Download Free Essays On The Theatre From Eighteenth Century Periodicals Book in PDF and EPUB Free Download. You can read online Essays On The Theatre From Eighteenth Century Periodicals and write the review.

Ranging in approach from feminist to historicist, the eleven essays in this collection share the culturalist premise that the drama of late Stuart and early Georgian England helped to constitute the dominant ideology of the period. The contributors' varied approaches allow for the reconsideration of libertinism, the politics of sexual desire, and other classic issues, as well as such newer concerns as the social construction of the first English actresses, empiricism as an emergent epistemological discourse, cultural anxiety about novelty and repetition, and shifting tropes of inherent worth. By reading well-known works in unexpected ways and focusing on less frequently studied dramatists, from Sedley, Motteux, Pix, and Behn to Manley, Trotter, and Shadwell, the contributors also test the limits of the canon. In addition, they suggest that earlier critical perceptions, perhaps even more than the “innate worth” of the plays, determined the shape of the canon. These essays present a different image of Restoration and eighteenth-century theater, one that reveals how the drama was a site as important for the negotiation of cultural meaning as were novels and verse satires.
Periodicals were an essential medium during eighteenth-century Enlightenment. The era’s growing number of newspapers and journals made possible a fast and vast dissemination of ideas and debates. Journals were a particularly important means of transmitting ideas, genres, texts, and pieces of information from country to country, from centre to periphery, and from press to subscribers. These journals became agents of change by mediating the increasingly profound and widespread urge to write and read and to engage in political debate. This volume, edited by Ellen Krefting, Aina Nøding and Mona Ringvej, presents contributions that explore this media revolution from a Northern perspective. The chapters throw new light on the reception of Enlightenment ideas and practices in Denmark–Norway, Sweden–Finland, and beyond. Taken together, they make a strong case for the transnational and revolutionary character of the Enlightenment as a whole.
Urban Enlightenment offers the first literary history of the British periodical essay spanning the entire eighteenth century, and the first to study the genre's development and cultural impact in a transatlantic context.
Felicia Londre explores the world of theater as diverse as the Entertainments of the Stuart court and Arthur Miller directing Chinese actors at the Beijing People's Art Theater in "Death of a Salesman." Londre examines: Restoration comedies; the Comedie Francais; Italian "opera seria"; plays of the "Surm und Grand" movement; Russian, French, and Spanish Romantic dramas; American minstrel shows; Brecht and dialectical theater; Dighilev; Dada; Expressionism, Theater of the Absurd productions, and other forms of experimental theater of the late-20th century.>
Representative selections from Restoration and eighteenth-century drama, comedy, satire, tragedy, and farce are prefaced by descriptions of the theaters, acting styles, methods of play production, and audiences.