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Êtes-vous un tatoueur et souhaitez-vous un bon carnet de croquis pour concevoir vos propres créations? Peut-être voulez-vous essayer certaines des conceptions de vos clients sur papier avant de passer à la peinture corporelle? Vous pourriez aussi bien être un débutant souhaitant simplement apprendre à dessiner, à dessiner et à tatouer? Ce livre est parfait pour les tatoueurs, les studios de tatouage, les foires de tatouage, la préparation d'oeuvres d'art corporel, etc. Il contient des modèles professionnels pour pouvoir dessiner et esquisser différents modèles, choisir des couleurs et faire le travail préliminaire avant d'effectuer le tatouage sur le corps. Il peut être utilisé à la fois professionnellement pour des tatoueurs expérimentés dans des studios de tatouage ou par la personne qui veut juste s'amuser et apprendre à dessiner des tatouages Obtenez votre copie du carnet de croquis de tatouage professionnel, aujourd'hui! Pour vous, votre entreprise ou quelqu'un que vous pensez pourrait l'apprécier!
In the 1830s, missionaries in French Polynesia sought to suppress the traditional art of tattooing, because they believed it to be a barbaric practice. More than 150 years later, tattooing is once again thriving in French Polynesia. This engrossing book documents the meaning of tattooing in contemporary French Polynesian society. As a permanent inscription, a tattoo makes a powerful statement about identity and culture. In this case, its resurgence is part of a vibrant cultural revival movement. Kuwahara examines the complex significance of the art, including its relationship to gender, youth culture, ethnicity and prison life. She also provides unique photographic evidence of the sophisticated techniques and varied forms that characterize French Polynesian tattooing today.Winner of The Japanese Society for Oceanic Studies Award 2005.
Abdelkébir Khatibi is one of the most important voices to emerge from North Africa in postcolonial studies. This book is the first to offer a thoroughgoing analysis in English of all aspects of his multifaceted thought, as it ranges from Moroccan politics to Arabic calligraphy, and from decolonisation to interculturality.
Joshua Seigl, a celebrated but reclusive author, is forced for reasons of failing health to surrender his much-prized bachelor's independence. Advertising for an assistant, he unwittingly embarks upon the most dangerous adventure of his privileged life. Alma Busch, a sensuous, physically attractive young woman with bizarre tattoos covering much of her body, stirs in Seigl a complex of emotions: pity? desire? responsibility? guilt? Unaware of her painful past and her troubled personality, Seigl hires her as his assistant. As the novel alternates between Seigl's and Alma's points of view, the naïve altruism of the one and the virulent anti-Semitism of the other clash in a tragedy of thwarted erotic desire. With her masterful balance of dark suspense and surprising tenderness, Joyce Carol Oates probes the contemporary tragedy of ethnic hatred and challenges our accepted limits of desire. The Tattooed Girl may be her most controversial novel.
Abdelkebir Khatibi (1938-2009) was among the most renowned North African literary critics and authors of the past century whose unique treatments of subjects as vast as orientalism, otherness, coloniality, aesthetics, linguistics, sexuality, and the nature of contemporary critique have inspired major figures in postcolonial theory, deconstruction, and beyond. At once a philosophical visionary and provocative writer, Khatibi's impressive contributions have been well-established throughout French and continental literary circles for several decades. As such, this English translation of one of his masterworks, Maghreb Pluriel (1983), marks a pivotal turn in the opportunity to wrest some of Khatibi's most profound meditations to the forefront of a more global audience. Including such highly significant pieces as "Other-Thought," "Double Critique," "Bilingualism and Literature," and "Disoriented Orientalism," the ambition behind this volume is to showcase the true experimental complexity and conceptual depth of Khatibi's thinking. Engaging the cultural-intellectual urgencies of a colonial frontier (in this case, the so-called Middle East/North Africa) this book expands our contemplative boundaries to render a globally-dynamic commentary that traverses the East-West divide.