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These 24 preludes and 17 etudes-tableaux include what are possibly Rachmaninoff's finest compositions for solo piano. Reproduced from authoritative Russian editions, they include the popular C-sharp minor prelude, Op. 3, No. 2; the G-minor prelude, Op. 23, No. 5; and the B-minor prelude, Op. 32, No. 10.
Forty-one of the Russian master's greatest works for solo piano, including the immensely popular C-sharp minor, G-minor, and B-minor Preludes, in authoritative editions.
Expertly arranged Piano music of Etudes by Sergei Rachmaninoff from the Kalmus Edition series. These Etudes are from the Romantic and 20th Century eras.
From an earlier Belwin Mills edition, this is Volume 2 of a series of the piano works of the great Russian-American composer. These compositions were written as "picture pieces", though Rachmaninoff did not reveal what each piece was to suggest, preferring to leave that discovery to the pianist. This book contains the complete Opus 33 and Opus 39 works. Federation Festivals 2011-2013 selection.
Expertly arranged Piano music of Etudes by Sergei Rachmaninoff from the Kalmus Edition series. These Etudes are from the Romantic and 20th Century eras.
(Piano Collection). For advanced players, this is Rachmaninoff Complete Preludes, Op. 3, 23 and 32.
The six "Musical Moments" Opus 16 are a set of separate solo works for piano composed by Rachmaninoff in 1896. They present forms characteristic of previous musical eras, such as nocturne, song without words, barcarolle, etude, and theme and variations. Titles: No. 1 in B-Flat Minor * No. 2 in E-Flat Minor * No. 3 in B Minor * No. 4 in E Minor * No. 5 in D-Flat Major * No. 6 in C Major.
Throughout his career as composer, conductor, and pianist, Sergei Rachmaninoff (1873-1943) was an intensely private individual. When Bertensson and Leyda's 1956 biography appeared, it lifted the veil of secrecy on several areas of Rachmaninoff's life, especially concerning the genesis of his compositions and how he was affected by their critical reception.These pages are fabulously peopled. Here we find the Tchaikovsky brothers, Rimsky-Korsakov, Scriabin, Glazunov, and Stravinsky, as well as Chekhov, Stanislavsky, Chaliapin, Fokine, Hofmann, and Horowitz.This biography reflects direct consultation with a number of people who knew Rachmaninoff, worked with him, and corresponded with him. Even with the availabilty of such sources and full access to the Rachmaninoff Archive at the Library of Congress, Bertensson, Leyda, and Satina (Rachmaninoff's cousin and sister-in-law) were tireless in their pursuit of privately held documents, particularly correspondence. The wonderfully engaging product of their labours masterfully incorporates primary materials into the narrative. Almost half a century after it first appeared, this volume remains essential reading.