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A collection of essential writings features Thoreau's poetry and essays on nature, materialism, conformity, and politics; including such works as "Slavery in Massachusetts," "Civil Disobedience," "A Winter Walk," and "Life Without Principle."
A fearless, wide-ranging book on the state of poetry and American literary culture by Tony Hoagland, the author of What Narcissism Means to Me Live American poetry is absent from our public schools. The teaching of poetry languishes, and that region of youthful neurological terrain capable of being ignited only by poetry is largely dark, unpopulated, and silent, like a classroom whose shades are drawn. This is more than a shame, for poetry is our common treasure-house, and we need its vitality, its respect for the subconscious, its willingness to entertain ambiguity, its plaintive truth-telling, and its imaginative exhibitions of linguistic freedom, which confront the general culture's more grotesque manipulations. We need the emotional training sessions poetry conducts us through. We need its previews of coming attractions: heartbreak, survival, failure, endurance, understanding, more heartbreak. —from "Twenty Poems That Could Save America" Twenty Poems That Could Save America presents insightful essays on the craft of poetry and a bold conversation about the role of poetry in contemporary culture. Essays on the "vertigo" effects of new poetry give way to appraisals of Robert Bly, Sharon Olds, and Dean Young. At the heart of this book is an honesty and curiosity about the ways poetry can influence America at both the private and public levels. Tony Hoagland is already one of this country's most provocative poets, and this book confirms his role as a restless and perceptive literary and cultural critic.
Charles Bernstein is our postmodern jester of American poesy, equal part surveyor of democratic vistas and scholar of avant-garde sensibilities. In a career spanning thirty-five years and forty books, he has challenged and provoked us with writing that is decidedly unafraid of the tensions between ordinary and poetic language, and between everyday life and its adversaries. Attack of the Difficult Poems, his latest collection of essays, gathers some of his most memorably irreverent work while addressing seriously and comprehensively the state of contemporary humanities, the teaching of unconventional forms, fresh approaches to translation, the history of language media, and the connections between poetry and visual art. Applying an array of essayistic styles, Attack of the Difficult Poems ardently engages with the promise of its title. Bernstein introduces his key theme of the difficulty of poems and defends, often in comedic ways, not just difficult poetry but poetry itself. Bernstein never loses his ingenious ability to argue or his consummate attention to detail. Along the way, he offers a wide-ranging critique of literature’s place in the academy, taking on the vexed role of innovation and approaching it from the perspective of both teacher and practitioner. From blues artists to Tin Pan Alley song lyricists to Second Wave modernist poets, The Attack of the Difficult Poems sounds both a battle cry and a lament for the task of the language maker and the fate of invention.
"A collection of essays by poet Julia Spicher Kasdorf focusing on aspects of Mennonite life. Essays examine issues of gender, cultural, and religious identity as they relate to the emergence and exercise of literary authority"--Provided by publisher.
The P.R.I.D.E. Book of Poetry and Essays is designed to give inspiration and hope to inmates, their families and individuals that have not maximized their potential. The book is also designed to act as a buffer to give direction and encouragement under the paradigm of P.R.I.D.E.: Purpose, Respect, Integrity, Determination and Enthusiasm.
From “one of the great short story writers of our time—of any time” (The Philadelphia Inquirer)—comes more than sixty stories, poems, and essays, including two early versions from the seminal collection, What We Talk About When We Talk About Love. "Show[s] the enormous talent of Raymond Carver beginning to take hold." —San Francisco Chronicle A wide-ranging collection by the extravagantly versatile Raymond Carver. Two of the stories that were later significantly revised in What We Talk About When We Talk About Love appear here in their original form, revealing clearly the astounding process of Carver’s literary development.
Readers will be delighted by the intimate reflections on life and poetry found in "First Loves". Affording close-up views of today's best poets, the book also (re)introduces readers to the timeless poems they selected. Featuring many Pulitzer Prize and National Book Award winners, the book includes essays by Seamus Heaney, Robert Pinsky, Jorie Graham, Yusef Komunyakaa, and many others.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Helen Vendler may be America's most important poetry critic. A winner of the National Book Critics Circle Award, Vendler has remained a key figure in the academy while also teaching a much larger public how to read and enjoy poems and poetry through her many articles for the New Yorker, the New York Times Book Review, the New Republic, and the New York Review of Books. With Something Understood, some of the most important poets, critics, and scholars in the United States, Canada, the United Kingdom, and Ireland pay tribute to five decades of Vendler's work. Included here are new poems, written especially for this volume, from such luminaries as Nobel laureate Seamus Heaney, former U.S. poet laureate Rita Dove, and Pulitzer Prize winner Charles Wright. The essays, also exclusive to this book, address a spectrum of issues, from the vastness of the poetic tradition to poetry's irreducible building blocks. Elaine Scarry considers what poetic vocation has meant to Heaney, Thomas Hardy, and to Vendler herself. Deborah Forbes asks what the poems of John Keats have to say to the people of Zambia. Jahan Ramazani provides arguments and advice that any teacher of poetry can use. All the contributors have learned from Helen Vendler or been inspired by her work. The result is not only a celebration of Vendler's critical powers but also a major compilation of poems and essays representing contemporary American poetry as it is practiced and debated. ContributorsJohn Ashbery * Frank Bidart * Lucie Brock-Broido * Stephen Burt * Eleanor Cook * Bonnie Costello * Rita Dove * Heather Dubrow * William Flesch * Deborah Forbes * Mark Ford * Roger Gilbert * Albert Goldbarth * Jorie Graham * Nick Halpern * DeSales Harrison * Seamus Heaney * August Kleinzahler * George S. Lensing * Christopher R. Miller * Carl Phillips * D. A. Powell * Laura Quinney * Jahan Ramazani * Elaine Scarry * Dave Smith * Willard Spiegelman * M. Wynn Thomas * Charles Wright