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This is the first collection of essays to focus on the extraordinary literary achievement of James Clarence Mangan (1803-1849), increasingly recognized as one of the most important Irish writers of the nineteenth century. It features contributions by acclaimed contemporary writers including Paul Muldoon and Ciaran Carson.
This is the first collection of essays to focus on the extraordinary literary achievement of James Clarence Mangan (1803-1849), increasingly recognized as one of the most important Irish writers of the nineteenth century. It features contributions by acclaimed contemporary writers including Paul Muldoon and Ciaran Carson.
In the first comprehensive biography of the poet since D. J. O'Donoghue's appeared in 1897, Ellen Shannon-Mangan has written a study as readable as it is scholarly. The product of almost twenty years of research, James Clarence Mangan: A Biography gives readers a definitive portrait of a man who has been both mythologized and neglected for almost 150 years. Although Mangan was the most important Irish poet writing in English before William Butler Yeats, his life-long refusal to publish in England virtually guaranteed his obscurity. Availing himself only of the periodicals printed in Ireland, he still published hundreds of poems and prose pieces. The poet of 'Dark Rosaleen' never left Ireland, and rarely left Dublin, yet in thought and imagination he journeyed from Siberia to Arabia and from Ireland's ancient past to the terrible present of the Famine. His literary career began in 1818 when he was fifteen, and the last poem to appear before his death - in 1849 - was 'The Famine'. He wrote for such nationalist papers as the Comet and the United Irishman as well as for the prestigious Dublin University Magazine and the influential Nation. Nevertheless, only one collection of his poetry was published during his lifetime. His complete poems will appear for the first time as part of the series of which Shannon-Mangan's biography is the first volume. This compelling narrative sweeps away some long-retailed myths about Mangan - that he suffered a life of unrelieved poverty, that he had only one love affair which left him soured on women forever, that he was friendless and always alone, and that he was swathed in perpetual gloom. At the same time, the author examines the poet's early childhoodas the source of his eccentric behaviour, his dependence on alcohol and perhaps opium, and the role that the supernatural and his belief in it played in his life. Shannon-Mangan depicts a startlingly modern man who in spite of errors and weaknesses created a body of work unrivalled in its time.
This book explores how three Anglo-Irish writers, J.C. Mangan, J.S. Le Fanu and Bram Stoker, use settings in their short fictions to recreate, depict and confront Ireland’s colonial situation in the nineteenth century. This study provides an innovative approach by targeting a genre (the short story) which has not been explored in its entirety— certainly not within nineteenth century Ireland - much less using a postcolonial approach to the short story. Added to this is the fact that it analyses how these writers used settings as an anticolonial tool. To do so, the book is divided into two major sections, an analysis of Irish settings and non-Irish ones. It works on the premise that all three writers used the idea of displacement to target colonialism and its effects on Irish society. In short, this book addresses a gap in scholarship, as the Irish Gothic short story as a decolonizing tool has not been sufficiently and globally studied.
"A splendid critical performance."--Louis A. Renza, Dartmouth College "A splendid critical performance."--Louis A. Renza, Dartmouth College
Woven Shades of Green is an annotated selection of literature by authors who focus on the natural world and the beauty of Ireland. It begins with the Irish monks and their largely anonymous nature poetry, written at a time when Ireland was heavily forested. A section follows devoted to the changing Irish landscape, through both deforestation and famine, including the nature poetry of William Allingham, and James Clarence Mangan, essays from Thomas Gainford and William Thackerary, and novel excerpts from William Carleton and Emily Lawless. The anthology then turns to the nature literature of the Irish Literary Revival, including Yeats and Synge, and an excerpt from George Moore’s novel The Lake. Part four shifts to modern Irish nature poetry, beginning with Patrick Kavanaugh, and continuing with the poetry of Seamus Heaney, Eavan Boland, and others. Finally, the anthology concludes with a section on various Irish naturalist writers, and the unique prose and philosophical nature writing of John Moriarty, followed by a comprehensive list of environmental organizations in Ireland, which seek to preserve the natural beauty of this unique country. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
(series copy)These encyclopedic companions are browsable, invaluable individual guides to authors and their works. Useful for students, but written with the general reader in mind, they are clear, concise, accessible, and supply the basic cultural, historical, biographical and critical information so crucial toan appreciation and enjoyment of the primary works. Each is arranged in an A-Z fashion and presents and explains the terms, people, places, and concepts encountered in the literary worlds of James Joyce, Mark Twain, and Virginia Woolf.As a keen explorer of the mundane material of everyday life, James Joyce ranks high in the canon of modernist writers. He is arguably the most influential writer of the twentieth-century, and may be the most read, studied, and taught of all modern writers. The James Joyce A-Z is the ideal companionto Joyce's life and work. Over 800 concise entries relating to all aspects of Joyce are gathered here in one easy-to-use volume of impressive scope.
This book analyzes particular patterns of nationalist self-configuration and nationalist uses of memory, counter-memory, and historical amnesia in Ireland from roughly around the time of the emergence of a broad-based non-sectarian Irish nationalist platform in the late eighteenth century (the Society of United Irishmen) until Ireland’s partition and the founding of the Irish Free State in 1922. In approaching Irish nationalism through the particular historical lens of “Iran,” this book underscores the fact that Irish nationalism during this period (and even earlier) always utilized a historical paradigm that grounded Anglo-Irish encounters and Irish nationalism in the broader world history, a process that I term “worlding of Ireland.” In effect, Irish nationalism was always politically and culturally cosmopolitan in outlook in some formulations, even in the case of many nationalists who resorted to insular and narrowly defined exclusionary ethnic and/or religious formulations of the Irish “nation.” Irish nationalists, as nationalists in many other parts of the world, recurrently imagined their own history either in contrast to or as reflected in, the histories of peoples and lands elsewhere, even while claiming the historical uniqueness of the Irish experience. Present in a wide range of Irish nationalist political, cultural, and historical utterances were assertions of past and/or present affinities with other peoples and lands.
This is a collection of Joyce's non-fictional writing, including newspaper articles, reviews, lectures and essays. It covers 40 years of Joyce's life and maps important changes in his political and literary opinions.