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This book highlights the need for a shift from thinking in terms of memories of traumatic events, to changeable modes of remembrance. The call for a fundamental change in approaches to commemorative remembrance is exemplified in literature written by the internationally acclaimed writer, Etgar Keret. Considered the most influential Israeli voice of his generation, Keret’s storytelling is in congruence with postmodern thinking. Through transferring remembrance of the Holocaust from stagnant Holocaust commemoration—museums and commemorative ceremonies—to unconventional settings, such as youngsters playing soccer or being forced to venture outdoors in a COVID-19 pandemic environment, Keret’s storytelling ushers in a unique approach to coping with remembrance of historical catastrophes. The book is a valuable resource for students and scholars interested in pursuing the subjects of Etgar Keret’s artistry, and literature written in a post modern, post Holocaust milieu about personal and collective traumatic remembrance.
From the Pulitzer-nominated, bestselling author of For the Relief of Unbearable Urges, eight powerful stories, dazzling in their display of language and imagination. “Showcases Mr. Englander’s extraordinary gifts as a writer.” —Michiko Kakutani, The New York Times From the title story, a provocative portrait of two marriages inspired by Raymond Carver’s masterpiece, to “Peep Show” and “How We Avenged the Blums,” two stories that return to the author’s classic themes of sexual longing and ingenuity in the face of adversity, these stories affirm Nathan Englander’s place at the very forefront of contemporary American fiction.
In this “slyly subversive, semi-autobiographical” novel “of Arab Israeli life,” a Palestinian man struggles against the strict confines of identity (Publishers Weekly). In Sayed Kashua’s debut novel, a nameless anti-hero contends with the legacy of a grandfather who died fighting the Zionists in 1948, and a father who was jailed for blowing up a school cafeteria in the name of freedom. When the narrator is granted a scholarship to an elite Jewish boarding school, his family rejoices, dreaming that he will grow up to be the first Arab to build an atom bomb. But to their dismay, he turns out to be a coward devoid of any national pride; his only ambition is to fit in with his Jewish peers who reject him. He changes his clothes, his accent, his eating habits, and becomes an expert at faking identities, sliding between different cultures, schools, and languages, and eventually a Jewish lover and an Arab wife. With refreshing candor and self-deprecating wit, Dancing Arabs is a “chilling, convincing tale” of one man’s struggle to disentangle his personal and national identities, only to tragically and inevitably forfeit both (Publishers Weekly). “Rings out on every page with a compelling sense of human truth” —Kirkus Reviews “Despite its dark prognosis, there is a lightness and dry humor that lifts it with the kind of wings its protagonist once hoped for.” —Booklist
"Dolly City—a city without a base, without a past, without an infrastructure. The most demented city in the world." In the midst of a futuristic-primitive metropolis, the accumulation of all our urban nightmares, Doctor Dolly (certified by the University of Katmandu) finds a newborn baby in a black plastic bag, and decides to become a mother. Overcome by unfamiliar maternal urges, Dolly dispenses with her private lab of rare diseases and turns all her surgical passion onto her son. Ceaselessly cutting and sewing, Dolly is the scalpel-wielding version of the all-too-familiar Jewish Mother archetype, forever operating upon her son with destructive, invasive love. In this grotesque satire of war and the defensive measures taken to survive it, Orly Castel-Bloom, one of Israel's most provocative and original writers, turns her own scalpel upon that most holy of institutions, the myth of motherhood—and its implications in the life of a nation.
The most celebrated story collection from “one of the true American masters” (The New York Review of Books)—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark that includes the iconic and much-referenced title story featured in the Academy Award-winning film Birdman. "Raymond Carver's America is ... clouded by pain and the loss of dreams, but it is not as fragile as it looks. It is a place of survivors and a place of stories.... [Carver] has done what many of the most gifted writers fail to do: He has invented a country of his own, like no other except that very world, as Wordsworth said, which is the world to all of us." —The New York Times Book Review
Named a New York Times Notable Book Winner of the PEN/Book-of-the-Month Club Translation Prize Winner of the Anne Frank Prize These shattering stories describe the lives of ordinary people as they are compelled to do the unimaginable: a couple who must decide what to do with their five-year-old daughter as the Gestapo come to march them out of town; a wife whose safety depends on her acquiescence in her husband's love affair; a girl who must pay a grim price for an Aryan identity card.
A haunting story of art, ambition, love, and friendship by a writer of elegant, exacting prose.
"It was an exceptional winter." With deceptive understatement, Orly Castel-Bloom draws back the curtain on her disturbing, revelatory novel set in Israel during the Al Aksa intifada. This is a world already regularly interrupted by terrorist ambushes and suicide bombs. And now it is further plagued by a Saudi flu that is decimating the population, and by apocalyptic weather that brings a ruinous winter after eight years of drought. The economy is shot to pieces. Hail stones as big as dinner plates are falling from the sky. And yet, against this backdrop of monumental affliction, ordinary people are still trying to lead normal lives. Kati Beit-Halahmi, an impoverished cleaner, is snatched up by a community television program and given her full fifteen-minutes-of-fame. Iris Ventura, divorced with three children, is wondering how she can afford both to replace her broken washing machine and have some essential dental work done. And the Israeli president, Reuven Tekoa, travels from hospital to funeral, musing on the state of the nation from the back of his limousine. Orly Castel-Bloom spins a web of filament-fine connections between her characters whose preoccupations, she reminds us, are not so very different from our own. Death or disaster might intrude at any moment, but people still watch game shows on TV, go to the laundromat and train to be beauticians.