way to becoming a part of the design solution needed for a sustainable future. If you are a designer, you need this book!" --Sarah Susanka, FAIA, author of the Not So Big series and Home by Design "This excellent book will benefit designers of residential interiors that incorporate sustainable design into their practices or are looking to begin to do so. Designers may be surprised by the variety of projects shown that are great examples of residential sustainable interiors." --Bernadette Upton, ASID, LEED AP, founding member of the Sustainable Design Council and member of the Florida Green Building Coalition Issues of sustainability and environmental consciousness have been increasingly important to designers of residential interiors. A leading firm that has built its expertise in addressing environmental concerns in residential interiors, Associates III presents solutions for the design practitioner in this book. Covering topics such as indoor air quality, identifying low-impact materials, conserving energy and water, and support of construction teams in reducing waste, Sustainable Residential Interiors provides designers with the necessary information and tools to integrate environmentally responsible design into their practice. Sustainable Residential Interiors takes readers through an integrated design process, showing how sustainable principles and practices can be applied on virtually every level of interior design. Taking a practical, hands-on approach, this accessible and easy-to-understand resource guide includes: Visual examples of sustainable projects and applications Critical thinking about environmental issues within homes Guidelines for clients and project teams Helpful checklists for greening projects and specification In-depth information to promote understanding and assist in specifying interior finishes and furnishings Questions for manufacturers and vendors Effective methods of marketing sustainable design services
SHORTLISTED FOR THE WILLIAM SAROYAN INTERNATIONAL PRIZE FOR WRITING. ONE OF BOOKLIST'S TOP TEN RELIGION AND SPIRITUALITY BOOKS. ONE OF BOOKLIST'S TOP TEN DIVERSE NONFICTION BOOKS. Honorable Mention in the San Francisco Book Festival Awards, Spiritual Category A 2019 United Methodist Women Reading Program Selection This enthralling story of the making of an American is a timely meditation on being Muslim in America today. Threading My Prayer Rug is a richly textured reflection. It is also the luminous story of many journeys: from Pakistan to the United States in an arranged marriage that becomes a love match lasting forty-five years; from secular Muslim in an Islamic society to devout Muslim in a society ignorant of Islam, and from liberal to conservative to American Muslim; from bride to mother; and from an immigrant intending to stay two years to an American citizen, business executive, grandmother, and tireless advocate for interfaith understanding. Beginning with a sweetly funny, moving account of her arranged marriage, the author undercuts stereotypes and offers the refreshing view of an American life through Muslim eyes. Sabeeha was doing interfaith work for Imam Feisal A. Rauf, the driving force behind the Muslim community center near Ground Zero, when the backlash began. She recounts what that experience revealed about American society and in a new preface discusses Islam in America in the time of Trump.
The baffling array of technical rug terms for oriental carpets are here made accessible to the beginner, whilst research is aided by precise identifications of regions and ethnic groups, and explanations of designs, motifs and symbols associated with pile rugs and flatweaves.
Rich color illustrations and a scholarly text characterize this catalogue of a landmark exhibition of Mughal carpets held at the Metropolitan Museum of Art, New York, November 1997-March 1998. Though exquisite, Indian carpets are little known even to carpet experts. This volume (and the exhibition) focus on the 16th to the 18th century, a peak period for stunning works. The text surveys the era in terms of history, the role of commerce, technical characteristics, and the carpets themselves, which exemplify the broad range of imperial and provincial production during the "classical" period of Indian carpet weaving. Carpets are organized by style and pattern and include a group from Kyoto. Three appendices analyze animal fibers and dyes. Oversize (9.50x12.25"). Annotation copyrighted by Book News, Inc., Portland, OR
Filled with hundreds of gorgeous examples, this book is a comprehensive study of European and American carpets and rugs from the Middle Ages to the present day. The rich and inventive tradition of European and American carpets continues to inspire artists, designers, and decorators, while collectors and historians increasingly value carpets as important works of art. In this comprehensive volume, Sarah Sherrill examines Western carpet design and production from the Middle Ages to the present, in styles that range from magnificent palatial creations to delightful folk designs. With hundreds of dazzling illustrations, Sherrill's authoritative text includes chapters on Moorish weavers and the golden age of carpets in Spain; the exquisite carpets of the Savonnerie, Aubusson, and Beauvais in France; productions from Moorfields, Exeter, and Axminster in England; the intriguing but little-studied rugs of Eastern European countries; the charming and resourceful rugs of America; and an important chapter on modern designs that offers an extensive survey of rugs created by leading artists and architects of the nineteenth and twentieth centuries. Sherrill's stimulating text, based on years of research, brims with interesting new findings, not only on the history and design of these works, but also technological developments that had an often unrecognized effect on rug design and production. Supplementing the hundreds of reproductions of carpets are many views of the lavish rooms for which they were designed, as well as brilliant watercolor carpet designs, technical drawings clarifying weave and knot structures, and maps, making this an indispensable resource for historians, collectors, and anyone interested in beautiful furnishings and textiles. Sarah B. Sherrill, an authority on Western and Eastern carpets and rugs, has published many articles on the subject over the last two decades. She is on the faculty of The Bard Graduate Center for Studies in the Decorative Arts in New York and has taught in the graduate program in the history of decorative arts at the Cooper-Hewitt, National Design Museum/Parsons School of Design in New York. She is editor in chief of The Bard Graduate Center's journal Studies in the Decorative Arts and was an editor for over twenty years at the magazine Antiques. 400 illustrations
This monograph attempts to revise present ideas of the origins and early development of textiles in Europe and the Near East. Using linguistic techniques as well as methods from palaeobiology, it demonstrates that spinning and pattern-weaving existed far earlier than has been supposed.