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Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors. For this book, the literary critic August Nemo has chosen the two most important and meaningful novels of William Harrison Ainsworth which are The Spectre Bride and Jack Sheppard. William Harrison Ainsworth was an English author of popular historical romances. Novels selected for this book: - The Lancashire Witches - Jack SheppardThis is one of many books in the series Essential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors
Historical novels of William Harrison Ainsworth are mainly set in 16th and 17th century England and they lean on actual historical events and persons. Putting his fictional characters in historical context, Ainsworth creates thrilling plots and sensational intrigues and affairs. This carefully crafted ebook is formatted for your eReader with a functional and detailed table of contents: Rookwood Jack Sheppard The Tower of London Guy Fawkes Old Saint Paul's The Miser's Daughter Windsor Castle The Lancashire Witches Auriol The Star Chamber Ovingdean Grange Cardinal Pole The Constable de Bourbon Boscobel The Good Old Times (The Manchester Rebels of the Fatal '45) Preston Fight The Leaguer of Lathom Chetwynd Calverley
The castle of Hernswolf, at the close of the year 1655, was the resort of fashion and gaiety. The baron of that name was the most powerful nobleman in Germany, and equally celebrated for the patriotic achievements of his sons, and the beauty of his only daughter. The estate of Hernswolf, which was situated in the centre of the Black Forest, had been given to one of his ancestors by the gratitude of the nation, and descended with other hereditary possessions to the family of the present owner. It was a castellated, gothic mansion, built according to the fashion of the times, in the grandest style of architecture, and consisted principally of dark winding corridors, and vaulted tapestry rooms, magnificent indeed in their size, but ill-suited to private comfort, from the very circumstance of their dreary magnitude. A dark grove of pine and mountain ash encompassed the castle on every side, and threw an aspect of gloom around the scene, which was seldom enlivened by the cheering sunshine of heaven.The castle of Hernswolf, at the close of the year 1655, was the resort of fashion and gaiety. The baron of that name was the most powerful nobleman in Germany, and equally celebrated for the patriotic achievements of his sons, and the beauty of his only daughter. The estate of Hernswolf, which was situated in the centre of the Black Forest, had been given to one of his ancestors by the gratitude of the nation, and descended with other hereditary possessions to the family of the present owner. It was a castellated, gothic mansion, built according to the fashion of the times, in the grandest style of architecture, and consisted principally of dark winding corridors, and vaulted tapestry rooms, magnificent indeed in their size, but ill-suited to private comfort, from the very circumstance of their dreary magnitude. A dark grove of pine and mountain ash encompassed the castle on every side, and threw an aspect of gloom around the scene, which was seldom enlivened by the cheering sunshine of heaven.
Early on the morning of May 6, 1840, the elderly Lord William Russell was found in his London house with his throat so deeply cut that his head was nearly severed. The crime soon had everyone, including Queen Victoria, feverishly speculating about motives and methods. But when the prime suspect claimed to have been inspired by a sensational crime novel, it sent shock waves through literary London and drew both Dickens and Thackeray into the fray. Could a novel really lead someone to kill? In Murder by the Book, Claire Harman blends a riveting true-crime whodunit with a fascinating account of the rise of the popular novel and the early battle for its soul among the most famous writers of the day.
The time is right for a critical reassessment of Cold War culture both because its full cultural impact remains unprocessed and because some of the chief paradigms for understanding that culture confuse rather than clarify. A collection of the work of some of the best cultural critics writing about the period, American Literature and Culture in an Age of Cold War reveals a broad range of ways that American cultural production from the late 1940s to the present might be understood in relation to the Cold War. Critically engaging the reigning paradigms that equate postwar U.S. culture with containment culture, the authors present suggestive revisionist claims. Their essays draw on a literary archive--including the works of John Updike, Joan Didion, Richard E. Kim, Allen Ginsberg, Edwin Denby, Alice Childress, Frank Herbert, and others--strikingly different from the one typically presented in accounts of the period. Likewise, the authors describe phenomena--such as the FBI's surveillance of writers (especially African Americans), biopolitics, development theory, struggles over the centralization and decentralization of government, and the cultural work of Reaganism--that open up new contexts for discussing postwar culture. Extending the timeline and expanding the geographic scope of Cold War culture, this book reveals both the literature and the culture of the time to be more dynamic and complex than has been generally supposed.