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Distinguished ethnomusicologist Philip V. Bohlman compiles Johann Gottfried Herder’s writings on music and nationalism, from his early volumes of Volkslieder through sacred song to the essays on aesthetics late in his life, shaping them as the book on music that Herder would have written had he gathered the many strands of his musical thought into a single publication. Framed by analytical chapters and extensive introductions to each translation, this book interprets Herder’s musings on music to think through several major questions: What meaning did religion and religious thought have for Herder? Why do the nation and nationalism acquire musical dimensions at the confluence of aesthetics and religious thought? How did his aesthetic and musical thought come to transform the way Herder understood music and nationalism and their presence in global history? Bohlman uses the mode of translation to explore Herder’s own interpretive practice as a translator of languages and cultures, providing today’s readers with an elegantly narrated and exceptionally curated collection of essays on music by two major intellectuals.
The world knows Béla Bartók as a composer. The essays contained in this voluminous compilation disclose a side of the great Hungarian previously known to relatively few persons: Bartók the man of letters. Theorist, performer, collector, scholar, and composer, Béla Bartók is internationally renowned as one of the most important and influential musicians of the twentieth century. Throughout his life he wrote lectures and essays that dealt with virtually every aspect of European music. These essays, previously scattered in specialized journals, deal with the wide range of interests and expertise: folk music and musical folklore, the music of his contemporaries and great predecessors, a brief autobiography, the structure and performance of his own music, the sale of sound recordings, and music education.
These essays offer striking portraits of working environments where song arose in response to prevailing conditions. Included are the protest blues of African American levee workers, the corridos of Chicano farm workers, and the European songs of immigrant lumber workers in the Midwest.
Reproduction of the original: Essays in the Study of Folk-Songs (1886) by Evelyn Countess Martinengo-Cesaresco
"[This book] is a contribution of considerable substance because it takes a holistic view of the field of folk music and the scholarship that has dealt with it." -- Bruno Nettl "... a praiseworthy combination of solid scholarship, penetrating discussion, and global relevance." -- Asian Folklore Studies "... successfully ties the history and development of folk music scholarship with contemporary concepts, issues, and shifts, and which treats varied folk musics of the world cultures within the rubric of folklore and ethnomusicology with subtle generalizations making sense to serious minds... " -- Folklore Forum "... [this book] challenges many carefully-nurtured sacred cows. Bohlman has executed an intellectual challenge of major significance by successfully organizing a welter of unruly data and ideas into a single, appropriately complex but coherent, system." -- Folk Music Journal Bohlman examines folk music as a genre of folklore from a broadly cross-cultural perspective and espouses a more expansive view of folk music, stressing its vitality in non-Western cultures as well as Western, in the present as well as the past.
“We Shall Overcome” is an American folk song that has influenced American and world history like few others. At different points in time it has served as a labor movement song, a civil rights song, a hymn, and a protest song and has long held strong individual and collective meaning for the African-American community, in particular, and the American and world communities more generally. We Shall Overcome: Essays on a Great American Song, edited and compiled by Victor V. Bobetsky, comprises essays that explore the origins, history, and impact of this great American folk song. Inspired by a symposium of guest speakers and student choirs from the New York City Public Schools, chapters cover such critical matters as the song’s ancestry, Pete Seeger’s contribution to its popularization, the role played by the SNCC Freedom Singers in its adoption, the gospel origins and influences of the song, its adaptation by choral arrangers, its use as a teaching tool in the classroom, and its legacy among other freedom songs. We Shall Overcome: Essays on a Great American Song constitutes an invaluable resource for the music and music education community as well as for members of the general public interested in music, education, history and the civil rights movement. The book provides readers with a wide and unique spectrum of information about the song relevant to researchers and teachers.