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Includes Introduction To Vivekananda, By Christopher Isherwood; Vivekananda And His Message, By Swami Prabhavananda; And Swamiji In Southern California, By Brahmacharini Usha.
Best known for Goodbye to Berlin -- the inspiration for the Tony and Oscar award-winning musical Cabaret -- Christopher Isherwood has always been considered both a literary and a gay pioneer. That is truer now than ever. Readers of his plays, novels, and diaries continue to discover Isherwood's lasting contribution to twentieth-century culture, literature, autobiographical fiction, and memoir, to gay rights, and to twentieth-century culture.
This comprehensive and accessible reference work serves Isherwood scholars who need quick access to people, places, novels, stories, essays and plays, introduces Isherwood to those who know little of him, expands the knowledge of the literate general reader, and refreshes teachers of literature with Isherwood details. Entries on Isherwood's most influential friends, including W.H. Auden, Aldous Huxley and Stephen Spender, are significant. Included are all of the monumental "roles" Isherwood exemplified during his life--writer, rebel, gay-activist hero, and proud exponent of the Eastern philosophy known as Vedanta.
The first thorough examination of Isherwood's work and life in twenty years, Izzo's analysis brings into play the Mortmere stories, by Isherwood and Edward Upward (dating from the 1920s but published only in 1994), and the Diaries, 1939-1960, published in 1996, to reposition Isherwood within a circle of British writers that included - besides Upward - W. H. Auden, Stephen Spender, and Cecil Day Lewis.
New perspectives on Christopher Isherwood as a searching and transnational writer “Perhaps I had traveled too much, left my heart in too many places,” muses the narrator of Christopher Isherwood’s novel Prater Violet (1945), which he wrote in his adopted home of Los Angeles after years of dislocation and desperation. In Isherwood in Transit, James J.Berg and Chris Freeman bring together diverse Isherwood scholars to understand the challenges this writer faced as a consequence of his travel. Based on a conference at the Huntington Library, where Isherwood’s recently opened papers are held, Isherwood in Transit considers the writer not as an English, continental, or American writer but as a transnational one, whose identity, politics, and beliefs were constantly transformed by global connections and engagements arising from journeys to Germany, Japan, China, and Argentina; his migration to the United States; and his conversion to Vedanta Hinduism in the 1940s. Approaching Isherwood’s rootlessness and restlessness from various perspectives, these essays show that long after he made a new home in California and became an American citizen, Christopher Isherwood remained unsettled, although his wanderings became spiritual and personal rather than geographic. Contributors: Barrie Jean Borich, DePaul U; Jamie Carr, Niagara U; Robert L. Caserio, Penn State U, University Park; Lisa Colletta, American U of Rome; Lois Cucullu, U of Minnesota; Jaime Harker, U of Mississippi; Carola M. Kaplan, California State U, Pomona; Calvin W. Keogh, Central European U, Budapest; Victor Marsh; Wendy Moffat, Dickinson College; Xenobe Purvis; Bidhan Roy, California State U, Los Angeles; Katharine Stevenson, U of Texas at Austin; Edmund White.