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In pulling these essays together for inclusion in one volume I do not believe that I have done them violence. Since they originally appeared at different times and places they constitute a scattered object. Never theless, to the author's eye they have unities of theme and development which, if they fail to give them the true identity of the book, may (to adapt a metaphor from Hume) generate those smooth and easy transi tions of the imagination which arouse dispositions appropriate to sur veying such identical objects. For the juxtaposition of historical and systematic studies I make no apology. It has been suggested, with a friendly touch of malice, that if Science and Metaphysics consists, as its subtitle proclaims, of Variations on Kantian Themes, it would be no less accurate to sub-title my historical essays 'variations on Sellars ian themes'. But this is as it should be. Phi losophy is a continuing dialogue with one's contemporaries, living and dead, and if one fails to see oneself in one's respondent and one's re spondent in oneself, there is confrontation but no dialogue. The historian, as Collingwood points out, becomes Caesar's contemporary by learning to think Caesar's thoughts. And it is because Plato thought so many of our thoughts that he is our contemporary and companion.
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - Those who are esteemed umpires of taste are often persons who have acquired some knowledge of admired pictures or sculptures, and have an inclination for whatever is elegant; but if you inquire whether they are beautiful souls, and whether their own acts are like fair pictures, you learn that they are selfish and sensual. Their cultivation is local, as if you should rub a log of dry wood in one spot to produce fire, all the rest remaining cold. Their knowledge of the fine arts is some study of rules and particulars, or some limited judgment of color or form, which is exercised for amusement or for show. It is a proof of the shallowness of the doctrine of beauty as it lies in the minds of our amateurs, that men seem to have lost the perception of the instant dependence of form upon soul. There is no doctrine of forms in our philosophy. We were put into our bodies, as fire is put into a pan to be carried about; but there is no accurate adjustment between the spirit and the organ, much less is the latter the germination of the former. So in regard to other forms, the intelle- ctual men do not believe in any essential dependence of the material world on thought and volition. Theologians think it a pretty air-castle to talk of the Spiritual meaning of a ship or a cloud, of a city or a contract, but they prefer to come again to the solid ground of historical evidence; and even the poets are contented with a civil and conformed manner of living, and to write poems from the fancy, at a safe distance from their own experience. But the highest minds of the world have never ceased to explore the double meaning, or shall I say the quadruple or the centuple or much more manifold meaning, of every sensuous fact; Orpheus, Empedocles, Heraclitus, Plato, Plutarch, Dante, Swedenborg, and the masters of sculpture, picture, and poetry. For we are not pans and barrows, nor even porters of the fire and torch-bearers, but children of the fire, made of it, and only the same divinity transmuted and at two or three removes, when we know least about it. And this hidden truth, that the fountains whence all this river of Time and its creatures floweth are intrinsically ideal and beautiful, draws us to the consideration of the nature and functions of the Poet, or the man of Beauty; to the means and materials he uses, and to the general aspect of the art in the present time.
New England Reformers Ralph Waldo Emerson Ralph Waldo Emerson (May 25, 1803 - April 27, 1882) was an American essayist, lecturer, and poet who led the transcendentalist movement of the mid-19th century. He was seen as a champion of individualism and a prescient critic of the countervailing pressures of society, and he disseminated his thoughts through dozens of published essays and more than 1,500 public lectures across the United States. Emerson gradually moved away from the religious and social beliefs of his contemporaries, formulating and expressing the philosophy of transcendentalism in his 1836 essay "Nature." Following this work, he gave a speech entitled "The American Scholar" in 1837, which Oliver Wendell Holmes Sr. considered to be America's "intellectual Declaration of Independence." Emerson wrote most of his important essays as lectures first and then revised them for print. His first two collections of essays, Essays: First Series (1841) and Essays: Second Series (1844), represent the core of his thinking. They include the well-known essays "Self-Reliance," "The Over-Soul," "Circles," "The Poet" and "Experience." Together with "Nature," these essays made the decade from the mid-1830s to the mid-1840s Emerson's most fertile period. Emerson wrote on a number of subjects, never espousing fixed philosophical tenets, but developing certain ideas such as individuality, freedom, the ability for humankind to realize almost anything, and the relationship between the soul and the surrounding world. Emerson's "nature" was more philosophical than naturalistic: "Philosophically considered, the universe is composed of Nature and the Soul." Emerson is one of several figures who "took a more pantheist or pandeist approach by rejecting views of God as separate from the world." He remains among the linchpins of the American romantic movement, and his work has greatly influenced the thinkers, writers and poets that followed him. When asked to sum up his work, he said his central doctrine was "the infinitude of the private man." Emerson is also well known as a mentor and friend of Henry David Thoreau, a fellow transcendentalist. Emerson was born in Boston, Massachusetts, on May 25, 1803, a son of Ruth Haskins and the Rev. William Emerson, a Unitarian minister. He was named after his mother's brother Ralph and his father's great-grandmother Rebecca Waldo. Ralph Waldo was the second of five sons who survived into adulthood; the others were William, Edward, Robert Bulkeley, and Charles. Three other children-Phebe, John Clarke, and Mary Caroline-died in childhood. Emerson was entirely of English ancestry, and his family had been in New England since the early colonial period. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
2:12 a.m. is an insomniac's tour of counterproductive bedtime stories, Vegas weddings, Southern funerals, Nevada's nuclear testing grounds, Patty Hearst, Marina Oswald, sleepwalking murderers, Louise Bourgeois's Insomnia Drawings and more, revealing what wakeful nights conjure for a North Carolinian turned Californian, a farm child turned suburbanite, a 1960s romantic turned fatalist and a once-but-no-longer "gifted" sleeper. The collection, comprised of Best American Essays notables, Pushcart Prize nominees and the winner of Drunken Boat's Editors' Choice nonfiction award, mixes the strictly autobiographical with voice-driven reportage and includes essays that are factual, meditative, investigatory and lyrical to take full advantage of the versatility of the form. 2:12 a.m. is a book for all who revisit the past and brood on the future--a book about the dislocations of contemporary life, the hauntings of memory, and the perennial search, late night or otherwise, for meaning in existence.
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For well over a century, people's lives have been deeply affected by the work of Ralph Waldo Emerson. Emerson was one of the most influential and controversial writers of the 19th century. He advocated total independence of thought, rejecting conformity for its own sake. For Emerson the individual was key, with each person holding part of an eternal truth which collectively transcended the bounds of mortality. This profoundly optimistic view of humanity is laid out in and underlies his poetry and prose, written in a unique style which is highly readable as well as thought-provoking. Containing many of his most important writings, Essays and Poems is the perfect introduction to the work of this singular American thinker.