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These companion volumes, long out of print, are now presented together for the first time so that the reader may better grasp their essential unity. In Ether, God and Devil, Wilhelm Reich describes the process of functional thinking and reveals how the inner logic of this objective thought technique led him to the discovery of cosmic orgone energy. In Cosmic Superimposition, Reich steps beyond the character structure of man to an understanding of how man is rooted in nature. The super-imposition of two orgone-energy systems which is demonstrable in the genital embrace is revealed as a common functioning principal that exists in all of nature. Concluding this work, Reich returns to the human sphere "to ponder about the greatest riddle of all: the ability of man to think, and by mere thinking to know what nature is and how it works."
These companion volumes, long out of print, are now presented together for the first time so that the reader may better grasp their essential unity. In Ether, God and Devil, Wilhelm Reich describes the process of functional thinking and reveals how the inner logic of this objective thought technique led him to the discovery of cosmic orgone energy. In Cosmic Superimposition, Reich steps beyond the character structure of man to an understanding of how man is rooted in nature. The super-imposition of two orgone-energy systems which is demonstrable in the genital embrace is revealed as a common functioning principal that exists in all of nature. Concluding this work, Reich returns to the human sphere "to ponder about the greatest riddle of all: the ability of man to think, and by mere thinking to know what nature is and how it works."
Every culture has its own word for this nothing. Synonymous with the idea of absolute space and time, the ether is an ancient concept that has continually determined our definition of environment, our relations to each other, and our ideas about technology. It has also instigated our desire to know something irrepressibly beyond all that. In Ether, the histories of mysticism and the unseen merge with discussions of the technology and science of electromagnetism. Joe Milutis explores how the ideas of Anton Mesmer and Isaac Newton have manifested themselves as the inspiration for occult theories and artistic practices from Edgar Allan Poe’s works to today. In doing so, he demonstrates that fading in and out of scientific favor has not prevented the ether, a uniquely immaterial concept, from being a powerful force for material progress. Milutis deftly weaves the origins of electrical science with alchemical lore, nineteenth-century industrialism with yogic science, and network space with dreams of the absolute. Linking the ether to phenomena such as radio noise, space travel, avant-garde film, and the rise of the Internet, he lends it an almost physical presence and currency. From Federico Fellini to Gilles Deleuze, Japanese anime to Italian Futurism, Jean Cocteau to NASA, Shirley Temple to Wilhelm Reich, Ether traverses geographical boundaries, spiritual planes, and the divide between popular and high culture. Navigating more than three hundred years of the ether’s cultural and artistic history, Milutis reveals its continuous reinvention and tangible impact without ever losing sight of its ephemeral, elusive nature. The true meaning of ether, Milutis suggests, may be that it can never be fully grasped. Joe Milutis is assistant professor of art at the University of South Carolina. His writing has appeared in such publications as ArtByte, Wide Angle, Film Comment, and Cabinet.
Here is an authoritative introduction to Wilhelm Reich's science of life energy, or orgonomy. Ola Raknes covers every aspect of this controversial subject, explaining among much else the liberation of sexual energy, the nature of functional thinking, mind-body functional identity, the four-beat orgasm formula, and the bearing of life energy on religion, education, medicine and psychology. In addition, his own reminiscences provide an unexpected personal dimension. At the time of Reich's death in a federal penitentiary, Raknes was one of the few men still loyal to him and one of the few to enjoy his full confidence. Because Raknes worked so closely with Reich and later followed every development of orgonomic research, Wilhlem Reich and Orgonomy fills an important place both in the context of Reich's own writings and in current studies of life energy.
From the translator's introduction: "In picking up this book, you are about to embark on a fascinating journey. It is a journey to places where, according to the author, many of us have already been but about which we have forgotten. It is also a journey within, into that psychological space where our ideas and beliefs about God, spirituality, and religion reside. During both journeys, we are likely to encounter wonder and recognition, skepticism and acceptance, rejection and admiration, confusion and long-sought understanding. For some, this journey will be the start of a much larger one; for some it is but one more leg of a journey undertaken earlier; in any case, The Rose of the World is not a final destination." Completed in 1959, hidden from the Soviet secret police for twenty years, The Rose of the World was first made public through excerpts in the magazine Novy Mir in 1989. The Rose of the World is a unique and poetic cosmological treatise, passionately written out of personal spiritual experience. It offers a prophetic call for the spiritual reunification of all people and an open and harmonious relationship among the great world religions. For Daniel Andreev, The Rose of the world is a spiritual flower whose roots are in heaven; each petal is a unique image of the great world religions and cultures, and the whole flower is their joint co-creation with God. Lindisfarne Books is proud to publish the first English translation of this masterpiece of contemporary Russian spiritual literature, a work that belongs to Russian religious thought in the tradition of Vladimir Soloviev, and to the West in the tradition of Dante and Blake--truly a work for the twenty-first century.
Despite the much vaunted ’end of religion’ and the growth of secularism, people are engaging like never before in their own ’spiritualities of life’. Across the West, paranormal belief is on the rise. The Ashgate Research Companion to Paranormal Cultures brings together the work of international scholars across the social sciences and humanities to question how and why people are seeking meaning in the realm of the paranormal, a heretofore subjugated knowledge. With contributions from the UK and other European countries, the USA, Australia and Canada, this ground-breaking book attends to the paranormal as a position from which to critique dominant forms of knowledge production and spirituality. A rich exploration of everyday life practices, textual engagements and discourses relating to the paranormal, as well as the mediation, technology and art of paranormal activity, this book explores themes such as subcultures and mainstreaming, as well as epistemological, methodological, and phenomenological questions, and the role of the paranormal in social change. The Ashgate Research Companion to Paranormal Cultures constitutes an essential resource for those interested in the academic study of cultural engagements with paranormality; it will appeal to scholars of cultural and media studies, popular culture, sociology, cultural geography, literature, film and music.
The main subject of this book is the relationship between sexual health and spiritual evolution. Specifically, the book focuses on Wilhelm Reich’s discoveries regarding sexual health and George I. Gurdjieff’s concept of spiritual evolution. The thesis is that spiritual evolution, in Gurdjieff’s sense, is not possible apart from sexual health as Reich determined it. Throughout the book, Brahinsky presents an in-depth discussion on Gurdjieff’s conception of the evolution of consciousness, sex, Reich’s discovery of the prime source biological life energy, the fundamental laws of world creation and world maintenance, the evolution and involution of consciousness, the food of impressions and the crystallization of the higher-being bodies, and finally, sexuality and evolution. Students of Reich and Gurdjieff will acquire the knowledge they need through this edifying book. For more information on Reich and Gurdjieff: Sexuality and the Evolution of Consciousness, interested parties may log on to www.Xlibris.com.
The convenient myth of Wilhelm Reich is that he “lost his mind” in the early 1950s, if not before, and that the last seven years of his life and work — the orgone and radiation experiments, the cloudbuster, and flying saucer intrigues — present an embarrassment. Even the counterculture that embraced Reich, not least William S. Burroughs, Norman Mailer, and filmmaker Dušan Makavejev, tended to distort his theory. The psychosis attached to Reich by his detractors was the culmination of decades of scapegoating by psychoanalysts, Nazis, communists, and conservatives. But Reich’s environmental and Cold War preoccupations and his slow-burning fascination with UFO phenomena were not signs of a madness incipient since his break with Sigmund Freud. They anticipated and reflected much in the American psyche. Defining the presence of a “cinematic self” in the misunderstood analyst once considered an heir to Freud, Wilhelm Reich versus the Flying Saucers rejects orthodox portrayals of Reich’s final years as merely pathological. Combining original analysis and evidence from the Wilhelm Reich Archive, James Reich uncovers the fatal moments in the psychologist’s uncanny identification with the “spaceman,” and the myth of a scientist lost to his own grandiosity and paranoia. Taking seriously the influence of The Day the Earth Stood Still, Bad Day at Black Rock, and other pop cultural narratives on Reich, this “psychoanalytic detective story” concerns existential traps, conscious and unconscious collaborations and betrayals by disciples, and unidentified flying object-relations. Reich’s is an atomic-age passion narrative. Vitally, Reich’s story could be ours. The author is not related to his subject.