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Essays on the Greek Romances by Elizabeth Hazelton Haight: This collection of essays offers a detailed exploration of the Greek Romances, a genre of literature that emerged in the Hellenic and Roman worlds. With its insightful analysis and careful scholarship, "Essays on the Greek Romances" is a must-read for anyone interested in the history of literature. Key Aspects of the Book "Essays on the Greek Romances": Literary Criticism: The book offers detailed and insightful literary criticism, examining the themes, motifs, and conventions of the Greek Romances. Scholarship: The book is a work of careful scholarship, drawing on a wide range of sources to offer a comprehensive study of the genre. Cultural Context: The book explores the social, cultural, and historical context of the Greek Romances, offering insights into the values and beliefs of the Hellenic and Roman worlds. Elizabeth Hazelton Haight was an American author and scholar who lived from 1872 to 1964. She was a leading figure in the field of literary criticism, known for her careful scholarship and insightful analysis. "Essays on the Greek Romances" is one of her most celebrated works.
A group of essays about Greek Romances. The author is a celebrated expert from Vassar University
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Essays on the Greek Romances Original Author: Elizabeth Hazelton Haight Edited/Added and Translated By: M. Meenachi Sundaram TABLE OF CONTENTS Essays on the Greek Romances. 1 PREFACE.. 4 ESSAYS ON THE GREEK ROMANCES. 7 Chapter I : THE GREEK ROMANCES AND THEIR RE-DATING.. 7 Chapter II : CHARITON’S CHAEREAS AND CALLIRHOE.. 18 Chapter III: THE EPHESIACA OR HABROCOMES AND ANTHIA BY XENOPHON OF EPHESUS 36 Chapter IV: THE AETHIOPICA OF HELIODORUS. 54 Chapter V: THE ADVENTURES OF LEUCIPPE AND CLITOPHON BY ACHILLES TATIUS 80 Chapter VI: THE LESBIAN PASTORALS OF DAPHNIS AND CHLOE BY LONGUS. 98 Chapter VII : LUCIAN AND HIS SATIRIC ROMANCES: THE TRUE HISTORY AND LUCIUS OR ASS 117 Chapter VIII: A COMPARISON OF THE GREEK ROMANCES AND APULEIUS’ METAMORPHOSES 148 INDEX.. 160 ABOUT THE AUTHOR.. 173 PREFACE If all the world loves a lover, as the old proverb says, then this my book should win wide fame. For these Greek Romances of the first to the fourth century of our era seem still to be singing the immemorial refrain from the old spring-time song of “The Vigil of Venus”: Cras amet qui numquam amavit, quique amavit cras amet. “Let those love now, who never lov’d before; Let those who always lov’d, now love the more.” At a time when fiction is the most popular form of literature, these wonderful old Greek stories of love, adventure and worship are half forgotten and rarely read except by the scholar. Yet here, as in epic, lyric, elegy, drama, oratory and history, the Greeks were pioneers. In the second and third centuries they had created four different types of romance (of love, of adventure, the pastoral, the satiric) which were to have great influence on French, Italian and English fiction. The student of comparative literature, the student of the history of fiction cannot afford to neglect these pioneer Greek novels. Their appeal, however, should be just as great for the general reader as for the scholar. For here are stories that mirror the life of the Mediterranean world in the Roman Empire with all its new excitements of travel, piracy, kidnapping, the new feminism, the new religious cults. And through all the different types of romance except viii the satiric the Love-God holds supreme sway over the hearts of men. So human, so vivacious are the love-stories that I offer to my readers Longus’ assurance of profit in his introduction to his Pastoral Romance:
Bryan Reardon (1928-2009) was one of the most important and influential figures in the revival of scholarly interest in the Greek novel and ancient fiction in the last quarter of the twentieth century. His organisation of the first International Conference on the Ancient Novel (ICAN) at Bangor, North Wales, in 1976 was a landmark in the field and an inspiration to the organisers of subsequent ICANs, from which Ancient Narrative itself sprang. As editor of Collected Ancient Greek Novels (University of California Press 1989; second edition 2008), he made the Greek novels accessible to a wider readership and won a place for them in university syllabuses across the English-speaking world. This volume contains twenty essays by leading scholars of ancient fiction, who were all pupils, colleagues or close friends of Bryan Reardon, in memory of his scholarship, energy, guidance and humanity. They cover a range of topics including ancient literary theory and the conceptualisation of fiction, discussion of individual novels (Chariton, Longus, Iamblichus, Achilles Tatius, and Apuleius) and novelistic texts (a papyrus fragment of a lost novel, and Philostratus' Life of Apollonius), the afterlife of the ancient novel (in a Renaissance commentary on Roman law, in a seventeenth-century essay on the origin of the novel, and in a seventeenth-century series of paintings in a French château), and a speculative reconstruction of the morning after the end of Heliodorus' novel. The title of the volume commemorates two of Bryan Reardon's most important books: Courants littéraires grecs des IIe et IIIe siècles après J.-C. (Paris 1971) and The Form of Greek Romance (Princeton 1991); and the photograph of Aphrodisias on the front cover is a tribute to his critical edition of Chariton (2004).
This is the first study to relate the Greek romances to Elizabethan drama. It focuses upon the Greek romance materials in Shakespeare's plays to clarify the background of his art and to illuminate the relationship between the two literatures. The Greek romance tradition is described historically and traced through the works of Boccaccio and Cervantes, as well as other continental and English writers. Then, full attention is given to those plays of Shakespeare which utilize the Greek materials. The notes are full and, with the aid of the extensive index, can serve as a manual of the Greek romance materials in Renaissance literature. A bibliographic appendix lists the known editions, translations, and adaptations of Greek romances from about 1470 to about 1642. The manuscript history is reviewed briefly. Thorough, careful, the book will be indispensable for concerned scholars and libraries.
This volume aims at providing both students and scholars with a series of discussions of the long tradition of reading and writing the erotic, seen from a number of different perspectives.