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Annotation In tribute to his influential piano teacher, Guerry (music emeritus, Louisiana State U.) has compiled some previously unpublished essays by Italian-American Scionti (1882-1973)--the subject of his 1991 biography and a 1995 compact disc. In delightful counterpoint to essays amplified with examples on the basics of fine piano playing and the art of pedaling, is the concluding "Maxims for a Spaghetti Party."Annotation copyrighted by Book News, Inc., Portland, OR.
This book presents the thoughts, musical insights, and experiences of the world's greatest pianists. It consists of 28 interviews of the greatest musicians of all times, like Godowsky, Hofmann, Lhevinne, Paderewski. In the interviews, these artists speak about piano technique, musical development, and what is required to become a virtuoso pianist.
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
The suspenseful, emotionally resonant, and utterly compelling story of what brings an enigmatic French woman to a small Canadian town in the 1930s, a woman who has found depths of strength in dark times and comes to discover sanctuary at last. For readers of The Imposter Bride, The Cellist of Sarajevo, Sarah's Key by Tatiana de Rosnay, and The Red Violin. Helene Giroux arrives alone in St. Homais on a winter day. She wears good city clothes and drives an elegant car, and everything she owns is in a small trunk in the back seat. In the local church she finds a fine old piano, a Molnar, and she knows just how fine it is, for her family had manufactured these pianos before the Great War. Then her mother's death and war forces her to abandon her former life. The story moves back and forth in time as Helene, settling into a simple life, playing the piano for church choir, recalls the extraordinary events that brought her to this place. They include the early loss of her soldier husband and the reappearance of an old suitor who rescues her and her daughter, when she is most desperate; the journeys that very few women of her time could even imagine, into the forests of Indochina in search of ancient treasures and finally, and fatefully, to the Canadian north. When the town policeman confronts her, past and present suddenly converge and she must face an episode that she had thought had been left behind forever.
Just as musical etudes focus on the development of skills and address the technical problems encountered in keyboard literature, the "etudes" in Stewart Gordon's new book also focus on ideas which prepare piano teachers for meeting the problems encountered in piano performing and teaching. This major new collection on the piano teacher's art opens with an assessment of the role of the piano teacher, and goes on to explore various types of students and the challenge each presents: the moderately talented, but ambitious, student; the late beginner; the unusually gifted. Drawing on thirty years of teaching and performing, Gordon then bring fresh ideas to bear on the often-discussed areas of inner-hearing, pulse regulation, improvisation, sight-reading, and collaborative music making. There are sections on performance procedures, memorizing, pedalling, and historical performance practices; a carefully-balanced consideration of the role of the piano student and teacher; and realistic looks at the problems facing the profession today, the dynamics of a performing career, and the stages through which musicians' careers often pass. Designed to open up new avenues of inquiry, to provoke discussion and creative thinking, and to challenge and motivate students, these essays will be vital reading for all serious piano students and teachers.
Discover the profound insights of Charles Ives with "Essays Before a Sonata," a remarkable collection that delves into the mind of one of America's most innovative composers. This volume offers a unique glimpse into Ives’ philosophy on music, exploring the roots of his creative impulses and his groundbreaking approach to composition. In "Essays Before a Sonata," Ives articulates his visionary ideas about music, providing readers with a deeper understanding of his unconventional techniques and the artistic motivations behind his work. His reflections reveal a perspective that is both timeless and ahead of its time, illustrating the essence of 20th-century musical experimentation. What if the secrets to understanding modern music lie in the thoughts and philosophies of its early pioneers? How can Ives' reflections illuminate the challenges and innovations of contemporary composition? Immerse yourself in the world of Charles Ives and explore the theoretical underpinnings that influenced his revolutionary music. "Essays Before a Sonata" is essential reading for anyone interested in the evolution of modern music and the mind of a true musical trailblazer. Are you ready to explore the innovative ideas of one of America’s greatest composers? Engage with Ives’ thought-provoking essays and gain a deeper appreciation for the complexities of modern music. "Essays Before a Sonata" offers a window into the creative process of a musical genius and the theoretical foundations of his work. Don’t miss the chance to delve into the mind of Charles Ives. Purchase "Essays Before a Sonata" today and experience the profound reflections of a pioneering composer. Uncover the depths of musical innovation. Buy "Essays Before a Sonata" now and embark on a journey through the ideas that shaped 20th-century music.
(Amadeus). The undisputed preeminence of Paris as a center of the piano world dates from the early 19th century, and the rigorous professors of the Paris Conservatoire transmitted the characteristic French piano style faithfully to each new generation for some 150 years. First published to critical acclaim in 1992, this landmark study, now considerably expanded and revised, surveys the historical development, performance practices and pedagogical philosophies of this vital school. HARDCOVER.