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Ethiopia, mythically Jewish until it was converted to Christianity in the fourth century, was almost isolated from Europe by the screen of Islam after the seventh century. Thus it has retained many cultural features that disappeared elsewhere, among them a tradition of talismanic art. Talismans are not considered products of human kill but part of a "mystery" reproduced through revelation. Thus the Ethiopian genius translated into pictorial language on "magic scrolls" the antique theory of correspondence between men, animals, stars, demons, sicknesses, etc. The artist saw their work as interlaces filled with eyes in order to protect a man as defined by his astrological sign. These paintings were considered to command spirits. This book provides a commentary on these ancient scrolls.--Publisher's description.
This book provides a handlist of the Islamic codices hosted in the library of the Institute of Ethiopian Studies at the University of Addis Ababa (Ethiopia). Theirs is one of the most important collections of Islamic manuscripts in the horn of Africa. Almost totally unexplored, the collection contains many valuable examples of the rich and variegated manuscript tradition of the Ethiopian Muslims. Each entry describes the main physical features and the most important texts contained in the codex. The catalogue includes a detailed analysis of a selection of watermarked papers and bindings--richly illustrated with pictures from the manuscripts. An extensive appendix contains over eighty plates of paleographical samples of dated manuscripts. Several indices (titles of the works, personal and place names, etc.) facilitate the usage of the handlist for further research.
The series Ethiopic Manuscripts, Texts, and Studies offers, in the first place, catalogues of the Ethiopic Manuscript Imaging Project, whose purpose it is to digitize and catalogue collections of Ethiopic manuscripts in North America and around the world. Beyond this, though, the series offers a venue for monographs, revised dissertations, and texts that explore the rich historical, literary, and artistic traditions of Ethiopia and the Ethiopian Orthodox Church. From the Series Foreword.
This book provides a handlist of the Islamic codices hosted in the library of the Institute of Ethiopian Studies at the University of Addis Ababa (Ethiopia). Theirs is one of the most important collections of Islamic manuscripts in the horn of Africa. Almost totally unexplored, the collection contains many valuable examples of the rich and variegated manuscript tradition of the Ethiopian Muslims. Each entry describes the main physical features and the most important texts contained in the codex. The catalogue includes a detailed analysis of a selection of watermarked papers and bindings--richly illustrated with pictures from the manuscripts. An extensive appendix contains over eighty plates of paleographical samples of dated manuscripts. Several indices (titles of the works, personal and place names, etc.) facilitate the usage of the handlist for further research.
The three Garima Gospels are the earliest surviving Ethiopian gospel books. They provide glimpses of lost late antique luxury gospel books and art of the fifth to seventh centuries, in the Aksumite kingdom of Ethiopia as well as in the Christian East. As this work shows, their artwork is closely related to Syriac, Armenian, Greek, and Georgian gospel books and to the art of late antique (Coptic) Egypt, Nubia, and Himyar (Yemen). Like most gospel manuscripts, the Garima Gospels contain ornately decorated canon tables which function as concordances of the different versions of the same material in the gospels. Analysis of these tables of numbered parallel passages, devised by Eusebius of Caesarea, contributes significantly to our understanding of the early development of the canonical four gospel collection. The origins and meanings of the decorated frames, portraits of the evangelists, Alexandrian circular pavilion, and unique image of the Jerusalem Temple are elucidated. The Garima texts and decoration demonstrate how a distinctive Christian culture developed in Aksumite Ethiopia, while also belonging to the mainstream late antique Mediterranean world. Lavishly illustrated in colour, this volume presents all of the Garima illuminated pages for the first time and extensive comparative material. It will be an essential resource for those studying late antique art and history, Ethiopia, eastern Christianity, New Testament textual criticism, and illuminated books.
The Catalog of the Ethiopic Manuscript Imaging Project (EMIP), volume 2, provides a full catalog for EMIP codex numbers 106 through 200, and magic scrolls 135 through 284. Each catalog entry for the codices provides a full physical description, a listingof contents (with incipits), illuminations, varia (known works added later), notes on codicology and scribal practice, as well as a full quire map. Opening articles provide an introduction to the collection and its codicology, and an introduction to thisset of Ethiopian scrolls of spiritual healing. Seven indices (general, works in the codices, names in the codices, miniatures in the codices, scribal practices, works in the scrolls, and names in the scrolls) provide quick access for researchers.
One of numerous texts that were removed from the Bible. This piece was traditionally attributed to Enoch. These Parables are part of the tradition of Apocalyptic Literature, and come to us as the Voice of God.