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Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors. For this book, the literary critic August Nemo has chosen the two most important and meaningful novels of Marie Belloc Lowndes wich are Barbara Rebell and From Out the Vasty Deep. Marie Belloc Lowndes was a prolific English novelist, and sister of author Hilaire Belloc. Active from 1898 until her death, she had a literary reputation for combining exciting incidents with psychological interest. Novels selected for this book: - Barbara Rebell - From Out the Vasty DeepThis is one of many books in the series Essential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.
The Lodger is the first known novelization of the Jack the Ripper story. It follows the lives of Mr. and Mrs. Bunting, a maid and butler. An eccentric lodger, Mr. Sleuth, arrives at their lodging-house just as a wave of horrific murders begins to sweep London. The Buntings become engrossed in the newspaper sensationalism as well the detailed accounts of their young friend, a Scotland Yard detective. Lowndes first wrote The Lodger as a short story published in McClure’s Magazine, then later published the novelization in the Daily Telegraph as a serial. It was very successful, with over a million copies sold within a few decades. Writers like Ernest Hemingway and Gertrude Stein praised it, with one contemporary reviewer calling it “the best novel about murder written by any living author.” It has since been adapted to other media, notably as one of Alfred Hitchcock’s first movies. Today the novel is still considered the best fictional adaptation of the Jack the Ripper legend. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Concentrating on works by authors such as Fergus Hume, Arthur Conan Doyle, Grant Allen, L.T. Meade, and Marie Belloc Lowndes, Christopher Pittard explores the complex relation between the emergence of detective fictions in the 1880s and 1890s and the concept of purity. The centrality of material and moral purity as a theme of the genre, Pittard argues, both reflected and satirised a contemporary discourse of degeneration in which criminality was equated with dirt and disease and where national boundaries were guarded against the threat of the criminal foreigner. Situating his discussion within the ideologies underpinning George Newnes's Strand Magazine as well as a wide range of nonfiction texts, Pittard demonstrates that the genre was a response to the seductive and impure delights associated with sensation and gothic novels. Further, Pittard suggests that criticism of detective fiction has in turn become obsessed with the idea of purity, thus illustrating how a genre concerned with policing the impure itself became subject to the same fear of contamination. Contributing to the richness of Pittard's project are his discussions of the convergence of medical discourse and detective fiction in the 1890s, including the way social protest movements like the antivivisectionist campaigns and medical explorations of criminality raised questions related to moral purity.
"A love story at its core, though one without an ending written in the stars. . . . Timely and insightful." —Karma Brown, #1 bestselling author of Recipe for a Perfect Wife For fans of Joanne Ramos, Josie Silver, and Emily Giffin, a gripping and powerful story that asks: Just how much are you willing to forgive in the name of love? Brooke has long been caught in the orbit of Derek, a rising political superstar. First he was her boss, then they were friends and she became his confidant, the one person he shared everything with. And even though she had feelings for him—it was hard to resist; he's charming and handsome, respected and beloved—she never dreamed he'd feel the same way. Derek is so much older and could have anyone he wanted. But it turns out that who Derek wants is Brooke, and suddenly none of the reasons they shouldn't be together matter. They fall in love. And even though Brooke has to keep the relationship a secret—stealing weekends away with him, late nights with takeout after long days at work, and business trips that are always a romantic whirlwind—being close to him and her dreams of their future make everything worth it. Then it all falls apart, and Brooke is left holding the pieces of the life they'd shared. Derek becomes embroiled in a scandal—the kind Brooke never could have imagined he'd be involved in—and she is forced to re-examine their relationship and make sense of the man she loves. Poignant, heart-stopping, and resonant, Waiting for a Star to Fall is a story about love, the things we choose to believe, and how sometimes the path to happily ever after has to start with ourselves.
From the author of Lucky, A REESE’S BOOK CLUB PICK! NAMED ONE OF 2019’S BEST BEACH READS BY Oprah Magazine • New York Post • PopSugar • The Globe and Mail FEATURED IN Us Weekly • Parade • Hollywood Reporter • Chatelaine “Marissa Stapley’s writing is a gift.”—Pam Jenoff, New York Times bestselling author Miles Markell is missing, and everyone is a suspect. To the guests at The Harmony Resort, Doctors Miles and Grace Markell appear to be a perfect power couple. They run a couples’ therapy retreat in a luxurious resort in the Mayan Riviera where they help spouses deal with their marriage struggles. Johanna and Ben’s relationship looks great on the surface, but in reality, they don’t know each other at all. Shell and Colin fight constantly—Colin is a workaholic, and Shell always comes second—but what has really torn them apart is too devastating to talk about. When both couples begin Harmony’s intensive therapy program, it becomes clear that Harmony is not all that it seems—and neither are Miles and Grace. What are they hiding, and what price will these couples pay for finding out their secrets? As a deadly tropical storm descends on the coast, trapping the hosts and the guests on the resort, secrets are revealed, loyalties are tested and not one single person—or their marriage—will remain unchanged by what follows. A gripping exploration of relationships and trust, The Last Resort is a propulsive read about all the big truths we hide, even from ourselves.
**One of Vogue’s Best Books of the Year ** “Incisive, funny, and tinged with melancholy, the timely novel follows two lost but clever souls desperate for connection.” —Entertainment Weekly June Bloom is twenty-nine, broke, and an aspiring comedy writer. Hugo Best is a beloved late-night TV icon and notorious womanizer who invites her to his mansion for Memorial Day weekend. This is the story of their four days together, a “zippy…magnificent…devilishly fun ride” (Vogue). When June Bloom, an assistant on the late-night comedy show, Stay Up with Hugo Best, runs into Hugo himself at an open mic following his unexpected retirement, she finds herself fielding a surprising invitation: Hugo asks June to come to his mansion in Greenwich for the long Memorial Day weekend. “No funny business,” he insists. “Incisive, funny, and tinged with melancholy, this timely novel follows two lost but clever souls desperate for connection” (Entertainment Weekly). June, in need of a job and money, but harboring the remains of a childhood crush on the charming older comedian and former role model, is confident she can handle herself. She accepts. As the weekend unfolds and the enigmatic Hugo gradually reveals appealingly vulnerable facets to his personality, their dynamic proves to be much more complicated and less predictable than June imagined. “A witty and subtle commentary on sex, power, and social politics” (Refinery 29) and “an outstanding comedic debut” (Kirkus Reviews, starred review), Stay Up with Hugo Best announces a gloriously irreverent, bold, and winning new voice in fiction.
In the English-speaking world, the Catholic Literary Revival is typically associated with the work of G. K. Chesterton/Hilaire Belloc, Evelyn Waugh and Graham Greene. But in fact the Revival’s most numerous members were women. While some of these women remain well known⎯Muriel Spark, Antonia White, Flannery O’Connor, Dorothy Day - many have been almost entirely forgotten. They include: Enid Dinnis, Anna Hanson Dorsey, Alice Thomas Ellis, Eleanor Farjeon, Rumer Godden, Caroline Gordon, Clotilde Graves, Caryll Houselander, Sheila Kaye-Smith, Jane Lane, Marie Belloc Lowndes, Alice Meynell, Kathleen Raine, Pearl Mary Teresa Richards, Edith Sitwell, Gladys Bronwyn Stern, Josephine Ward, and Maisie Ward. There are various reasons why each of these writers fell out of print: changes in the commercial publishing world after World War II, changes within the Church itself and in the English-speaking universities that redefined the literary canon in the last decades of the 20th century. Yet it remains puzzling that a body of writing so creative, so attuned to its historical moment, and so unique in its perspective on the human condition, should have fallen into obscurity for so long. The Catholic Women Writers series brings together the English-language prose works of Catholic women from the 19th and 20th centuries; work that is of interest to a broad range of readers. Each volume is printed with an accessible but scholarly introduction by theologians and literary specialists. The first volume in the series is Caryll Houselander’s The Dry Wood. Houselander is known primarily for her spiritual writings but she also wrote one novel, set in a post-war London Docklands parish. There a motley group of lost souls are mourning the death of their saintly priest and hoping for the miraculous healing of a vulnerable child whose gentleness in the face of suffering brings conversion to them all in surprising and unexpected ways. The Dry Wood offers a vital contribution to the modern literary canon and a profound meditation on the purpose of human suffering.
"In these dark days, Saleema Nawaz dares to write of hope. Songs for the End of the World is a loving, vivid, tenderly felt novel about men, women, and a possible apocalypse. I couldn't put it down." -- Sean Michaels, author of Us Conductors and The Wagers From the award-winning, Canada Reads-shortlisted author of Bone and Bread comes a spellbinding and immersive novel about the power of community and the triumph of human connection, as the bonds of love, family, and duty are tested by an impending pandemic. How quickly he'd forgotten a fundamental truth: the closer you got to the heart of a calamity, the more resilience there was to be found. This is the story of a handful of people who find themselves living through an unfolding catastrophe. Elliot is a first responder in New York, a man running from past failures and struggling to do the right thing. Emma is a pregnant singer preparing to headline a benefit concert for victims of the outbreak--all while questioning what kind of world her child is coming into. Owen is the author of a bestselling plague novel with eerie similarities to the real-life pandemic. As fact and fiction begin to blur, he must decide whether his lifelong instinct for self-preservation has been worth the cost. As the novel moves back and forth in time, we discover these characters' ties to one another and to those whose lives intersect with theirs, in an extraordinary web of connection and community that reveals none of us is ever truly alone. Linking them all is the mystery of the so-called ARAMIS Girl, a woman at the first infection site whose unknown identity and whereabouts cause a furor. Written and revised between 2013 and 2019, and brilliantly told by an unforgettable chorus of voices, Saleema Nawaz's glittering novel is a moving and hopeful meditation on what we owe to ourselves and to each other. It reminds us that disaster can bring out the best in people--and that coming together may be what saves us in the end.
Hotel London: How Victorian Commercial Hospitality Shaped a Nation and Its Stories examines Victorian London's grand hotels as both an institution and a culture intimately connected to the urban landscape. In her new study, Barbara Black argues that London's grand hotels provided an essential space for socializing, fashioned by concerns relating to class, gender, and nationality. Rooted in Walter Benjamin's "new velocities" of the nineteenth century and Wayne Koestenbaum's hotel theory, Hotel London explores how the emergence of the grand hotel as a physical and metaphorical space helped to construct a consumer economy that underscored London's internationalism and, by extension, England's global status. Incorporating the works of Oscar Wilde, Henry James, Wilkie Collins, Arnold Bennett, Florence Marryat, and Marie Belloc Lowndes, as well as contemporary depictions of the hotels in Mad Men, American Horror Story, and The Grand Budapest Hotel, Black examines how the hotel supported a corporate identity that would ultimately assist in the rise of modern capitalist structures and the middle class. In this way, Hotel London exposes the aggravations of class stratifications through the operations of status inside hotel life, giving a unique perspective on Victorian London that could only come from the stories of a hotel.