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Ives's second piano sonata, Concord, Mass., 1845, stands among the masterpieces of American music.
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Essays Before a Sonata by Charles Ives is a thought-provoking collection of essays that explores the philosophical, artistic, and spiritual dimensions of music. Written as a preface to his second piano sonata, Ives delves into profound musings on the nature of composition, the role of music in society, and the transformative power of sound. Key Points: Ives' essays offer a unique and introspective perspective on the creative process and the purpose of music, blending personal reflections, philosophical insights, and musical analysis to challenge conventional notions and provoke contemplation. The book delves into the complexities of musical expression, examining the interplay between dissonance and harmony, tradition and innovation, and the exploration of unconventional techniques, inviting readers to reconsider their understanding of music and its inherent possibilities. Essays Before a Sonata is a seminal work that transcends the boundaries of music theory, appealing to both musicians and non-musicians alike. It stimulates intellectual engagement, fosters a deeper appreciation for the intricacies of composition, and invites readers to ponder the profound connections between music, philosophy, and the human experience.
In 1921, insurance executive Charles Ives sent out copies of a piano sonata to two hundred strangers. Laden with dissonant chords, complex rhythm, and a seemingly chaotic structure, the so-called Concord Sonata confounded the recipients, as did the accompanying book, Essays before a Sonata . Kyle Gann merges exhaustive research with his own experience as a composer to reveal the Concord Sonata and the essays in full. Diffracting the twinned works into their essential aspects, Gann lays out the historical context that produced Ives's masterpiece and illuminates the arguments Ives himself explored in the Essays . Gann also provides a movement-by-movement analysis of the work's harmonic structure and compositional technique; connects the sonata to Ives works that share parts of its material; and compares the 1921 version of the Concord with its 1947 revision to reveal important aspects of Ives's creative process. A tour de force of critical, theoretical, and historical thought, Charles Ives's Concord provides nothing less than the first comprehensive consideration of a work at the heart of twentieth century American music.
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