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The Columbia History of Chinese Literature is a comprehensive yet portable guide to China's vast literary traditions. Stretching from earliest times to the present, the text features original contributions by leading specialists working in all genres and periods. Chapters cover poetry, prose, fiction, and drama, and consider such contextual subjects as popular culture, the impact of religion, the role of women, and China's relationship with non-Sinitic languages and peoples. Opening with a major section on the linguistic and intellectual foundations of Chinese literature, the anthology traces the development of forms and movements over time, along with critical trends, and pays particular attention to the premodern canon.
Cultural Writing. Edited by Graziella Parati and Ben Lawton. ITALIAN CULTURAL STUDIES includes selected essays written by participants of the Italian Cultural Studies Symposium at Dartmouth College in Hanover, NH on October 29-31, 1999. These essays examine the notion of cultural studies-both Italian and others. What is cultural studies? Why should we study it? How should we teach it? What is its relation to traditional language studies? Contributors include Norma Bouchard, Joseph A. Buttigieg, Sandra Carletti, Roberto Maria Dainotto, Nathalie Hester, Sarah Patricia Hill, Irene Kacandes, Giancarlo Lombardi, Daniela Orlandi, Marie Orton, Nicoletta Pireddu, Adrian W.B. Randolph, Maria Galli Stampino, and Rebecca West. Perfectbound.
What are the foundational scriptures and major schools for Chinese Buddhists? What divinities do they worship? What festivals do they celebrate? These are some of the basic questions addressed in this book, the first introduction to Chinese Buddhism written expressly for students and those interested in an accessible yet authoritative overview of the subject based on current scholarship. After presenting the basic tenets of the Buddha’s teachings and the Chinese religious traditions, the book focuses on topics essential for understanding Chinese Buddhism: major scriptures, worship of buddhas and bodhisattvas, rituals and festivals, the monastic order, Buddhist schools such as Tiantai and Chan, Buddhism and gender, and current trends—notably humanistic Buddhism in Taiwan and the resurgence of Buddhism in post-Mao China. Each chapter ends with discussion questions and suggestions for further reading. A convenient glossary of common terms, titles, and names is included.
"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.
Ten Dollars in My Pocket is both an American success story and a description of the painful maturation process of a belated teenager trying to discover who and where she is, and who is at least once on the verge of suicide. This account is unique because of the authenticity of its narrative voice: we read diary entries and letters written during those years, as well as several eyewitness accounts published by the author at that time. This kaleidoscope of factual information is complemented by the author's recollections and reflections.
During a walk to town, Elizabeth Welt Trahan allows the memories of her childhood to surface after more than a half century - first in short, disconnected snippets but then more and more insistently, until she is pulled back into the nightmarish world of Hitler's Vienna where, being Jewish, she barely survived. But this is also the story of the maturing process of a young girl during those shattering times. Despite an aloof and insensitive father, a circle of friends that is continually decimated by deportations, and the abrupt ending of a timid first love relationship, she is able to draw strength from the trivial and small pleasures of daily living.
Concentrating on Europe, this volume's sixteen essays discuss different forms of medievalism in Germany, France, Italy, Spain, and Serbia. Medievalism, the whole spectrum of post-medieval response to the middle ages, is now accepted as a vital key to the understanding of Western culture and society from 1500 to the present, pervading every aspect of our time, from the popular and artistic to the scholarly. Studies in Medievalism, now published annually, is the one series to provide a regular forum for discussion of medievalism. This volume is devoted to medievalism in Europe, excludingEngland (the subject of Volume IV,1992). Contributors from Europe and America consider medievalism in Germany, Italy, France, Spain and Serbia over a wide range of topics from eighteenth-century French politics and nineteenth-century German nationalism to contemporary Italian film.