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Essays on the Awareness of Loss in Contemporary Albanian Literature: Voices that Come fom the Abyss is the first scholarly monograph on the concept of loss in Albanian poetry and life writing of the twentieth and twenty-first centuries. It represents the first academic contribution to an international audience dedicated to three women writers that personified loss in communist Albania and two eminent poets who wrote representative and outstanding poetry on the meaning of loss in Albanian literature. Through the work of these three politically persecuted women writers and two modern poets, this book analyzes loss in relation to pain, grief, memory, death, freedom, and love inquiring on the meeting point between life writing and poetry, and the point where they part ways. The book explores the work of: Musine Kokalari, the first Albanian woman writer and political dissident; Bedi Pipa, the first woman known to have authored a diary in Albanian literature; Drita Çomo, author of a diary and poetry written in secret in political exile under communism; Fatos Arapi the Albanian poet who has been awarded the most important international literary prize to date and who has elaborated on the ethical implications of freedom, grief and death in relation to (personal) loss; Ali Podrimja a cornerstone of contemporary Albanian poetry, author of a volume that marked a definite turn to modernity in Albanian poetry in the Republic of Kosova and to date one of the best volumes of poetry written in the history of Albanian literature Lum Lumi, where he explores the depth of grief, pain, loss and love. The works of these five authors bring forth the necessity to re-visit the history of Albanian literature and promote interdisciplinary and comparative studies beyond Albanian literature. Shatro studies the unique traits of their life writing, the specific link between different literary genres and the exceptional capacity of poetry to carry loss to the point of articulating the unsaid, thus giving a voice to silence. She argues that through diary, memoir, epistolary and poetry, all five authors provide different views of loss and its challenging ethical implications in relation to death, memory, and freedom.
This book focuses on contemporary Albanian poetry, given the important role it has continuously played in Albanian literature as a whole. It analyses particular literary periods and their representative poets from a comparative perspective. It raises meaningful questions that point to particularly interesting features of Albanian literature that call for in-depth study, taking into account research conducted in this field over the years by both Albanian and foreign scholars. However, this book’s focus on comparative literature and the perspectives that this academic practice offers for so-called small, marginal literatures in the realm of European literatures allows for a different and unique analysis. It provides both an introduction and a well-structured approach to contemporary Albanian literature and to some of the problems that it faces in today’s global context when national literatures, and especially those from the margins, have to reconsider their role and position in world literature. As such, the book will be of interest to scholars in the fields of comparative literature, East and South-Eastern European literature, Albanian literature, Balkan studies, poetry studies, and cultural studies, among others.
The Poetics of the Avant-garde in Literature, Arts, and Philosophy presents a range of chapters written by a highly international group of scholars from disciplines such as literary studies, arts, theatre, and philosophy to analyze the ambitions of avant-garde artists. Together, these essays highlight the interdisciplinary scope of the historic avant-garde and the interconnectedness of its artists. Contributors analyze topics such as abstraction and estrangement across the arts, the imaginary dialogue between Lev Yakubinsky and Mikhail Bakhtin, the problem of the “masculine ethos” in the Russian avant-garde, the transformation of barefoot dancing, Kazimir Malevich’s avant-garde poetic experimentations, the ecological imagination of the Polish avant-garde, science-fiction in the Russian avant-garde cinema, and the almost forgotten history of the avant-garde children’s literature in Germany. The chapters in this collection open a new critical discourse about the avant-garde movement in Europe and reshape contemporary understandings of it.
This book explores how family sagas may configure family memory. Readers of this book will not only learn more about the genre of family saga but also be encouraged to reflect on their own family memories.
The Bulletin of the Atomic Scientists is the premier public resource on scientific and technological developments that impact global security. Founded by Manhattan Project Scientists, the Bulletin's iconic "Doomsday Clock" stimulates solutions for a safer world.
Philo-Semitic Violence: Poland’s Jewish Past in New Polish Narratives addresses the growing popularity of philo-Semitic violence in Poland between the 2000 revelation of Polish participation in the Holocaust and the 2015 authoritarian turn. Elżbieta Janicka and Tomasz Żukowski examine phenomena termed a “new opening in Polish-Jewish relations,” thought to stem from sociocultural change and the posthumous inclusion of those subjected to anti-Semitic violence. The authors investigate the terms and conditions of this inclusion whose object is an imagined collective Jewish figure. Different creators and media, same friendly intentions, same warm reception beyond class and political cleavages, regardless of gender and age. The made-to-measure Jewish figure confirms and legitimizes the majority narrative—especially about Polish stances and behaviors during the Holocaust. Enabled by this, philo-Semitic feelings indulge the dominant group in Baudrillard’s retrospective hallucinations. The consequence: aggression toward anyone who dares to interrupt the narcissistic self-staging. This book exposes the Polish ethnoreligious identity regime that privileges the concern for the collective image over reality. The authors’ inquiry shows how patterns of exclusion and violence are reproduced when anti-Semitism—with its Christian sources and community-building function—is not openly problematized, reassessed, and rejected in light of its consequences and the basic principle of equal rights.
In Melchior Wankowicz: Poland’s Master of the Written Word, Aleksandra Ziolkowska-Boehm examines the life and writing of famous Polish writer Melchior Wankowicz, author of legendary work “The Battle of Monte Cassino”. Acclaimed by his readers and critics alike, Melchior Wankowicz was famous for creating his theory of reportage, i.e. the “mosaic method” where the events of many people were implanted into the life of one person. Melchior Wankowicz put into words the beautiful, tragic and heroic events of Polish history that provided a form of sustenance for a people that thrive on patriotism and love of their country. Wankowicz’s books shaped national consciousness, glorified the heroism of the Polish soldier. Later in his life, Wankowicz personally set an example by standing up to the Communist party that brought him to trail for his work. In this book, Ziolkowska-Boehm offers a critical examination of Wankowicz’s work informed by her experiences as his private secretary. Her access to the author’s personal archives shed new light on the life and work of the man considered by many to be “the father of Polish reportage.”
Hooyman and Kramer's starting point is that loss comes in many forms and can include not only suffering the death of a person one loves but also giving birth to a child with disabilities, living with chronic illness, or being abused, assaulted, or otherwise traumatized. They approach loss from the perspective of the resilience model, which acknowledges the capacity of people to integrate loss into their lives, and write sensitively about the role of age, race, culture, sexual orientation, gender, and spirituality in a person's response to loss. – from publisher information.