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Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Les Fleurs du mal is a volume of French poetry by Charles Baudelaire. First published in 1857, it was important in the symbolist and modernist movements. The poems deal with themes relating to decadence and eroticism. Charles Pierre Baudelaire was a French poet who also produced notable work as an essayist, art critic, and pioneering translator of Edgar Allan Poe.
A Gothic tale in the manner of the Marquis de Sade and Octave Mirbeau's Torture Garden. It was originally published anonymously in Paris in 1953. When the unnamed narrator crosses the causeway to the Chateau of Gamehuche, he enters a surrealist nightmare of debauchery and violence. The proceedings at the chateau are presided over by the master of Gamehuche, M. de Montcul, formerly the English diplomat, Sir Horatio Mountarse. With a cast of willing and not-so-willing acolytes, he serves up an over-refined cuisine of obscenity, sexual perversion and unspeakable cruelty. The book could be described as a dispatch written from the frontiers of depravity. J. Fletcher's translation is the first English version of Pieyre de Mandiargues disturbing cult classic.
Kathleen Kete's wise and witty examination of petkeeping in nineteenth-century Paris provides a unique window through which to view the lives of ordinary French people. She demonstrates how that cliché of modern life, the family dog, reveals the tensions that modernity created for the Parisian bourgeoisie. Kete's study draws on a range of literary and archival sources, from dog-care books to veterinarians's records to Dumas's musings on his cat. The fad for aquariums, attitudes toward vivisection, the dread of rabies, the development of dog breeding—all are shown to reflect the ways middle-class people thought about their lives. Petkeeping, says Kete, was a way to imagine a better, more manageable version of the world—it relieved the pressures of contemporary life and improvised solutions to the intractable mesh that was post-Enlightenment France. The faithful, affectionate family dog became a counterpoint to the isolation of individualism and lack of community in urban life. By century's end, however, animals no longer represented the human condition with such potency, and even the irascible, autonomous cat had been rehabilitated into a creature of fidelity and affection. Full of fascinating details, this innovative book will contribute to the way we understand culture and the creation of class. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
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"Nadja, " originally published in France in 1928, is the first and perhaps best Surrealist romance ever written, a book which defined that movement's attitude toward everyday life. The principal narrative is an account of the author's relationship with a girl in teh city of Paris, the story of an obsessional presence haunting his life. The first-person narrative is supplemented by forty-four photographs which form an integral part of the work -- pictures of various "surreal" people, places, and objects which the author visits or is haunted by in naja's presence and which inspire him to mediate on their reality or lack of it. "The Nadja of the book is a girl, but, like Bertrand Russell's definition of electricity as "not so much a thing as a way things happen, " Nadja is not so much a person as the way she makes people behave. She has been described as a state of mind, a feeling about reality, k a kind of vision, and the reader sometimes wonders whether she exists at all. yet it is Nadja who gives form and structure to the novel.
Rutter was a prolific British travel writer and novelist who lived part of his life in the British colony of North Borneo, now part of Malaysia. He wrote about the life of David Chale, pseudonym of an officer in the colony, who asked him to write about Chale's conversion to Islam, his marriage to a Malaysian Muslim woman, and their pilgrimage to Mecca. Rutter conducted extensive interviews with Chale and his wife Munirah, and tried to narrate the story of the pilgrimage from Chale's perspective, though his own editorial voice is quite present. The book contains a photograph each of Chale and Munirah as well as a map of the Arabian Peninsula.