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The Adventures of Henry and Eulalie explores magic and science as complementary elements that take young readers on adventures between diverse worlds. Quantum physics explains the underlying mechanisms that make young Henry’s wondrous journeys plausible. We begin with 11-year-old Henry Harris seemingly passing out at baseball practice, only to learn that his consciousness has been “bilocated” back to his birth planet by three scientists, one of whom is his uncle. Henry gets a brief explanation before being sent back to his Earth body. The boy learns of his unique origins as he travels through worlds of reason and science (Sun-Rhea), the land of his birth father (Donegal), and the many magical realms of the Wildlands, home of his birth mother (Mirabel) and his soon-to-be best friend, the fairy Eulalie. Henry and Eulalie travel through the Land of Echoes, populated by ghosts and shades, to the Sky in the Lake, where they free Mirabel from her underwater prison. The pair meet colorful characters such as the Tea Cup Lady, and Miles, an old country rabbit who lives in the no-man’s land between worlds. Henry and his friends face challenges on Earth, on Sun-Rhea, the Wildlands, and the various sub-worlds therein to ultimately face the evil Mocarsto in the Crystal Cave.
Articulates the role black theatricality played in the radical energy of the sixties Black Performance on the Outskirts of the Left illustrates the black political ideas that radicalized the artistic endeavors of musicians, playwrights, and actors beginning in the 1960s. These ideas paved the way for imaginative models for social transformation through performance. Using the notion of excess—its transgression, multiplicity, and ambivalence—Malik Gaines considers how performances of that era circulated a black political discourse capable of unsettling commonplace understandings of race, gender, and sexuality. Following the transnational route forged by W.E.B. Du Bois, Josephine Baker, and other modern political actors, from the United States to West Africa, Europe and back, this book considers how artists negotiated at once the local, national, and diasporic frames through which race has been represented. Looking broadly at performances found in music, theater, film, and everyday life—from American singer and pianist Nina Simone, Ghanaian playwrights Efua Sutherland and Ama Ata Aidoo, Afro-German actor Günther Kaufmann, to California-based performer Sylvester—Gaines explores how shared signs of racial legacy and resistance politics are articulated with regional distinction. Bringing the lens forward through contemporary art performance at the 2015 Venice Biennial, Gaines connects the idea of sixties radicality to today’s interest in that history, explores the aspects of those politics that are lost in translation, and highlights the black expressive strategies that have maintained potent energy. Black Performance on the Outskirts of the Left articulates the role black theatricality played in the radical energy of the sixties, following the evolution of black identity politics to reveal blackness’s ability to transform contemporary social conditions.
Carrie MacMillan, Lorraine McMullen, and Elizabeth Waterston have uncovered information about the lives and works of six such writers. Rosanna Leprohon, May Agnes Fleming, Margaret Murray Robertson, Susan Frances Harrison, Margaret Marshall Saunders, and Joanna E. Wood were once-popular novelists who are now for the most part ignored, with virtually all of their works out of print. MacMillan, McMullen, and Waterston show that these six writers deserve modern recognition not only for their literary accomplishments but also for what they reveal, through their work and their lives, about the condition of the woman writer in nineteenth-century Canada. The writings of these six women from varied backgrounds reflect their different experiences of life in the late nineteenth century. In this study a biographical profile of each author, set in the contemporary social context, is provided, as well as an analysis of career development, emphasising publishing history and critical response. As each case history unfolds, the broader picture emerges of an era when many ideas of personal and public life were changing.
A harmless ruse and scandalous passion send one woman from the plantations of Carolina to the wilds of Canada in this thrilling historical romance. Lili innocently thought her disguise as a servant was a harmless way to find out what the man she married was really like. She didn't consider that her husband would force her to become his mistress and then sell her as a slave before she could reveal her true identity. Before she can utter a sound, Lili is ripped from her pampered life on a Carolina plantation and forced to begin a dangerous journey that will test her willingness to survive and strength of spirit. In the unfamiliar Canadian wilderness Lili discovers that her passion cannot be tamed.
Examines the life and career of Edgar Allan Poe including synopses of many of his works, biographies of family and friends, a discussion of Poe's influence on other writers, and places that influenced his writing.