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Hola, Soy la Princesa de los ngeles y esta es mi version en Espa ol de mi libro infantil, espero que les guste!: )
Cara Invisible. Es una historia que dejara tus pensamientos en el aire y curiosidad perplejá, donde el engaño y el capricho son los elementos que componen esta agonizante polémica entre el bien y mal. Algunos piensan y opinan que el infierno es una hoya o un pozo de lava hirviendo otros que la tierra es el mismo infierno, muchos cristianos opinan lo mismo. Los católicos por ejemplo piensan que el infierno esta reservado para los malos y el cielo para los buenos, si esto fuera así contradice el plan de salvación y el sacrificio de ("Jescto?). Ninguna de las versiones se aproxima a la idea de FEN el escritor". P.N.M asegura que el Infierno es otra galaxia debajo de la Orbita Solar y no pertenece a esta galaxia según el escritor, existe la galaxia negra pero no pertenece a la nuestra; si esto es verdad no hay evidencia científica que confirme o asegure esta locura.
"This is a little jewel of a book. Beautifully and elegantly written, it examines the political career of an important figure at the court of Philip II of Spain. It is political biography in the best sense of the term."--Richard Kagan, author of Lucrecia's Dreams
A tour de force, Amulet is a highly charged first-person, semi-hallucinatory novel that embodies in one woman's voice the melancholy and violent recent history of Latin America. Amulet is a monologue, like Bolano's acclaimed debut in English, By Night in Chile. The speaker is Auxilio Lacouture, a Uruguayan woman who moved to Mexico in the 1960s, becoming the "Mother of Mexican Poetry," hanging out with the young poets in the cafés and bars of the University. She's tall, thin, and blonde, and her favorite young poet in the 1970s is none other than Arturo Belano (Bolano's fictional stand-in throughout his books). As well as her young poets, Auxilio recalls three remarkable women: the melancholic young philosopher Elena, the exiled Catalan painter Remedios Varo, and Lilian Serpas, a poet who once slept with Che Guevara. And in the course of her imaginary visit to the house of Remedios Varo, Auxilio sees an uncanny landscape, a kind of chasm. This chasm reappears in a vision at the end of the book: an army of children is marching toward it, singing as they go. The children are the idealistic young Latin Americans who came to maturity in the '70s, and the last words of the novel are: "And that song is our amulet."