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El cuidado estético de manos y pies contribuye a reforzar la confianza y el bienestar, además de prevenir diversas enfermedades o lesiones en muchos casos. Este libro desarrolla los contenidos del módulo profesional de Estética de manos y pies, de los Ciclos Formativos de grado medio en Peluquería y Cosmética Capilar, y en Estética y Belleza, pertenecientes a la familia profesional de Imagen Personal. "Estética de manos y pies" explica los principales fundamentos de la estética de manos y pies, así como sus cuidados fundamentales y las premisas para su correcto cuidado y embellecimiento. Proporciona al alumnado las competencias necesarias para el desempeño de las funciones de un manicurista especializado y las herramientas para una correcta inserción en el mundo laboral. La obra incluye una unidad exclusivamente dedicada al cuidado y embellecimiento estético de las manos y pies del público masculino, detallando aquellas características de su tipo de piel, así como las particularidades que se deben tener en cuenta en los servicios de manicura y pedicura masculina. Tania Pellicer Zamora es graduada superior en Estilismo y Dirección de Peluquería y actualmente es docente de Enseñanza Secundaria en la especialidad de Peluquería. María Teresa Robles Rodríguez es graduada en Peluquería y Estética, y ha realizado formación continuada con diversas casas comerciales. Actualmente es docente de la especialidad de Peluquería y Estética. Ambas autoras tienen una dilatada experiencia profesional en el sector de la Imagen personal y la peluquería, al haber estado a cargo de sus propios salones de belleza durante más de 15 años.
El trabajo de uñas es uno de los más interesantes dentro del mundo de la estética. La especialización en cuidado de uñas y la realización de uñas artificiales es una salida profesional que ofrece ciertas garantías de futuro. Este libro ofrece las claves sobre todos los aspectos relacionados con este campo. Desde las herramientas que deben utilizarse hasta anotaciones de la anatomía del pie y de la mano pasando por un análisis de los diferentes tratamientos que se pueden llevar a cabo en las uñas. También hay una sección de masaje en manos y pies, y, por supuesto, dos temas completos sobre la escultura de uñas.
Like those writers to whom he has been compared--Fuentes, Garcia Marquez, James Joyce, and Rabelais--del Paso draws upon myth, science, and world literature to expand his particular story to universal proportions. Telling the story of a medical medical student who's engaged in an incestuous affair with his cousin, the novel satirizes advertising, politics, pornography, and mythology, while at the same time celebrating the body with a thoroughness that only a student of medicine could manage.
The magnificent title story of this collection of fairy tales for adults describes the strange and uncanny relationship between its extravagantly intelligent heroine--a world renowned scholar of the art of story-telling--and the marvelous being that lives in a mysterious bottle, found in a dusty shop in an Istanbul bazaar. As A.S. Byatt renders this relationship with a powerful combination of erudition and passion, she makes the interaction of the natural and the supernatural seem not only convincing, but inevitable. The companion stories in this collection each display different facets of Byatt's remarkable gift for enchantment. They range from fables of sexual obsession to allegories of political tragedy; they draw us into narratives that are as mesmerizing as dreams and as bracing as philosophical meditations; and they all us to inhabit an imaginative universe astonishing in the precision of its detail, its intellectual consistency, and its splendor. "A dreamy treat.... It is not merely strange, it is wondrous." --Boston Globe "Alternatingly erudite and earthy, direct and playful.... If Scheherazade ever needs a break, Byatt can step in, indefinitely." --Chicago Tribune "Byatt's writing is crystalline and splendidly imaginative.... These [are] perfectly formed tales." --Washington Post Book World
The central figure of this novel is a young man whose parents were executed for conspiring to steal atomic secrets for Russia. His name is Daniel Isaacson, and as the story opens, his parents have been dead for many years. He has had a long time to adjust to their deaths. He has not adjusted. Out of the shambles of his childhood, he has constructed a new life—marriage to an adoring girl who gives him a son of his own, and a career in scholarship. It is a life that enrages him. In the silence of the library at Columbia University, where he is supposedly writing a Ph.D. dissertation, Daniel composes something quite different. It is a confession of his most intimate relationships—with his wife, his foster parents, and his kid sister Susan, whose own radicalism so reproaches him. It is a book of memories: riding a bus with his parents to the ill-fated Paul Robeson concert in Peekskill; watching the FBI take his father away; appearing with Susan at rallies protesting their parents’ innocence; visiting his mother and father in the Death House. It is a book of investigation: transcribing Daniel’s interviews with people who knew his parents, or who knew about them; and logging his strange researches and discoveries in the library stacks. It is a book of judgments of everyone involved in the case—lawyers, police, informers, friends, and the Isaacson family itself. It is a book rich in characters, from elderly grand- mothers of immigrant culture, to covert radicals of the McCarthy era, to hippie marchers on the Pen-tagon. It is a book that spans the quarter-century of American life since World War II. It is a book about the nature of Left politics in this country—its sacrificial rites, its peculiar cruelties, its humility, its bitterness. It is a book about some of the beautiful and terrible feelings of childhood. It is about the nature of guilt and innocence, and about the relations of people to nations. It is The Book of Daniel.
Analyzes the evolution of contemporary art in Chile from 1973 to 2007. This edition reproduces more than 500 color images of works by 74 contemporary artists (selected by editor Mosquera) including names such as: Juan Downey, Carlos Arias, (Santiago, Chile, 1964); Juan Castillo, (Antofagasta, 1952); Eugenio Dittborn, (Santiago, Chile, 1943); Paz Errzuriz, (Santiago, Chile, 1944); Volupsa Jarpa, (Rancagua, 1971); Carlos Leppe, (Santiago, Chile, 1952); and Carolina Ruff, (Santiago, Chile, 1973), as well as younger generation artists. The artists are presented in alphabetical order with brief introductory texts. Each reproduced work is rigorously documented with a caption that, in addition to providing the technical data offers the reader a description of the work for better comprehension. Six essays by noted critics and art historians: Guillermo Machuca, Mar̕a Berr̕os, Justo Pastor Mellado, Catalina Mena, Nelly Richard y Adriana V̀lads (description provided by vendor).
The English-language debut of a major Latin American writer.