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The Prog Report (progreport.com) is pleased to announce the first book dedicated to the resurgence of one of music's most enduring and underrated genres. Essential Modern Progressive Rock Albums: Images and Words Behind Prog's Most Celebrated Albums 1990-2016, authored by Prog Report editor Roie Avin, shines a light on the important albums of the modern progressive rock era. The book features more than 50 albums from the last quarter century of Prog, with each chapter dedicated to one album. Featured in the book are prolific and pioneering artists such as Dream Theater, Porcupine Tree, Opeth, Spock's Beard, Marillion, The Flower Kings, Enchant, Fates Warning, Queensryche, and Big Big Train, along with more recent bands like Haken, Karnivool, Riverside, Between the Buried and Me, and The Dear Hunter, among the more than 30 bands included. Drawing on original interviews with band members such as Mike Portnoy, Neal Morse, Steven Wilson, John Petrucci, Mikael Åkerfeldt, Roine Stolt, Pete Trewavas, and dozens more, the book offers an in-depth look at the stories behind the albums that shaped the next wave of progressive rock. This book focuses solely on bands that carried the mantle of the genre's initial '70s explosion, artists that expanded the genre further, incorporating new sounds and elements to reach new audiences worldwide. Featuring full color images of the artists live, original press photos and brilliant album cover art, this 280+ page book will be one every Prog fan will want to display proudly as a badge of their fandom.
Derided as seventies throwbacks upon their arrival and misremembered by the wider population as one-hit wonders, Marillion rode the 1980s as one of the most successful bands in Britain. Delivering the musical and conceptual density of early progressive rock with the caustic energy of punk, the Aylesbury heroes both spearheaded the neo-prog revival and produced its crown jewel in their number one album Misplaced Childhood and its Top 5 singles 'Kayleigh' and 'Lavender.' Musically, their influence reaches from prog legends Dream Theater and Steven Wilson to household names like Radiohead and Muse. The 1980s encapsulated Marillion’s birth, commercial apex, and near-implosion. This book combines meticulous history with careful musical analysis to chronicle their most turbulent decade from their first gig, through the dizzying success and destructive decadence of their time with frontman Fish, to his bitter departure and replacement by Steve Hogarth. It turns an experienced critical eye not only on their five albums of the decade - from the seminal Script For A Jester's Tear to Season's End - Hogarth's debut - and a line up that remains as active as ever. The book also discusses demos, singles, and Fish’s solo debut to dissect a band which critics still love to hate, even as today’s music industry stands upon their shoulders as pioneers of self-promotion and internet-based crowd funding. Nathaniel Webb is an American author, musician, and game designer. As a lead guitarist, he has toured and recorded for numerous acts including Grammy-nominated singers Beth Hart and Jana Mashonee, Colombian pop star Marre, and Talking to Walls. His writing includes the novels Expedition: Summerlands, The Days of Guns and Roses, and Arcadia Mon Amour. A graduate of Phillips Exeter Academy and Wesleyan University, Nathaniel lives in Portland, Maine with his wife and son under a big pile of cats. He can be found on Facebook and Twitter @nat20w.
In this book, the glory days of progressive rock are relived in a series of insightful essays about the key bands, songwriters and songs that made prog-rock such an innovative style.
It can be difficult for an artist to have such overwhelming success so early into their career as was the case for Mike Oldfield. To this day, his name is forever synonymous with the album Tubular Bells. Mike followed this album with three further long form works in the 1970s, before venturing off onto other musical paths. The 1980s saw further success both in the albums and singles charts, while recent years have seen a return to long form music, often via sequels to his most famous work, with his most recent album being Return To Ommadawn in 2017. The music of Mike Oldfield touches listeners in ways that can be hard to describe. It bridges the gap between many musical cultures, whilst staying sharp and alert to current technological trends. In this book, Ryan Yard looks at the entire catalogue of albums to uncover what it is that makes his music so special. Each track from every album is critiqued with the aim of offering long term fans a different perspective whilst enticing new fans to explore and familiarise themselves with such wonderful new music. It makes a wonderful companion as the listener absorbs the music, hopefully offering food for thought as they embark on, or continue, their journey through the music of this remarkable artist.
Not too far away from the flea markets, dusty attics, cluttered used record stores and Ebay is the world of the vinyl junkies. Brett Milano dives deep into the piles of old vinyl to uncover the subculture of record collecting. A vinyl junkie is not the person who has a few old 45s shoved in the cuboard from their days in high school. Vinyl Junkies are the people who will travel over 3,000 miles to hear a rare b-side by a German band that has only recorded two songs since 1962, vinyl junkies are the people who own every copy of every record produced by the favorite artist from every pressing and printing in existance, vinyl junkies are the people who may just love that black plastic more than anything else in their lives. Brett Milano traveled the U.S. seeking out the most die-hard and fanatical collectors to capture all that it means to be a vinyl junkie. Includes interviews with Thurston Moore of Sonic Youth, Peter Buck from R.E.M and Robert Crumb, creator of Fritz the cat and many more underground comics.
Revered former Metal Maniacs editor Jeff Wagner analyses the heady side of metal in this exhaustive narrative history of a relentlessly ambitious musical subculture. Beginning with the hugely influential mid-1970s efforts of progressive rock acts Rush and King Crimson, Wagner unfurls a vast colourful tapestry of sounds and styles, from the 'Big 3' of Queensryche, Fates Warning and Dream Theater to the extreme prog pioneers Voivod, Watchtower, Celtic Frost and others.
(Book). From its artful beginnings (Syd Barrett-era Pink Floyd, the Mothers of Invention, and those progressive forebearers, the Sgt. Pepper-era Beatles), through the towering guitar solos, monumental synthesizer banks, and mind-boggling special effects of the Golden Age of Prog (Rush, Pink Floyd, Yes, ELP, Genesis, Jethro Tull, King Crimson, UK), through the radio-friendly "pop era" (Asia, the Phil Collins-led Genesis, and a reformed Yes), and right up to the present state of the art (Marillion, Spock's Beard, and Mars Volta), this is a wickedly incisive tour of rock music at its most spectacular. This is indeed the book prog rock fans have been waiting for, the only one of its kind, as fantastic as the subjects it covers.
(Recorded Version (Guitar)). Note-for-note transcriptions with tab for all nine tracks from Zappa's classic 1975 release: Andy * Can't Afford No Shoes * Evelyn, A Modified Dog * Florentine Pogen * Inca Roads * Po-Jama People * San Ber'dino * Sofa No. 1 * Sofa No. 2. Includes an introduction by Steve Vai.
Canada has produced many successful proponents of the genre known as heavy metal. Drawing on interviews with the original artists of the 1980s, this book provides a new perspective on the dreams of musicians shooting for an American ideal of success ... and ultimately discovering a uniquely Canadian voice in the process.