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Here, for the first time, in all its shocking detail, is the story of the desperate plight of Jews who are still living in Arab countries, not yet able to emigrate to Israel. Reported with the vividly accurate eye of an experienced newspaperman, it shows with stark clarity how the fulfillment of the Promised Land for many Jews means a death sentence for others.
Arthur Sutherland places before us our fear of meeting the “other” and the “stranger” in an increasingly global, and frequently dangerous, village. Various social, political, and historical factors have conspired to leave us in a veritable crisis: the decline of hospitality. Why is this a crisis? Why should we practice hospitality? What is it about Christian theology that compels us to think about hospitality in the first place? Sutherland offers a passionate plea to recover and rediscover hospitality, and to respond to the divine appeal to welcome the stranger. Therein lies the central concern of the book: that hospitality is not simply the practice of a virtue but is integral to the very nature of Christianity’s position toward God, self, and the world—it is at the very center of what it means to be a Christian and to think theologically. He offers a challenging definition of hospitality and calls us to a practice that is the virtue by which the church stands or falls. Drawing on modern theologians (including Howard Thurman, Dietrich Bonhoeffer, Karl Barth, Martin Luther King Jr., and Letty Russell) and considering American slavery, the Holocaust, feminism, and prisons, Sutherland eloquently presents a Christian theology of hospitality.
One of the most enduring characters in Thomas Wolfe's fiction is Francis Starwick, the Midwestern aesthete who befriends Eugene Grant at Harvard in Wolfe's second autobiographical novel, Of Time and the River. Wolfe created Starwick in order to provide a foil for the artistic development of Eugene: Starwick was the pretentious, narrow-minded dilettante whose response to the arts is all talk and pose, as compared with Eugene, who hopes to express in writing his intensity of feeling about all aspects of life. While writing the novel, however, Wolfe found his manuscript proliferating beyond his control, and he turned to his editor at Scribner's Maxwell Perkins, for help in shaping the final version of the book. In the process of organizing the massive manuscript for publication, Perkins deleted some of the analyses of Starwick's behavior and several of the episodes involving Eugene and Starwick. The result was that the relationship between the two young men was not as fully developed as Wolfe had originally planned. Richard S. Kennedy discovered these excised passages among the Wolfe papers at Harvard University's Houghton Library. In The Starwick Episodes has arranged them sequentially and indicated their position in the original manuscript. In one of them Starwick introduces Eugene to Joyce's Ulysses, and in another he takes him to view the paintings in Boston' Museum of Fine Arts. Additional scenes find the two exploring the lower depths of Paris until at length their true sexual natures are revealed in a visit to a Parisian brothel. Kennedy's research also uncovered the story of the life of Kenneth Raisbeck, the young man whom Wolfe used as the starting point for his fictional creation of Starwick. In his Introduction, Kennedy describes Raisbeck's career, both its brilliant promise and its tragic end, and his similarity to the character in the novel. The presence of Starwick in Of Time and the River is unforgettable despite the omission of some important scenes that Wolfe wrote for him. With the publication now of the deleted episodes, readers may gain an enriched sense of Wolfe's fascinating creation and a fuller understanding of what he was trying to convey.
Eleven Mayan gods are reincarnated as handsome men to prepare for the apocalypse coming in 2012.
A New York Times Book Review Editors' Choice The first comprehensive biography of the most influential, controversial, and celebrated Palestinian intellectual of the twentieth century As someone who studied under Edward Said and remained a friend until his death in 2003, Timothy Brennan had unprecedented access to his thesis adviser’s ideas and legacy. In this authoritative work, Said, the pioneer of postcolonial studies, a tireless champion for his native Palestine, and an erudite literary critic, emerges as a self-doubting, tender, eloquent advocate of literature’s dramatic effects on politics and civic life. Charting the intertwined routes of Said’s intellectual development, Places of Mind reveals him as a study in opposites: a cajoler and strategist, a New York intellectual with a foot in Beirut, an orchestra impresario in Weimar and Ramallah, a raconteur on national television, a Palestinian negotiator at the State Department, and an actor in films in which he played himself. Brennan traces the Arab influences on Said’s thinking along with his tutelage under Lebanese statesmen, off-beat modernist auteurs, and New York literati, as Said grew into a scholar whose influential writings changed the face of university life forever. With both intimidating brilliance and charm, Said melded these resources into a groundbreaking and influential countertradition of radical humanism, set against the backdrop of techno-scientific dominance and religious war. With unparalleled clarity, Said gave the humanities a new authority in the age of Reaganism, one that continues today. Drawing on the testimonies of family, friends, students, and antagonists alike, and aided by FBI files, unpublished writings, and Said's drafts of novels and personal letters, Places of Mind synthesizes Said’s intellectual breadth and influence into an unprecedented, intimate, and compelling portrait of one of the great minds of the twentieth century.
Islam and the West are often identified as two distinct civilizations with conflicting characteristics. Assuming that a clash between Islam and the West is not inevitable, this study demonstrates that the divide is fabricated on both sides by Narratives of Disparity (NoDs) which are often built on historical narratives. The interplay of history and fiction in NoDs is exhibited on four novels published in Britain after 9/11, covering the most frequently used tropes: the postcolonial experience, counterterrorism, eurocentrism, traditionalism, honour killings and sexual autonomy.
This carefully crafted ebook: "The Complete Works of D. H. Lawrence" is formatted for your eReader with a functional and detailed table of contents: Novels: The White Peacock The Trespasser Sons and Lovers The Rainbow Women in Love The Lost Girl Aaron's Rod Kangaroo The Boy in the Bush The Plumed Serpent Lady Chatterley's Lover The Man Who Died (The Escaped Cock) The Ladybird The Fox The Captain's Doll St Mawr The Virgin and the Gypsy Short Stories: The Prussian Officer and Other Stories: The Prussian Officer The Thorn in the Flesh Daughters of the Vicar A Fragment of Stained Glass The Shades of Spring Second Best The Shadow in the Rose Garden Goose Fair The White Stocking A Sick Collier The Christening Odour of Chrysanthemums England, My England and Other Stories: England, My England Tickets, Please The Blind Man Monkey Nuts Wintry Peacock You Touched Me Samson and Delilah The Primrose Path The Horse Dealer's Daughter Fanny And Annie The Woman Who Rode Away and Other Stories: The Woman who Rode Away Two Blue Birds Sun Smile The Border Line Jimmy and the Desperate Woman The Last Laugh In Love The Man who Loved Islands Glad Ghosts None of that The Rocking-Horse Winner The Lovely Lady Collected Short Stories Other Stories Poetry: Love Poems and others Amores Look! We have come through! New Poems Bay: A Book of Poems Tortoises Birds, Beasts and Flowers Pansies Nettles Last Poems Plays: The Daughter-in-Law The Widowing of Mrs Holroyd Touch and Go David The Fight for Barbara A Collier's Friday Night The Married Man The Merry-go-round Travel Books: Twilight in Italy and Other Essays Sea and Sardinia Mornings in Mexico Sketches of Etruscan Places and other Italian essays Literary Essays: Study of Thomas Hardy and other essays Studies in Classic American Literature A Propos of Lady Chatterley's Lover Other Works: Movements in European History Psychoanalysis and the Unconscious Fantasia of the Unconscious Reflections on the Death of a Porcupine and other essays Apocalypse and the Writings on Revelation The Savage Pilgrimage – A Biography, by Catherine Carswell
Contemporary Jewish identity, integration and acculturation in Europe has become an urgent topic in view of the current wave of antisemitism and reliable research on the present state of Jewish identity is scarce. Lilach Lev Ari has chosen three ethnically diverse communities – Paris, Brussels, and Antwerp – that can shed a light on the identity and acculturation of the Jewish minority in Europe. To understand patterns of social integration of native-born and immigrant Jews in the three host societies she applies the correlational quantitative method and has conducted semi-structured interviews. The study can promote further understanding of Jewish continuity within the non-Jewish host societies in a situation, when there is a concern about the resilience and strength of the Jewish communities vis-à-vis new waves of antisemitism.