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Time Out of Memory: Ta'ziyeh, the Total Drama by Peter J. Chelkowski The Ta'ziyeh of the Martyrdom of Hussein translated and with an introduction by Rebecca Ansary Pettys The Origins of the Sunnite-Shiite Divide and the Emergence of the Ta'ziyeh Tradition by Kamran Scot Aghaie Muharram Ceremonies observed in Tehran by Ilya Nicolaevich Berezin (1843) by Jean and Jacqueline Calmard Acting Styles and Actor Training in Ta'ziyeh by William O. Beeman and Mohammad B. Ghaffari Identification and Analysis of the Scenic Space in Traditional Iranian Theater by Mohammad Reza Khaki; translated by Iraj Anvar Peripheral Ta'ziyeh: The Transformation of Ta'ziyeh from Muharram Mourning Ritual to Secular and Comical Theatre by Iraj Anvar A View from the Inside: The Anatomy of the Persian Ta'ziyeh Plays by Sadegh Homayouni Garden of the Brave in War: Recollections of Iran by Terence O'Donnell Karbala Drag Kings and Queens by Negar Mottahedeh Compelling Reasons to Sing: The Music of Ta'ziyeh by Stephen Blum Ta'ziyeh as Theatre of Protest by Hamid Dabashi Shi'ite Narratives of Karbala and Christian Rites of Penance: Michel Foucault and the Culture of the Iranian Revolution, 1978-79 by Janet Afary Moses and the Wandering Dervish: Ta'ziyeh at Trinity College by Milla Cozart Riggio Mohammad B. Ghaffari, Ta'ziyeh Director: an interview with Peter J. Chelkowski Presenting Ta'ziyeh at Lincoln Center by Nigel Redden Ta'ziyeh in France: The Ritual of Renewal at the Festival d'Automne by Alain Crombecque Ta'ziyeh in Parma by Anna Vanzan Remembering Ta'ziyeh in Iraq by Elizabeth Fernea Ritual, Blood, and Shiite Identity: Ashura in Nabatiyya, Lebanon by Augustus Richard Norton Shiite Theater in South Lebanon: Some Notes on The Karbala Drama and the Sabaya by Sabrina Mervin Flagellation and Fundamentalism: (Trans)forming Meaning, Identity, and Gender though Pakistani Women's Rituals of Mourning By Mary Elaine Hegland The Heart of Lament: Pakistani-American Muslim Women's Azadari Rituals by Bridget Blomfield From the Sun-Scorched Desert of Iran to the Beaches of Trinidad: Ta'ziyeh's Journey from Asia to the Caribbean by Peter J. Chelkowski.
Jeffrey C. Alexander brings together new and leading contributors to make a powerful and coherently argued case for a new direction in cultural sociology, one that focuses on the intersection between performance, ritual and social action. Performance has always been used by sociologists to understand the social world but this volume offers the first systematic analytical framework based on the performance metaphor to explain large-scale social and cultural processes. From September 11, to the Clinton/Lewinsky affair, to the role of the South African Truth and Reconciliation Commission, Social Performance draws on recent work in performative theory in the humanities and in cultural studies to offer a novel approach to the sociology of culture. Inspired by the theories of Austin, Derrida, Durkheim, Goffman, and Turner, this is a path-breaking volume that makes a major contribution to the field. It will appeal to scholars and students alike.
Hamon takes readers on a journey throughout the history of the church. Beginning at the origination of the church in the 1st Century, he proceeds to its deterioration during the Middle Ages to the restoration of the church from the time of the Reformation to the present.
Most Christians experience doubts at times about their salvation, and that uncertainty can be alarming. But either salvation is eternally secure from the moment of genuine faith or it isn’t. And no subject is more important than the assurance that you can know at this very moment that you possess eternal life. How to Know You’re Going to Heaven provides the undeniable and compelling biblical proof to resolve any uncertainty about your eternal destiny. As you encounter the infinite treasure and wonder of Jesus Christ and all He has accomplished for you on the cross, you will experience joy and lasting freedom once and for all—forever.
This issue of the Bucknell Review is the first full-length book on their work. It introduces Young and Zazeela to those unfamiliar with them, as well as providing the more acquainted reader with new and useful insights and analyses of the fundamental issues in their life and work.
Performing Culture presents a detailed and probing account of cultural studies′ changing fixations with theory, method, policy, text, production, audience and the micro-politics of the everyday. John Tulloch encourages academics and students to take seriously the need to break down the separation between high and low cultural studies. Tulloch′s case studies show that the performance of cultural meanings occurs in forms as diverse as The Royal Shakespeare Company′s Shakespeare and Chekhov productions and our everyday work and leisure encounters. Drawing upon anthropological and dramatic studies of performance, the book emphasizes that academic research also performs cultural meaning. A central feature of the book is its reflexive consideration of the representations of culture constructed by academic ′experts′.