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History and genealogies of the families of Miller, Woods, Harris, Wallace, Maupin, Oldham, Kavanaugh, and Brown with interspersions of notes of the families of Dabney, Reid, Martin, Broaddus, Gentry, Jarman, Jameson, Ballard, Mullins, Michie, Moberley, Covington, Browning, Duncan, Yancey and Others.
Inthis book, Laurence Roth argues that the popular genre of Jewish detective stories offers new insights into the construction of ethnic and religious identity. Roth frames his study with the concept of "kosher hybridity" to look at the complex process of mediation between Jewish and American culture in which Jewish writers voice the desire to be both different from and yet the same as other Americans. He argues that the detective story, located at the intersection of narrative and popular culture in modern America, examines the need for order in a disorderly society, and thus offers a window into the negotiation of Jewish identity differing from that of literary fiction. The writers of these popular cultural texts, which are informed by contradiction and which thrive on intended and unintended ironies, formulate idioms for American Jewish identities that intentionally and unintentionally create social, ethnic, and religious syntheses in American Jewish life. Roth examines stories about American Jewish detectives--including Harry Kemelman's Rabbi Small, Faye Kellerman's Peter Decker and Rina Lazarus, Stuart Kaminsky's Abe Lieberman, and Rochelle Krich's Jessica Drake--not only as a genre of literature but also as a reflection of contemporary acculturation in the American Jewish popular arts.
This incisive book traces the attack on American provincialism that ended the myth of the Happy Village. Replacing the idyllic life as a theme, American writers in revolt turned to a more realistic interpretation of the town, stressing its repressiveness, dullness, and conformity. This book analyzes the literary technique employed by these writers and explores their sensibilities to evaluate both their artistic accomplishments and their contributions to American thought and feeling. Originally published 1969. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Pebbles in the Sea by Phillip Compton is an absorbing narrative made out of a canvas of colorful characters. It is a highly readable account of life in the rough and its impact on the authors view of life. Having spent his formative years with these characters and their flamboyant, sometimes hilarious ventures, the author discovered connections binding this diverse past with his artistic present. Within this framework of writing, the author reveals the concept of living for goals beyond the self, which may not produce riches or bring happiness, but will touch the infinite. Phillip Compton traces his journey of discovery through his early contact with these incredible characters and the history of their exploits, vividly brought to life in the pages of Pebbles in the Sea. Leading the cast of players is the authors father. Professional race car driver, business man, raconteur extraordinaire, the elder Compton was the dynamic force attracting and binding this diverse assemblage, which included his long time friend, Lou, who always encouraged, joined and abetted him in his outlandish adventures. Then, a later character, who became indispensable in lending aid was Drunken Ed, a man infamous for mangling the English language. Also found within this narrative is the elusive Johnny, an ornery alcoholic who always had his job waiting for him after his many benders. Finally, Drunken Joe exuberantly plays his part with his uniquely eccentric personality. These and a host of others paint a picture of what it means to live beyond the self. Stranger than fiction is a term often used by incredulous listeners upon hearing the tales of these men. Indeed, the reader will undoubtedly forget at times that these are actual events recorded here without embellishment. Here are stories of race car drivers, steel workers and drunks along with the famous fireworks story, recorded here for the first time, a story which has become a Compton family legend. The author has deftly woven the rough stories of these rough men together with the history of his own unique life. Within these pages, the stories diverge, then reunite in a conclusion that unexpectedly reconciles the apparent disparities. Pebbles in the Sea is a humorous, sometimes touching, often thought-provoking but always compelling chronicle of life and the adventures of living.
When a comet appears in the sky over England in 1066, Ailith, a young Saxon wife, feels sure that it can only bode well, in spite of her husband's fears. With a child on its way, the couple are prosperous and content. Yet, within a year, Ailith's joy turns to heartache as her husband and her child are taken from her and the conquering Normans advance. Ailith's grief turns to love for a brief period with Rolf de Brize, a handsome and womanising Norman invader. She bears him one daughter, but in the aftermath of the Battle of Hastings she discovers a betrayal she cannot forgive . . . Years later, the spirited and strong-willed Julitta is determined to find happiness, and yet her life has been filled with pain: from surviving life in a brothel in Southwark to suffering the pain of a forbidden love and a bitter, loveless marriage. Her quest takes her on a Pilgrimage to Compostella to a colourful horse fair in Bordeaux, to the terrors of piracy on the open sea.
The January number of v. 1- contains the annual reports of the officers of the board and the director.
The fourth edition of Inviting Transformation continues to offer an innovative approach to presentational speaking at a very reasonable price. The authors introduce readers to invitational rhetoric, teaching speakers to clarify ideas and to work to achieve understanding for all participants in an interaction. A primary goal of presentational speaking is to create an environment in which growth and change can occur for both the audience and the speaker. The text highlights four external conditions affecting transformational environments: safety, openness, freedom, and value (honoring the intrinsic worth of all individuals). To reflect respect for the diversity of the world, Sonja Foss and Karen Foss include options from many speaking traditions and practices to foster creativity. Discussions of all the processes of presenting— selecting a speaking goal, organizing ideas, elaborating on ideas, and delivering the presentation—emphasize inclusive speaking practices. Sample presentations provide clear and contemporary examples of the best invitational speaking practices. The authors recognize readers as competent communicators and encourage them to think about and systematize their approaches to presentational speaking. The exceptionally accessible writing style is an aid to readers in thinking through strategies for meeting their interactional goals. Readers learn to design and deliver effective presentations for any speaking situation.