Download Free Essays On And Around Dancing Book in PDF and EPUB Free Download. You can read online Essays On And Around Dancing and write the review.

Essays on and around Dancing, centers on dance education, clinical dance therapy and dance ritual
Deluxe -- Thank You -- Pelham Road -- There Is No Mike Here -- Things People Said: An Essay in Seven Steps -- Temporary Talismans -- Six Hours from Anywhere You Want to Be -- No One Is Ordinary; Everyone Is Ordinary -- Ring Theory -- Saris and Sorrows -- Voice Texting with My Mother.
Literary Nonfiction. From the Introduction: When I began reviewing poetry for The Cortland Review, I hoped for the larger audience that the web promised. Now, some years down the road, what began in journeyman fashion has grown by inertial force alone into a survey. It is not in any way comprehensive or sweeping (except in my generalizations). There are poets I wish I had the opportunity to include here but for one reason or another, could not. But despite the more or less random selection, these poets' works do give us a picture of common concerns, both communal and subjective. There is, for instance, in most cases, a sense that the personal is the reversible coat of the social, construed as political, sociological, or mythical. There is the sense that experimentation has a less unsettling role to play than it did for previous generations. Perhaps it is simply that experimentation no longer has quite the épater les bourgeois quality. Even hardcore poets of discontinuity... make nice with their more conservative compeers, passing out prizes, amiably blogging, sitting on panels and boards. There is the sense too that confession, washed in the blood of materialism, survives as a proud subjectivity that would not be out of place coming from the pen of Tsvetaeva or Akhmatova, poets who fed their nation when the self was made fugitive by the State. And that means that authenticity is making a comeback, as if, having survived the scrutiny of deflationary critics, it made sense for the singular lyric voice to add its testimony to, and for the soul to witness, the mill of history. I consider these essays and reviews to be acknowledgments of that premise, namely that subjectivity enables the real chronicle: the feel of what it is like.
Memoir about ballet and illness from a creative writing teacher whose career as a ballerina was stopped by rheumatoid arthritis.
In Dancing in Spite of Myself, Lawrence Grossberg--well known as a pioneering figure in cultural studies--has collected essays written over the past twenty years that have also established him as one of the leading theorists of popular culture and, specifically, of rock music. Grossberg offers an original and sophisticated view of the growing power of popular culture and its increasing inseparability from contemporary structures of economic and political power and from our everyday lives. In the course of conducting this exploration into the meaning of "popularity," he investigates the nature of fandom, the social effects of rock music and youth culture, and the possibilities for understanding the history of popular texts and practices. Describing what he calls "the postmodernity of everyday life," Grossberg offers important insights into the relation of pop music to issues of postmodernity and inton the growing power of the new cultural conservatism and its relationship to "the popular." Exploring the limits of existing theories of hegemony in cultural studies, Grossberg reveals the ways in which popular culture is being mobilized in the service of economic and political struggles. In articulating his own critical practice, Grossberg surveys and challenges some of the major assumptions of popular culture studies, including notions of domination and resistance, mainstream and marginality, and authenticity and incorporation. Dancing in Spite of Myself provides an introduction to contemporary theories of popular culture and a clear statement of relationships among theories of the nature of rock music, postmodernity, and conservative hegemony.
Previously uncollected dance writings from the legendary art critic who defined the Pictures Generation, in a handsome clothbound edition Pioneering AIDS activist, art critic, educator and curator Douglas Crimp is known for the fluidity and acuity of his writing on an array of passions. His book AIDS: Cultural Analysis/Cultural Activism (1987) deconstructed the art world's complicated and mostly disheartening responses to the AIDS crisis; On the Museum's Ruins (1993) explored postmodernist art practices in relation to the politics of institutions; and Before Pictures (2016), a brilliant combination of memoir and criticism, chronicled Crimp's first decade in 1970s New York. This new book collects the critic's incisive pieces on dance (a lifelong interest) and dance on film, which, according to Artforum, "galvanized the field and synthesized histories of ballet, modern dance and postmodern performance." Written from 2006 to 2010, these in-depth essays are devoted to choreographers and filmmakers such as Charles Atlas, Trisha Brown, Merce Cunningham, Tacita Dean, Anne Teresa de Keersmaeker and Yvonne Rainer. Before his death in July 2019, Crimp penned a new essay specifically for this book that probes the idea and definition of the "dance film." This beautifully designed clothbound volume, which shows Crimp as an outstanding and ever-evolving writer, includes an introduction by curator Lynne Cooke, who co-curated Crimp's landmark 2010 show at the Museo Reina Sofia, Mixed Use, Manhattan. Douglas Crimp (1944-2019) is famed for his scholarly contributions to the fields of postmodern theory and art, institutional critique, dance, film, queer theory and feminist theory. His writings are marked by his desire to merge the often disjunctive worlds of politics, art and academia. From 1977 to 1990, he was the managing editor of the journal October. Before his death, Crimp was Fanny Knapp Allen Professor of Art History and Professor of Visual and Cultural Studies at the University of Rochester, Rochester, New York.
Both Buddhism and dance invite the practitioner into present-moment embodiment. The rise of Western Buddhism, sacred dance and dance/movement therapy, along with the mindfulness meditation boom, has created opportunities for Buddhism to inform dance aesthetics and for Buddhist practice to be shaped by dance. This collection of new essays documents the innovative work being done at the intersection of Buddhism and dance. The contributors--scholars, choreographers and Buddhist masters--discuss movement, performance, ritual and theory, among other topics. The final section provides a variety of guided practices.
The book contains three collections and nine themes of essays written between 1966 and 2021. The book transports the reader through fifty-six years of essays on societal, spiritual, and personal reinvention and transformation. The reader not only encounters the ideas and experiences of the author but those of UNDP, ICA, Pierre Teilhard de Chardin, Jean Houston, Ken Wilber, Thich Nhat Hanh, Joseph Mathews, Norman O. Brown, Angeles Arrien, Landmark Forum, Humberto Maturana, Willis Harman, Paul Tillich, Rudolph Bultmann, and others. The reader will explore whole systems change, sustainable human development, visionary social activism, demythologized Christianity, progressive Buddhism, worldly spirituality, and intimate reflections on the author's knowing, doing, and being. Readers will enjoy being part of the One Dance.
This volume gathers together the best of Michael Donaghy's writing on poetry and the arts, as well as a number of fascinating and revealing interviews.