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This timely collection brings together critical, analytic, historical, and practical studies to address what ethics means in the practice of design. Designers face the same challenges as everyone else in the complex conditions of contemporary cultural life-choices about consumption, waste, exploitation, ecological damage, and political problems built into the supply chains on which the global systems of inequity currently balance precariously. But designers face the additional dilemma that their paid work is often entangled with promoting the same systems such critical approaches seek to redress: how to reconcile this contradiction, among others, in seeking to chart an ethical course of action while still functioning effectively in the world. Ethics in Design and Communication acknowledges the complexity of this subject matter, while also demonstrating that in the ongoing struggle towards an equitable and sustainable world, the talents of design and critical thought are essential. Featured case studies include graphic design internships today, the dark web, and media coverage of the 2016 US presidential election. The fact that within this book such a wide array of practitioners, scholars, critics, and professionals commit to addressing current injustices is already a positive sign. Nonetheless, it is essential that we guard against confusing the coercive force of moral imperatives with ethical deliberation when conceiving a foundation for action.
The value of design for contributing to environmental solutions and a sustainable future is increasingly recognised. It spans many spheres of everyday life, and the ethical dimension of design practice that considers environmental, social and economic sustainability is compelling. Approaches to design recognise design as a practice that can transform human experience and understanding, expanding its role beyond stylistic enhancement. The traditional roles of design, designer and designed object are therefore redefined through new understanding of the relationship between the material and immaterial aspects of design where the design product and the design process are embodiments of ideas, values and beliefs. This multi-disciplinary approach considers how to create design which is at once aesthetically pleasing and also ethically considered, with contributions from fields as diverse as architecture, fashion, urban design and philosophy. The authors also address how to teach design based subjects while instilling a desire in the student to develop ethical work practices, both inside and outside the studio.
Sustainability as a concept remains just as challenging and important today as it was when the first edition of this book was published. The Second Edition of Sustainability and Design Ethics explores the ethical obligations of knowledgeable people such as design professionals, taking into consideration the numerous changes that have taken place in recent years. This book expands the growing discussion on the principles of sustainability to further include the role of businesses and governments and considers the general recognition that modern society has occurred at the expense of nature with significant social and environmental impacts. Are there limits to the individual’s ethical obligation? How do such obligations change or adapt to a world of sustainable design? As the shift toward sustainability proceeds, designers’ ethical underpinnings will be confronted with a wider range of people and concerns whose interests must be weighed. The design professionals are likely to be among the lead in the shift toward sustainability because of the special knowledge and expertise provided to them by their education, experience, and distinctive position in society. The entire world of design is being reassessed and the guiding principles and ethics of design reflect this change. New to the Second Edition: Expanded international scope that includes a comparison of professional organizations in the EU, Australia, Canada, Japan and China Discusses how cultural differences between the West and China result in different underlying foundations for professional ethics Revised analyses to reflect changes in regulatory and technical areas such as the inevitable rise of artificial intelligence in design Updated arguments reflecting the need for sustainability and the designer's role and obligations Updated references pertaining to the progress of sustainable design and development Sustainability and Design Ethics, Second Edition is an attempt to explore the ideas and principles that might contribute to the thinking of thoughtful design professionals. The emergence of "green" design discussed in this book is used to evidence progress, but also to demonstrate the degree to which more is needed.
Is your organization harvesting the positive results of thinking and acting ethically? Ethics by Design delivers essential guidance for those who would follow Peter Drucker's sage advice: It is more important to do what is right than it is to do things right.
A 2022 Choice Reviews Outstanding Academic Title What ends should designers pursue? To what extent should they care about the societal and environmental impact of their work? And why should they care at all? Given the key influence design has on the way people live their lives, designing is fraught with ethical issues. Yet, unlike education or nursing, it lacks widespread professional principles for addressing these issues. Rooted in a communitarian view of design practice, this lively and accessible book examines design through the lens of professions, offering a critical vision that enables practitioners, academics and students of design in all disciplines to reflect on the practice’s overarching purposes. Considering how these are connected to others' flourishing and moulded by community interactions, "The Goods of Design" argues for a practice-based approach to cultivate professional ethics; it provides a normative direction that can meaningfully guide professional design activity, both individually and collectively. The volume also looks into the implications work has for the designer's self-growth as a person, offering ways to discover and navigate the complex tensions between personal and professional life.
The author seeks to marry abstract ideas with practical application, removing some of the mystique that surrounds philosophy and highlighting its relevance for all of us. It will engage designers in a debate about their profession and in an analysis of their value and worth.
"The city," according to urban design scholar Gideon Golany, is"the largest and most complicated project ever produced byhumankind." In Ethics and Urban Design, he challenges designprofessionals to reexamine their basic assumptions about the urbanenvironment and offers design strategies based on enduring humanvalues. In search of answers to the paradoxical problems of the moderncity, Golany takes the reader through the sweep of humansettlements from the dawn of civilization to the present. Hisauthoritative examination of the genesis of the city is illuminatedby instructive examples of early urban centers. Mesopotamia, theIndus River Valley, the Egyptian cities of the Nile, and thecapital cities of ancient China--all are examined in the light ofwhat made them work as major centers of human activity. What Golany finds in the success stories of the past are cohesivesociocultural values that shaped the design of homes,neighborhoods, and cities. These ethical values helped to maintainan equilibrium within the society that permeated its natural,social, and human-made environments. In the present era,conversely, he finds a major disconnection between human values andthe ethics of technology, which has resulted in confusion,imbalance, and dehumanization. To help designers gain a perspective on possible solutions, Golanyexplains leading comprehensive design strategies, including thevalley theory, the urban border zone concept, and the regionalconcept of Patrick Geddes. In the case study of contemporaryHolland, he details what a small, densely populated country hasbeen able to achieve through design planning rooted inenvironmental ethics. "Future Frontiers for Urban Design," the culminating section ofthis groundbreaking book, opens with Golany's vision of the futurecity. He examines the issues of thermal performance and climate asthey relate to urban design and offers the concept of"geospace"--the earth-enveloped habitat. Buttressing hispresentation with detailed information on the mechanics ofgeospace, Golany describes case studies of the successful use ofearth-enveloped habitats in China and Tunisia. He makes a powerfulargument for the geospace city as a renewal of ancient traditionsthat can restore the vital equilibrium between nature and humansettlements that we seem to have lost. Ethics and Urban Design is a distinguished scholar's analysis andprescription for the city; it offers an abundance of stimulatingideas for the architects, designers, and planners who have assumedresponsibility for its future. Ethics & Urban Design draws on historical examples andcontemporary case studies from around the world to illustrate urbandesign strategies that can help restore equilibrium to the natural,social, and built environments of the city. In this stimulatingbook, urban design scholar Gideon Golany offers architects,designers, and planners both an in-depth analysis of thefundamental issues of urban design and practical options for thedesign of the future city. * Examines the genesis and development of the city from theearliest presettlements to the rise of urban society * Presents urban design strategies based on historical examples ofearly urban centers, including Mesopotamia, the Indus River Valley,Egypt, and China * Offers case studies of environmental success stories from Europe,Asia, and Africa * Details geospace design options--the use of underground space fordiversified land use, housing, and transportation * Fully illustrated, with over 80 photographs, drawings, anddiagrams
Freedom is compelling in design; it has to be acknowledged, accepted, and comprehended in all its existential complexity to better understand and engage the intricate ethical domain of design practice. The book addresses that issue by thoroughly examining design ethics, and design in general, within an existentialist philosophical framework. Its inquiry reveals a puzzling and unsettling reality of design ethics, and hence what constitutes an ethical design practice where there is no exit for designers but complete acceptance of their freedom and responsibility. This book makes a unique, original, and invaluable contribution to the design literature and design ethics scholarship. Scholars, professors, students, and professionals in all design disciplines, as well as any person involved in arts, humanities, philosophy, social sciences, and engineering, will find philosophical insights that will challenge design thinking and inspire them to rethink design ethics as an agency of human existence making instead of code compliance. Making a case for existentialist design ethics, this book lays the ground for a radical transformation of how we conceive design, ethics in design practice, and the role of designers in the world.
Both engineering and human living take place in a messy world, one chock full of unknowns and contingencies. "Design reasoning" is the way engineers cope with real-world contingency. Because of the messiness, books about engineering design cannot have "ideal solutions" printed in the back in the same way that mathematics textbooks can. Design reasoning does not produce a single, ideally correct answer to a given problem but rather generates a wide variety of rival solutions that vie against each other for their relative level of "satisfactoriness." A reasoning process analogous to design is needed in ethics. Since the realm of interpersonal relations is itself a fluid and highly contingent real-world affair, design reasoning offers the promise of a useful paradigm for ethical reasoning. This volume undertakes two tasks. First, it employs design reasoning to illustrate how technological artifacts can be assessed for their inherent moral properties. Second, it uses the design paradigm as a means for bringing engineering ethics into conversation with Christian theology in order to show how each can be for the other a catalyst for the revolutionary task of living by design.