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Collection of original studies on the contemporary practice of archaeology as a professional and scholarly endeavor.
This volume charts archaeological ethnography as a new territory of engagement and research. Archaeological Ethnography is defined here as a trans-disciplinary and trans-cultural space, a meeting ground for diverse publics and researchers, in archaeology, social anthropology, and potentially other disciplines practices and traditions. It is a space that encourages and fosters dialogue, collaboration and critique on materiality and temporality, on archaeology as a social practice in the present, on the links, interactions and associations amongst things and people, on local and trans-local valorisations of past material remains. Bringing together the most notable practitioners of this new area from archaeology and social anthropology, and building on a wide range of case studies from England, Greece, Italy, Kyrgyzstan, Mexico, Thailand, and the United States, the volume explores issues of definition and ontology, epistemology and method, but also ethics and politics. This dialogic book will inspire readers to shape their own view and position on this emerging field, and experiment with their own archaeological ethnographies.
Ethnographic archaeology has emerged as a form of inquiry into archaeological dilemmas that arise as scholars question older, more positivistic paradigms. Ethnographic Archaeologies describes diverse methods, objectives, and rationalities currently employed in the making of engaged and collaborative archaeological research.The contributors to this volume, for example, understand ethnographic archaeology variously as a means of critical engagement with heritage stakeholders, as the basis of public-policy debates, as a critical archaeological study of ethnic groups, as the study of what archaeology actually does (as opposed to what researchers often think they are doing) in excavations and surveys, and as a foundation for transnational collaborations among archaeologists. What keeps the term "ethnographic archaeology" coherent and relevant is the consensus among practitioners that they are embarking on a new archaeological path by attempting to engage the present directly and fundamentally.
In this revised thesis Matt Edgeworth views archaeological theory and practice through the eyes of an ethnographer. He examines the act of fieldwork for example as a craft that can be recorded and analysed as an ethnographer would treat his subject.
Examines how the past is mediated by social engagements in the present and the consequences of those encounters. This book considers how concepts of nationalism.
This volume – which has come about through a collaborative venture between Dragos Gheorghiu (archaeologist and professional visual artist) and Theodor Barth (anthropologist) – aims at expanding the field of archaeological research with an anthropological understanding of practices that include artistic methods.
In the accounts compiled in this book, ethnography occurs through processes of material and social interventions that turn the field into a site for epistemic collaboration. Through creative interventions that unfold what we term as “fieldwork devices”—such as coproduced books, the circulation of repurposed data, co-organized events, authorization protocols, relational frictions, and social rhythms—anthropologists engage with their counterparts in the field in the construction of joint anthropological problematizations. In these situations, the traditional tropes of the fieldwork encounter (i.e. immersion and distance) give way to a narrative of intervention, where the aesthetics of collaboration in the production of knowledge substitutes or intermingles with participant observation. Building on this, the book proposes the concept of “experimental collaborations” to describe and conceptualize this distinctive ethnographic modality.
Archaeology for whom? The dozen well-known contributors to this innovative volume suggest nothing less than a transformation of the discipline into a service-oriented, community-based endeavor. They wish to replace the primacy of meeting academic demands with meeting the needs and values of those outside the field who may benefit most from our work. They insist that we employ both rigorous scientific methods and an equally rigorous critique of those practices to ensure that our work addresses real-world social, environmental, and political problems. A transformed archaeology requires both personal engagement and a new toolkit. Thus, in addition to the theoretical grounding and case materials from around the world, each contributor offers a personal statement of their goals and an outline of collaborative methods that can be adopted by other archaeologists.
"Compelling, energizing, and foundational. Opens up an anthropological orientation, one which is welcome and exhilarating. Lafrenz Samuels's equally significant introduction of the transnational as a new orientation in heritage studies offers an escape route from the conception of heritage as monopolized by the nation-state."--Denis Byrne, author of Counterheritage: Critical Perspectives on Heritage Conservation in Asia Mapping out emerging areas for global cultural heritage, this book provides an anthropological perspective on the growing field of heritage studies. Kathryn Lafrenz Samuels adopts a dual focus--looking back on the anthropological foundations for cultural heritage research while looking forward to areas of practice that reach beyond national borders: economic development, climate action, democratic practice, heritage rights, and global justice. Working around the traditional authority of the nation-state and intergovernmental treaty-based organizations such as UNESCO, these issues characterize heritage activity in transnational networks. Lafrenz Samuels argues that transnational heritage involves an important shift from a paradigm of preservation to a paradigm of development. Responding to this expanding developmental sensibility, she positions cultural heritage as a persuasive tool for transformative action, capable of mobilizing and shaping social change. She shows how anthropological approaches help support the persuasive power of heritage in the transnational sphere.