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The characters in Eternal Night at the Nature Museum take refuge in strange, repurposed spaces. A middle-aged addict emcees at demolition derby, which transforms into a hostel—then a cult. An elderly folk-artist builds mailbox reproductions of her dream homes. A church congregates in an abandoned Hardee's. Octogenarians escape their nursing home. Unsupervised children sell knives to the neighborhood. In twenty vivid, rowdy, buoyant stories, Tyler Barton assembles a collection of places to crash, if only for the night.
The acclaimed editor of The New York Times Book Review takes readers on a nostalgic tour of the pre-Internet age, offering powerful insights into both the profound and the seemingly trivial things we've lost. NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY CHICAGO TRIBUNE AND THE DALLAS MORNING NEWS • “A deft blend of nostalgia, humor and devastating insights.”—People Remember all those ingrained habits, cherished ideas, beloved objects, and stubborn preferences from the pre-Internet age? They’re gone. To some of those things we can say good riddance. But many we miss terribly. Whatever our emotional response to this departed realm, we are faced with the fact that nearly every aspect of modern life now takes place in filtered, isolated corners of cyberspace—a space that has slowly subsumed our physical habitats, replacing or transforming the office, our local library, a favorite bar, the movie theater, and the coffee shop where people met one another’s gaze from across the room. Even as we’ve gained the ability to gather without leaving our house, many of the fundamentally human experiences that have sustained us have disappeared. In one hundred glimpses of that pre-Internet world, Pamela Paul, editor of The New York Times Book Review, presents a captivating record, enlivened with illustrations, of the world before cyberspace—from voicemails to blind dates to punctuation to civility. There are the small losses: postcards, the blessings of an adolescence largely spared of documentation, the Rolodex, and the genuine surprises at high school reunions. But there are larger repercussions, too: weaker memories, the inability to entertain oneself, and the utter demolition of privacy. 100 Things We’ve Lost to the Internet is at once an evocative swan song for a disappearing era and, perhaps, a guide to reclaiming just a little bit more of the world IRL.
This horror story has a man unable to distinguish between what is real and not real in a museum and finding out in a very horrific way. Stephen King said "H. P. Lovecraft has yet to be surpassed as the twentieth century's greatest practitioner of the classic horror tale."
From New York Times bestselling author of The Mosquito, the incredible story of how the horse shaped human history Timothy C. Winegard’s The Horse is an epic history unlike any other. Its story begins more than 5,500 years ago on the windswept grasslands of the Eurasian Steppe; when one human tamed one horse, an unbreakable bond was forged and the future of humanity was instantly rewritten, placing the reins of destiny firmly in human hands. Since that pivotal day, the horse has carried the history of civilizations on its powerful back. For millennia it was the primary mode of transportation, an essential farming machine, a steadfast companion, and a formidable weapon of war. Possessing a unique combination of size, speed, strength, and stamina, the horse dominated every facet of human life and shaped the very scope of human ambition. And we still live among its galloping shadows. Horses revolutionized the way we hunted, traded, traveled, farmed, fought, worshipped, and interacted. They fundamentally reshaped the human genome and the world’s linguistic map. They determined international borders, molded cultures, fueled economies, and built global superpowers. They decided the destinies of conquerors and empires. And they were vectors of lethal disease and contributed to lifesaving medical innovations. Horses even inspired architecture, invention, furniture, and fashion. From the thundering cavalry charges of Alexander the Great to the streets of New York during the Great Manure Crisis of 1894 and beyond, horses have shaped both the grand arc of history and our everyday lives. Driven by fascinating revelations and fast-paced storytelling, The Horse is a riveting narrative of this noble animal’s unrivaled and enduring reign across human history. To know the horse is to understand the world.
Wonder: The Natural History Museum Poetry Anthology is a beautiful gift hardback collection of poetry with poems inspired by The Natural History Museum. It covers everything from the depths of space to the very centre of the earth - there are poems about the solar system, planet earth, oceans and rivers, birds, dinosaurs, fossils, wildlife, flowers, fungi, insects, explorers and palaeontologists. Each section includes an introduction an some footnotes about particularly interesting species. The museum has a collection of over eighty million objects and behind the scenes of its twenty-eight galleries crowd kilometres of preserved specimens, libraries of rare books and artworks, wonders gathered on some of the most famous voyages in history, rooms packed with pressed plants, warehouses teeming with stuffed animals and freezers full of DNA. As well as a museum, it is a state-of-the-art centre for discovery with over three hundred resident scientists and over ten thousand visiting researchers each year, investigating everything from dinosaurs to life on other planets. The collection is made up of brand new and classic poems and is illustrated with botanical drawings and engravings from the museum’s collections. This fantastic collection speaks of the wonder of nature and shows us why we need to look after our incredible planet.
Fiction. Short Stories. Edited by Meg Pokrass and Gary Fincke with guest editor Amber Sparks. THE BEST MICROFICTION anthology series provides recognition for outstanding literary stories of 400 words or fewer. Co-edited by award-winning microfiction writer/editor Meg Pokrass; and Flannery O'Connor Prize-winning author Gary Fincke; the anthology features Amber Sparks serving as final judge; and one hundred and five of the world's best very short short stories.
Cincinnati Magazine taps into the DNA of the city, exploring shopping, dining, living, and culture and giving readers a ringside seat on the issues shaping the region.
"Indexes to papers read before the Museums Association, 1890-1909. Comp. by Charles Madeley": v. 9, p. 427-452.