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The state of bibliography today (1979) -- Physical bibliography in the twentieth century (1979) -- The evolving role of bibliography (1984) -- Issues in bibliographical studies since 1942 (1992) -- Years on : bibliography then and now (2003) -- Thoughts on the centenary of The Bibliographical Society of America (2004) -- The historiography of American literary publishing (1965) -- The Bibliographical Society's News sheet, 1894-1920 (1967) -- The descriptive bibliography of American authors (1968) -- Copyright records and the bibliographer (1969) -- The periodical literature of English and American bibliography (1968) -- Indianapolis in the world of books (1973) -- Bibliography and science (1974) -- The descriptive bibliography of eighteenth-century books (1975) -- The centennial meeting and convocation of the Grolier Club (1984) -- Exhibitions at the Grolier Club (1984) -- The varieties of scholarly editing (1985) -- The fiftieth anniversary of The Bibliographical Society of the University Of Virginia (1997) -- A history of Studies in bibliography : the first fifty years (1997) -- A brief history of the English short-title catalogue in North America (1998) -- Some thoughts on catalogues (2008) -- The textual criticism of visual and aural works (2008) -- Bibliographical history as a field of study (1988).
"A collection of essays by editor, biographer, bibliographer, and book historian James L. W. West III, covering editorial theory, archival use, textual emendation, and scholarly annotation. Discusses the treatment of both public documents (novels, stories, nonfiction) and private texts (letters, diaries, journals, working papers)"--Provided by publisher.
The Myth of Print Culture is a critique of bibliographical and editorial method, focusing on the disparity between levels of material evidence (unique and singular) and levels of text (abstract and reproducible). It demonstrates how the particulars of evidence are manipulated in standard scholarly arguments by the higher levels of textuality they are intended to support. The individual studies in the book focus on a range of problems: basic definitions of what a book is; statistical assumptions; and editorial methods used to define and collate the presumably basic unit of 'variant.' This work differs from other recent studies in print culture in its emphasis on fifteenth-century books and its insistence that the problems encountered in that historical milieu (problems as basic as cataloguing errors) are the same as problems encountered in other areas of literary criticism. The difficulties in the simplest of cataloguing decisions, argues Joseph Dane, tend to repeat themselves at all levels of bibliographical, editorial, and literary history.
Originally published in 1948. In the first essay of this collection, Lovejoy reflects on the nature, methods, and difficulties of the historiography of ideas. He maps out recurring phenomena in the history of ideas, which the essays illustrate. One phenomenon is the presence and influence of the same presuppositions or other operative "ideas" in very diverse provinces of thought and in different periods. Another is the role of semantic transitions and confusions, of shifts and of ambiguities in the meanings of terms, in the history of thought and taste. A third phenomenon is the internal tensions or waverings in the mind of almost every individual writer—sometimes discernible even in a single writing or on a single page—arising from conflicting ideas or incongruous propensities of feeling or taste to which the writer is susceptible. These essays do not contribute to metaphysical and epistemological questions; they are primarily historical.
Christian-Muslim Relations, Volume 15, Thematic Essays (600-1600) is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. The chapters within it illustrate the range, complexity, and dynamics of interaction between the two faiths during the first thousand years of encounter. All chapters primarily draw upon entries found in volumes 1-7 of Christian-Muslim Relations. They explore tropes of perception, image and judgement that each religious community held in respect to the other through these centuries, and discuss issues and topics that occupied Christians and Muslims in their interaction. The first millennium sets the scene for the modern era and our understandings of contemporary relations and issues. Contributors are Mark Beaumont, Clinton Bennett, David Bertaina, Ulisse Ceceni, David Bryan Cook, Martha Frederiks, Ayşe İçöz, Sandra Keating, James Harry Morris, Nicholas Morton, Gordon Nickel, Juan Pedro Monferrer Sala, Tom Papademetriou, Gabriel Said Reynolds, Christian Sahner, Mark N. Swanson, Mourad Takawi, Luke Yarbrough.
"A collection of essays by the noted bibliographer John Bidwell on book production in England and America during the Industrial Revolution. Several of these essays touch on topics outside the pivotal period, but all tend toward the manufacturing sector and deal with the same tools of the trade--paper and type"--
Christian-Muslim Relations, a Bibliographical History 2 (CMR2) is the second part of a general history of relations between the faiths. Covering the period from 900 to 1050, it comprises a series of introductory essays, together with the main body of more than one hundred detailed entries on all the works by Christians and Muslims about and against one another that are known from this period. These entries provide biographical details of the authors where known, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between leading scholars in the field, CMR2 is an indispensable basis for research in all elements of the history of Christian-Muslim relations.
Book history has emerged in the last twenty years as one of the most important new fields of interdisciplinary study. It has produced new interpretations of major historical events, has made possible new approaches to history, literature, media, and culture, and presents a distinctive historical perspective on current debates about the future of the book. The Broadview Introduction to Book History provides the most comprehensive and up-to-date introduction to this field. Written in a lively, accessible style, chapters on materiality, textuality, printing and reading, intermediality, and remediation guide readers through numerous key concepts, illustrated with examples from literary texts and historical documents produced across a wide historical range. An ideal text for undergraduate and graduate courses in book history, it offers a road map to this dynamic inter-disciplinary field.
The Essential Guide to Writing History Essays is a step-by-step guide to the typical assignments of any undergraduate or master's-level history program in North America. Effective writing is a process of discovery, achieved through the continual act of making choices--what to include or exclude, how to order elements, and which style to choose--each according to the author's goals and the intended audience. The book integrates reading and specialized vocabulary with writing and revision and addresses the evolving nature of digital media while teaching the terms and logic of traditional sources and the reasons for citation as well as the styles. This approach to writing not only helps students produce an effective final product and build from writing simple, short essays to completing a full research thesis, it also teaches students why and how an essay is effective, empowering them to approach new writing challenges with the freedom to find their own voice.
CD-ROM contains: Digital image archive of books, magazines, manuscripts, technologies, and readers to accompany text.