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Euphonium parts in this book are written in Treble Clef. 20 Sheet Music Pieces For Euphonium There are 20 sheet music arrangements for solo Euphonium in this book. You will find some pieces very easy (Grade 1 Level) and some with medium difficulty (Grade 3 Level). Contents: 1. Amazing Grace 2. Beautiful Dreamer 3. The Blue Danube 4. Can Can 5. Valse Lente 6. Etude 7. Greensleeves 8. For He's a Jolly Good Fellow 9. La Donna E Mobile (From Rigoletto) 10. Lullabye 11. Merrily We Roll Along 12. My Heart at Thy Sweet Voice 13. Oh Susanna 14. Piano Concerto No 1 15. Radetzky March 16. Sonata Pathetique 17. The Entertainer 18. Theme From Jupiter 19. Waves of the Danube 20. When The Saints Go Marching In Compatible Devices The digital sheet music in this book can be viewed on all tablet devices and computers. My name is Michael Shaw, I hope you enjoy the sheet music in this book. Keywords: brass band instruments,euphonium,euphonium instrument,euphonium music,euphonium music sheet,euphonium sheet music,euphonium solo,euphonium solo sheet music,euphonium solos,euphonium treble clef,music brass instruments,sheet music euphonium,sheet music for euphonium
Euphonium parts in this book are written in Treble Clef. 20 Sheet Music Pieces For Euphonium There are 20 sheet music arrangements for solo Euphonium in this book. You will find some pieces very easy (Grade 1 Level) and some with medium difficulty (Grade 3 Level). Contents: 1. After the Ball 2. Barcarolle 3. Bill Bailey Won't You Please Come Home 4. Camptown Races 5. Caprice 6. Daisy Bell 7. Eine Kleine Nachtmusik 8. Fur Elise 9. Home on the Range 10. Liebestraum 11. Lightly Row 12. Michael Row The Boat Ashore 13. Minuet in G Major 14. Ode to Joy 15. Sonata in C Major 16. Roses From The South 17. Swan Lake 18. The New World Symphony 19. Euphonium Voluntary 20. Wedding March (Here Comes The Bride) Compatible Devices The digital sheet music in this book can be viewed on all tablet devices. My name is Michael Shaw, I hope you enjoy the sheet music in this book. Keywords: brass band instruments,euphonium,euphonium instrument,euphonium music,euphonium music sheet,euphonium sheet music,euphonium solo,euphonium solo sheet music,euphonium solos,euphonium treble clef,music brass instruments,sheet music euphonium,sheet music for euphonium
The Euphonium parts in this book are written in treble clef, there is also a bass clef version of this book for players who prefer to read bass clef, you can find this on my author page. This book contains twenty favourite Christmas carol sheet music arrangements for solo Euphonium. Skill Level: Grade1 to Grade 3. Contents: 1. I Saw Three Ships 2. Angels From The Realms Of Glory 3. Angels We Have Heard On High 4. Away In A Manger 5. Come, All Ye Shepherds 6. Deck The Halls 7. Ding Dong Merrily On High 8. Go Tell It On The Mountain 9. Hark The Herald Angels Sing 10. I Heard The Bells On Christmas Day 11. It Came Upon The Midnight Clear 12. Jingle Bells 13. Good King Wenceslas 14. O Christmas Tree 15. O Holy Night 16. See Amid The Winter's Snow 17. Silent Night 18. The Gloucestershire Wassail 19. The Wassail Song 20. We Three Kings Note Range I have tried to keep the note range for each instrument in the Favourite Christmas Carols Book 2 series as easy as possible and within the grade 1 to grade 3 level. If, on the rare occasion, you find a note too high or low, you can substitute that note with a note one octave higher or lower as needed. Ensemble Playing The Favourite Christmas Carols Book 2 series is currently available for 12 band and orchestral instruments, which means you can play in unison with two or more instruments. All arrangements are the same and each instrument will play the melody line. Music for each instrument is written in the appropriate key so as to match the ensemble. To get a book for a brass or woodwind instrument other than your own, choose from the Favourite Christmas Carols Book 2 series. You can view these books on my author page.
The Paris Conservatoire's rigorous curriculum for training both singers and instrumentalists led to a wealth of musical treasures in the form of pieces composed specifically for the end-of-year examinations, which culminated in a public prize competition, the Concours du Conservatoire. The solos composed for these examinations, both the sight-reading works and the longer contest pieces (morceaux de concours), constitute the first extended series of compositions for woodwinds, brass, and harp in music history, being composed nearly annually for each instrument beginning in the 1830s. The wealth of musical treasures resulting from this systematic accumulation of works represents the historical core of these instrumental repertories today. The present volume contains a selection of morceaux de concours and other pieces written in a similar style, representing some of the most influential oboists and composers associated with the Conservatoire.
Guide to the Euphonium Repertoire is the most definitive publication on the status of the euphonium in the history of this often misunderstood and frequently under-appreciated instrument. This volume documents the rich history, the wealth of repertoire, and the incredible discography of the euphonium. Music educators, composers/arrangers, instrument historians, performers on other instruments, and students of the euphonium (baritone horn, tenor tuba, etc.) will find the exhaustive research evident in this volume's pages to be compelling and comprehensive. Contributors are Lloyd Bone, Brian L. Bowman, Neal Corwell, Adam Frey, Marc Dickman, Bryce Edwards, Seth D. Fletcher, Carroll Gotcher, Atticus Hensley, Lisa M. Hocking, Sharon Huff, Kenneth R. Kroesche, R. Winston Morris, John Mueller, Michael B. O'Connor, Eric Paull, Joseph Skillen, Kelly Thomas, Demondrae Thurman, Matthew J. Tropman, and Mark J. Walker.
Guide to the Tuba Repertoire is the most comprehensive investigation ever undertaken into the literature and discography of any single musical instrument. Under the direction of R. Winston Morris and Daniel Perantoni, this publication represents more than 40 years of research by dozens of leading professionals throughout the world. The guide defines the current status of the tuba and documents its growth since its inception in 1835. Contributors are Ron Davis, Jeffrey Funderburk, David Graves, Skip Gray, Charles A. McAdams, R. Winston Morris, Mark A. Nelson, Timothy J. Northcut, Daniel Perantoni, Philip Sinder, Joseph Skillen, Kenyon Wilson, and Jerry A. Young.