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61 essays by Aldous Huxley, Alan W. Watts, Gerald Heard, Rabindra Nath Tagore, Swami Prabhavananda, Anne Hamilton, Jawaharlal Nehru, John Yale, Jon van Druten and others.
This comprehensive and accessible reference work serves Isherwood scholars who need quick access to people, places, novels, stories, essays and plays, introduces Isherwood to those who know little of him, expands the knowledge of the literate general reader, and refreshes teachers of literature with Isherwood details. Entries on Isherwood's most influential friends, including W.H. Auden, Aldous Huxley and Stephen Spender, are significant. Included are all of the monumental "roles" Isherwood exemplified during his life--writer, rebel, gay-activist hero, and proud exponent of the Eastern philosophy known as Vedanta.
The first thorough examination of Isherwood's work and life in twenty years, Izzo's analysis brings into play the Mortmere stories, by Isherwood and Edward Upward (dating from the 1920s but published only in 1994), and the Diaries, 1939-1960, published in 1996, to reposition Isherwood within a circle of British writers that included - besides Upward - W. H. Auden, Stephen Spender, and Cecil Day Lewis.
Best known for Goodbye to Berlin -- the inspiration for the Tony and Oscar award-winning musical Cabaret -- Christopher Isherwood has always been considered both a literary and a gay pioneer. That is truer now than ever. Readers of his plays, novels, and diaries continue to discover Isherwood's lasting contribution to twentieth-century culture, literature, autobiographical fiction, and memoir, to gay rights, and to twentieth-century culture.
New perspectives on Christopher Isherwood as a searching and transnational writer “Perhaps I had traveled too much, left my heart in too many places,” muses the narrator of Christopher Isherwood’s novel Prater Violet (1945), which he wrote in his adopted home of Los Angeles after years of dislocation and desperation. In Isherwood in Transit, James J.Berg and Chris Freeman bring together diverse Isherwood scholars to understand the challenges this writer faced as a consequence of his travel. Based on a conference at the Huntington Library, where Isherwood’s recently opened papers are held, Isherwood in Transit considers the writer not as an English, continental, or American writer but as a transnational one, whose identity, politics, and beliefs were constantly transformed by global connections and engagements arising from journeys to Germany, Japan, China, and Argentina; his migration to the United States; and his conversion to Vedanta Hinduism in the 1940s. Approaching Isherwood’s rootlessness and restlessness from various perspectives, these essays show that long after he made a new home in California and became an American citizen, Christopher Isherwood remained unsettled, although his wanderings became spiritual and personal rather than geographic. Contributors: Barrie Jean Borich, DePaul U; Jamie Carr, Niagara U; Robert L. Caserio, Penn State U, University Park; Lisa Colletta, American U of Rome; Lois Cucullu, U of Minnesota; Jaime Harker, U of Mississippi; Carola M. Kaplan, California State U, Pomona; Calvin W. Keogh, Central European U, Budapest; Victor Marsh; Wendy Moffat, Dickinson College; Xenobe Purvis; Bidhan Roy, California State U, Los Angeles; Katharine Stevenson, U of Texas at Austin; Edmund White.
Born into the English landed gentry, the heir to a substantial country estate, Christopher Isherwood ended up in California, an American citizen and the disciple of a Hindu swami. En route, he became a leading writer of the 1930's generation, an unmatched chronicler of pre-Hitler Berlin, an experimental dramatist, a war reporter, a travel writer, a pacifist, a Hollywood screenwriter, a monk, and a grand old man of the emerging gay liberation movement. In this biography, the first to be written since Isherwood's death, and the only one with access to all Isherwood's papers, Peter Parker traces the long journey of a man who never felt at home wherever he lived. Isherwood's travels were a means of escape: from his family, his class, his country, and the dead weight of the past. Parker reveals the truth about Isherwood's relationship with his war-hero father, his strong-willed mother, and his disturbed younger brother, Richard, who was also homosexual. He also draws upon a vast number of letters to describe Isherwood's complicated relationships with such lifelong friends as W. H. Auden, Stephen Spender, Edward Upward and John Lehmann. The result is a frank portrait of contradictions, a man searching for meaning in life, and one of the twentieth century's most significant writers.
A stunningly intimate exploration of the writer and gay cultural icon and of his lifelong search for authenticity. The story of Christopher Isherwood’s life is one of pilgrimage: away from the constraints of inheritance and empire and toward authenticity and spiritual illumination. Isherwood—the author of Goodbye to Berlin, which inspired Cabaret, and A Single Man—was born the heir to a crumbling English estate. He died an icon of gay liberation in California while his partner of thirty years, Don Bachardy, painted his death portrait. Isherwood began his career depicting the psychological wreckage of World War I. While living in Berlin, he began to write his reputation-making fiction and (with W. H. Auden) plays inspired by the city’s nightlife, its artistic underbelly, its fevered politics. When Hitler took power, he fled with his German boyfriend, who was pursued and arrested by the Gestapo. Isherwood left Europe and found work as a screenwriter in Hollywood, where he became the disciple of a Hindu monk, Swami Prabhavananda. Together they translated the Bhagavad Gita. Isherwood shed his family ghosts and became a chief instigator of the cultural shift that made gay liberation possible. Every step of the journey served his writing; one of our greatest diarists, he recorded his experiences and transformed them in fiction and memoir. Katherine Bucknell charts the quest of the restless, penetrating, blackly comic mind through books, films, foreign lands, love affairs, and collaborations toward self-understanding and happiness. Here is Christopher Isherwood Inside Out.
Christopher Isherwood
Based on the spiritual classic Vedanta for the Western World. Included are articles by some of this century's finest writers on spirituality: Huston Smith, Fr. Thomas Keating, Pico Iyer, Rabbi Asher Block. A fresh and timeless contribution to the literature of spiritual inquiry.