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Contributed papers presented at two ecocriticism conferences organized by Indian Association for Studies in Contemporary Literature in English ... [et al.].
After a sleepless night spent longing for his absent wife Sita, Rama, god-prince and future king, surveyed his army camps on a clear autumn morning and spied a white goose playing in a pond of lotus flowers. Seeing this radiant creature who so resembled his lost beloved, he began to plead with the bird to give her a message of love and fierce revenge. This is the setting of the Hamsasandesa A Message for the Goose, a sandesa or "messenger poem" by the medieval saint-poet and philosopher Venkatanatha, a seminal figure for the Srivaisnava religious community of Tamil Nadu, South India, and a master poet in Sanskrit and Tamil. In The Flight of Love, Steven P. Hopkins situates Venkatanatha's Sanskrit sandesa within the wider comparative context of South Indian and Sri Lankan literatures. He traces the significance of messenger poetry in the construction of sacred landscapes in pre-modern South Asia and explores the ways the Hamsasandesa re-envisions the pan-Indian story of Rama and Sita, rooting its protagonists in a turbulent emotional world where separation, overwhelming desire, and anticipated bliss, are written into the living particularized bodies of lover and beloved, in the "messenger" goose and in the landscapes surrounding them. Hopkins's translation of the Hamsasandesa into fluid American English verse is framed by a comparative introduction, including an extended essay on translation, detailed linguistic notes, and an expanded thematic commentary that weaves together traditional religious interpretations of the poem with themes of contemporary literary relevance.
Drawing Connections Between History, Individual Development, Group Psychology And The Cultures Of Specific Communities, The Colours Of Violence Paints Richly Textured Portraits Of A Range Of Subjects Involved In Riots, And Focuses On Not Just The Survivors But Also The Agents Of Violence. With Insight And Unsparing Self-Reflection, Kakar Shows How Hindu And Muslim Identities Are Formed By Rumour, Religion And Bigotry, And How They Are Fuelled By Nostalgic Histories And The Anxieties And Uncertainties Produced By The Process Of Modernization.
Wild—untamed, hostile, remote. Yet, wild can be gentle, welcoming, and inspiring, too. This is the wild that preoccupies biologist Shankar Raman as he writes about trees and bamboos, hornbills and elephants, leopards and myriad other species. Species found not just out there in far wildernesses—from the Thar desert to the Kalakad rainforests, from Narcondam Island to Namdapha—but amid us, in gardens and cities, in farms, along roadsides. And he writes about the forces that gouge land and disfigure landscapes, rip trees and shred forests, pollute rivers and contaminate the air, slaughter animals along roads and rail tracks—impelling a motivation to care, and to conserve nature. Through this collection of essays, Shankar Raman attempts to blur, if not dispel, the sharp separation between humans and nature, to lead you to discover that the wild heart of India beats in your chest, too.
The first book to put the sacred and sensuous bronze statues from India’s Chola dynasty in social context From the ninth through the thirteenth century, the Chola dynasty of southern India produced thousands of statues of Hindu deities, whose physical perfection was meant to reflect spiritual beauty and divine transcendence. During festivals, these bronze sculptures—including Shiva, referred to in a saintly vision as “the thief who stole my heart”—were adorned with jewels and flowers and paraded through towns as active participants in Chola worship. In this richly illustrated book, leading art historian Vidya Dehejia introduces the bronzes within the full context of Chola history, culture, and religion. In doing so, she brings the bronzes and Chola society to life before our very eyes. Dehejia presents the bronzes as material objects that interacted in meaningful ways with the people and practices of their era. Describing the role of the statues in everyday activities, she reveals not only the importance of the bronzes for the empire, but also little-known facets of Chola life. She considers the source of the copper and jewels used for the deities, proposing that the need for such resources may have influenced the Chola empire’s political engagement with Sri Lanka. She also investigates the role of women patrons in bronze commissions and discusses the vast public records, many appearing here in translation for the first time, inscribed on temple walls. From the Cholas’ religious customs to their agriculture, politics, and even food, The Thief Who Stole My Heart offers an expansive and complete immersion in a community still accessible to us through its exquisite sacred art. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.
Can humans flourish without destroying the earth? In this book, experts on many of the world's major and minor religious traditions address the question of human and earth flourishing. Each chapter considers specific religious ideas and specific environmental harms. Chapters are paired and the authors work in dialogue with one another. Taken together, the chapters reveal that the question of flourishing is deceptively simple. Most would agree that humans should flourish without destroying the earth. But not all humans have equal opportunities to flourish. Additionally, on a basic physical level any human flourishing must, of necessity, cause some harm. These considerations of the price and distribution of flourishing raise unique questions about the status of humans and nature. This book represents a step toward reconciliation: that people and their ecosystems may live in peace, that people from different religious worldviews may engage in productive dialogue; in short, that all may flourish.
An illustrated A to Z reference containing more than 700 entries providing information on the theology, people, historical events, institutions and movements related to Hinduism.
Examines how embodiment is conceived and experienced in South Asian religions. Refiguring the Body provides a sustained interrogation of categories and models of the body grounded in the distinctive idioms of South Asian religions, particularly Hindu and Buddhist traditions. The contributors engage prevailing theories of the body in the Western academy that derive from philosophy, social theory, and feminist and gender studies. At the same time, they recognize the limitations of applying Western theoretical models as the default epistemological framework for understanding notions of embodiment that derive from non-Western cultures. Divided into three sections, this collection of essays explores material bodies, embodied selves, and perfected forms of embodiment; divine bodies and devotional bodies; and gendered logics defining male and female bodies. The contributors seek to establish theory parity in scholarly investigations and to re-figure body theories by taking seriously the contributions of South Asian discourses to theorizing the body.
Papers presented at two related seminars jointy organized by Indira Gandhi Rashtriya Manav Sangrahalaya, Bhopal, India, and St. Joseph's College, Tiruchirapalli, India, on the themes, Cauvery, a living museum, and Cauvery, thy name perenniality on September 16-17, 1999, and April 5-6, 2001 respectively; chiefly on civilization of Cauvery River Valley.
Composed by three poet-saints between the sixth and eighth centuries A.D., the Tevaram hymns are the primary scripture of the Tamil Saivism, one of the first popular large-scale devotional movements within Hinduism. Indira Peterson eloquently renders into English a substantial portion of these hymns, which provide vivid and moving portraits of the images, myths, rites, and adoration of Siva and which continue to be loved and sung by the millions of followers of the Tamil Saiva tradition. Her introduction and annotations illuminate the work's literary, religious, and cultural contexts, making this anthology a rich sourcebook for the study of South Indian popular religion. Indira Peterson highlights the Tevaram as a seminal text in Tamil cultural history, a synthesis of pan-Indian and Tamil civilization, as well as a distinctly Tamil expression of the love of song, sacred landscape, and ceremonial religion. Her discussion of this work draws on her pioneering research into the performance of the hymns and their relation to the art and ritual of the South Indian temple. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.