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Tiré du site de l'éditeur: "On December 17, 1972 a photograph was made of Bernd Becher at the instant almost exactly after he had been asked to "look like" a pirest, a criminal, a lover, an old man, a pliceman, an artist, "Bernd Becher", a philosopher, a spa and a "nice guy", in that order. To make it almost impossible for Becher to remember his own "faces" more than two months were allowed to pass before prints of the photographs were sent to him ; the photographs were numbered differently from the original sequence and Becher was asked to make the "correct" associations with the given verbal terms."
In an original and evocative journey through modern Paris from the mid-eighteenth century to World War II, Patrice Higonnet offers a delightful cultural portrait of a multifaceted, continually changing city. In examining the myths and countermyths of Paris that have been created and re-created over time, Higonnet reveals a magical urban alchemy in which each era absorbs the myths and perceptions of Paris past, adapts them to the cultural imperatives of its own time, and feeds them back into the city, creating a new environment. Paris was central to the modern world in ways internal and external, genuine and imagined, progressive and decadent. Higonnet explores Paris as the capital of revolution, science, empire, literature, and art, describing such incarnations as Belle Epoque Paris, the Commune, the surrealists' city, and Paris as viewed through American eyes. He also evokes the more visceral Paris of alienation, crime, material excess, and sensual pleasure. Insightful, informative, and gracefully written, "Paris" illuminates the intersection of collective and individual imaginations in a perpetually shifting urban dynamic. In describing his Paris of the real and of the imagination, Higonnet sheds brilliant new light on this endlessly intriguing city.
A wide-ranging account of opera on stage and in society in the age of Rousseau, from Rameau to Gluck.
"In this book Benjamin reveals Baudelaire as a social poet of the very first rank. More than a series of studies of Baudelaire, these essays show the extent to which Benjamin identifies with the poet and enable him to explore his own notion of heroism."--BOOK JACKET.
Memo Kiswahili noun classes are the backbone of the language. When you master it, you have done with Kiswahili. Many Kiswahili books are not user friendly. This is due to how they have treated these noun classes but, with this manual you will enjoy yourself. All nouns are treated in appropriate noun class with other grammatical processes like possessive marker, relative markers and many others. Also, sample questions are there with their answers. Every topic has some examples on how to go about, together with simple exercises which have their answers at the back. Enjoy your study.
Oppositional Voices is a study of six women writers in the late Elizabethan period, who, ignoring Renaissance society's injunction that women should confine themselves to religious compositions, wrote and translated poetry, drama and romantic fiction. Tina Krontiris brings together their work, including at times their voiced opposition to certain oppressive ideas and stereotypes. Rather than simply glorify these voices, her study subtly probes the influence of a culture inimical to female creative activity on the writings of these women.