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Groom combines an original perpective on life with thoughts from notable individuals on such topics as work, sex, marriage, investing, money, parenthood, and education.
This book tells the story of the Hakka Chinese in Sarawak, Malaysia, who were targeted as communists or communist sympathizers because of their Chinese ethnicity the 1960s and 1970s. Thousands of these rural Hakkas were relocated into “new villages” surrounded by barbed wire or detained at correction centres, where incarcerated people were understood to be “sacrificial gifts” to the war on communism and to the rule of Malaysia’s judicial-administrative regime. The Hakkas of Sarawak looks at how these incarcerated people struggled for survival and dealt with their defeat over the course of a generation. Using methodologies of narrative theory and exchange theory, Kee Howe Yong provides a powerful account of the ongoing legacies of Cold War oppression and its impact on the lives of people who were victimized by these policies.
The Man Who Sold the World is a critical study of David Bowie's most inventive and influential decade, from his first hit, "Space Oddity," in 1969, to the release of the LP Scary Monsters (and Super Creeps) in 1980. Viewing the artist through the lens of his music and his many guises, the acclaimed journalist Peter Doggett offers a detailed analysis—musical, lyrical, conceptual, social—of every song Bowie wrote and recorded during that period, as well as a brilliant exploration of the development of a performer who profoundly affected popular music and the idea of stardom itself. Dissecting close to 250 songs, Doggett traces the major themes that inspired and shaped Bowie's career, from his flirtations with fascist imagery and infatuation with the occult to his pioneering creation of his alter-ego self in the character of Ziggy Stardust. What emerges is an illuminating account of how Bowie escaped his working-class London background to become a global phenomenon. The Man Who Sold the World lays bare the evolution of Bowie's various personas and unrivaled career of innovation as a musician, singer, composer, lyricist, actor, and conceptual artist. It is a fan's ultimate resource—the most rigorous and insightful assessment to date of Bowie's artistic achievement during this crucial period.
Considers how ancient Greek comedy offers a model for present-day politics. With Democratic Swarms, Page duBois revisits the role of Greek comedy in ancient politics, considering how it has been overlooked as a political medium by modern theorists and critics. Moving beyond the popular readings of ancient Greece through the lens of tragedy, she calls for a revitalized look at Greek comedy. Rather than revisiting the sufferings of Oedipus and his family or tragedy’s relationship to questions of sovereignty, this book calls for comedy—its laughter, its free speech, its wild swarming animal choruses, and its rebellious women—to inform another model of democracy. Ancient comedy has been underplayed in the study of Greek drama. Yet, with the irrepressible energy of the comic swarm, it provides a unique perspective on everyday life, gender and sexuality, and the utopian politics of the classical period of Athenian democracy. Using the concepts of swarm intelligence and nomadic theory, duBois augments tragic thought with the resistant, utopian, libidinous, and often joyous communal legacy of comedy, and she connects the lively anti-authoritarianism of the ancient comic chorus with the social justice movements of today.
"A timeless teaching on living wisely in the midst of uncertainty and insecurity, with facing-page commentary that brings the text to life."--Cover.
G.E.M. Anscombe (1919-2001) was one of the most important, outspoken, and misunderstood philosophers of the twentieth century. More than anyone else she revived virtue ethics and the philosophy of action. She was also almost alone in publicly opposing Oxford University's decision to award an honorary degree to President Truman. She regarded his decision to authorize bombing Hiroshima and Nagasaki as murderous. Some liberals admire her for this stand, but conservatives also admire her for her opposition to abortion, contraception, and same-sex marriage. Clearly her values were not those of her times. This led her to reflect on the differences, producing such works as Modern Moral Philosophy, in which she rejected all modern theories of ethics. In this paper she coins the term 'consequentialism' to describe the dominant view, which she rejects, that what matters morally is the results of what one does. Put crudely, the ends can justify the means. If enough lives can be saved by targeting civilians, then civilians should be targeted. Against this, Anscombe insisted that certain actions are forbidden, which prompted her interest in the nature of action and its relation to a person's character. Whether one agrees with her or not, these are all issues that continue to be relevant and on which Anscombe's views are always strong and intelligently defended. Her presentation of these views, unfortunately, is often dense, and they are often badly misunderstood even by some very able minds. Anscombe's Moral Philosophy clarifies what Anscombe thought about ethics, showing how her different ideas connect and how she supported them. It also evaluates her reasoning, showing that it is stronger in some parts than in others. The five main chapters of the book deal in turn with her work on military ethics (including the so-called doctrine of double effect), her rejection of consequentialism, her attack on the modern, atheist notion of moral obligation, her analysis of intention and its relevance for ethics, and her controversial ideas about sex.
Opening with the provocative query “what might an anthropology of the secular look like?” this book explores the concepts, practices, and political formations of secularism, with emphasis on the major historical shifts that have shaped secular sensibilities and attitudes in the modern West and the Middle East. Talal Asad proceeds to dismantle commonly held assumptions about the secular and the terrain it allegedly covers. He argues that while anthropologists have oriented themselves to the study of the “strangeness of the non-European world” and to what are seen as non-rational dimensions of social life (things like myth, taboo, and religion),the modern and the secular have not been adequately examined. The conclusion is that the secular cannot be viewed as a successor to religion, or be seen as on the side of the rational. It is a category with a multi-layered history, related to major premises of modernity, democracy, and the concept of human rights. This book will appeal to anthropologists, historians, religious studies scholars, as well as scholars working on modernity.