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This 2004 volume offers an introduction to British literature that challenges the traditional divide between eighteenth-century and Romantic studies. Contributors explore the development of literary genres and modes through a period of rapid change. They show how literature was shaped by historical factors including the development of the book trade, the rise of literary criticism and the expansion of commercial society and empire. The first part of the volume focuses on broad themes including taste and aesthetics, national identity and empire, and key cultural trends such as sensibility and the gothic. The second part pays close attention to the work of individual writers including Sterne, Blake, Barbauld and Austen, and to the role of literary schools such as the Lake and Cockney schools. The wide scope of the collection, juxtaposing canonical authors with those now gaining new attention from scholars, makes it essential reading for students of eighteenth-century literature and Romanticism.
Get ready for another heart-racing, twist-filled thriller from the #1 NEW YORK TIMES bestselling author NATASHA PRESTON. WHAT WOULD YOU DO TO KEEP A SECRET SAFE? Esme and Kayla were once campers at Camp Pine Lake. Now they're back as counsellors-in-training. Esme loves the little girls in her cabin and thinks it's funny how scared they are of everything - the woods, the bugs, the boys . . . even swimming in the lake. It reminds her of how she and Kayla used to be all those years ago. Because Esme and Kayla have kept a terrible secret. They vow that this summer will be awesome: two months of sun, s'mores, and flirting with the cute boy counsellors. Until they receive a stark message: THE LAKE NEVER FORGETS. The secret they've kept buried for so many years is about to resurface.
A funny, bracing, poignant YA romance and coming-of-age for fans of Huntley Fitzpatrick, Me and Earl and the Dying Girl, and The Beginning of Everything lake effect | n. 1. The effect of any lake, especially the Great Lakes, in modifying the weather in nearby areas 2. The effect of elderly ladies, mysterious girls, and countless funerals, in upending your life, one summer at the beach It’s the summer after senior year, and Briggs Henry is out the door. He's leaving behind his ex-girlfriend and his parents’ money troubles for Lake Michigan and its miles of sandy beaches, working a summer job as a personal assistant, and living in a gorgeous Victorian on the shore. It's the kind of house Briggs plans to buy his parents one day when he’s a multi-millionaire. But then he gets there. And his eighty-four-year-old boss tells him to put on a suit for her funeral. So begins a summer of social gaffes, stomach cramps, fraught beach volleyball games, moonlit epiphanies, and a drawer full of funeral programs. Add to this Abigail, the mystifying girl next door on whom Briggs's charms just won’t work, and “the lake effect” is taking on a whole new meaning. Smart, funny, and honest, The Lake Effect is about realizing that playing along is playing it safe, and that you can only become who you truly are if you’re willing to take the risk. "Vibrant and smart . . . Perfect to tote around on vacation." —Bustle “Every word glows with brilliance." —Francisco X. Stork, author of Marcelo in the Real World "Dazzlingly hilarious . . . Erin McCahan is the reigning queen of summer YA reads." —PopSugar “Observant, sarcastic, compelling, and very funny.” —Kirkus Reviews (starred review) “Summer romance at its best." —HelloGiggles “The perfect smart, beachside read. . . . Unforgettable.” —Stephanie Elliot, author of Sad Perfect "Elegant and touching." —Publishers Weekly “Refreshingly honest and real. . . . An absolute must-read.” —Elise Allen, co-author of Elixir “Funny and poignant." —PureWow "Thought provoking—and at times hilarious . . . A great summer read." —SLJ
High-school writing prompts often ask students to provide overly simplified responses to complicated issues, but a person’s stance in the real world can rarely, if ever, be reduced to “agree or disagree.” Arguments are complex, with more than two points of view and a range of evidence to consider; however, writing classes don’t always embrace that complexity. Real Writing: Modernizing the Old School Essay contends that engaging fully with complex texts and difficult, nuanced arguments helps students become better thinkers and writers, more fully prepared for life both in and after high school. By offering students current texts to read and issues to discuss, teachers introduce their students to more complex arguments. Real Writing: Modernizing the Old School Essay recognizes the value of various types of texts, but the need for contemporary readings in our literature and composition classes is important for relevancy related to student engagement, the Common Core State Standards, and participation in our democratic society. This book shares curricular moves to engage students in reading and writing authentic arguments.
“As the author reveals in these charming essays, nature is imbued with enticing mysteries, and trees can be agents of salvation.” —Kirkus Reviews Angela Pelster’s startling essay collection charts the world’s history through its trees: through roots in the ground, rings across wood, and inevitable decay. These sharp and tender essays move from her childhood in rural Canada surrounded by skinny poplar trees in her backyard to a desert in Niger, where the Loneliest Tree in the World once grew. A squirrel’s decomposing body below a towering maple prompts a discussion of the science of rot, as well as a metaphor for the ways in which nature programs us to consume ourselves. Beautiful and deeply thoughtful, Limber valiantly asks what it means to sustain life on this planet we’ve inherited. “One of the quirkiest and most original books about the natural world that I have read in quite some time . . . the essays reveal not just the life of trees but how they connect us to the greater world around us.” —Seattle Times “Whether Pelster is talking about an old mining town buried alive, a tree that belonged only to itself, or a mother buried with her children in the desert, her prose invites the reader to pause and wonder . . . Pelster questions our mortality, how we define ourselves, and faith; and has fun doing so.” —Publishers Weekly “What a strange and unexpected treasure chest this is . . . Who is this Angela Pelster and where has she been all our lives?” —Lawrence Weschler
Through close readings of diverse examples by Lamb, De Quincey, Hazlitt, Irving and Poe, this book argues that the familiar essay in the Romantic period embodies a quintessentially metropolitan mode of affect. The generic traits of the essay—astuteness of observation, an ambulatory or paratactic movement of thought, and an urbane tone of wry or ironic humour—all predispose it to the expression of a detached, non-pathological state of mind. This is a mind conditioned by the quickened pace, assorted humanity, and plenitude of spectacle which characterise urban and urbanised life. In making a valuable, genre-based contribution to scholarship on the importance to Romantic studies of the city and metropolitan culture, the traditional concept of Romantic affect is reassessed. The book proposes a more complex and varied model than the simple binary one of a “feeling” reaction to Enlightenment “reason.” Partly enacted within its own formal parameters and partly through its disruptive and genre-transcending progeny, the essayistic figure, the familiar essay articulates a blithe and, at times, shocking and provocative discourse of “un-affect,” or a strategically and often satirical callousness. Therefore, the overall concept of affect in this period needs to be understood not as a unified entity opposed to Enlightenment reason, but a dialogue between concurrent, opposing modes, played out against a dichotomized geo-cultural landscape of the country and the city. Essayistic un-affect emerges, in the end, as an apolitical phenomenon, a primary vehicle for the essayist’s inherent scepticism, sometimes enabling outright ridicule and, at other times, a tentative questioning or probing of both orthodox thought and emerging ideas: from the rarefied liberalist sensibility of the Lake poets, to the hubristic vanity of the colonial adventurer, and from the allure of hedonistic, Old World decadence to the proscriptive strictures of moralistic art.
Originally published in 1917, this book contains a selection from the works of the renowned critic and essayist William Hazlitt (1778-1830). The selection ranges through all of Hazlitt's essays, from The Round Table to the posthumous pieces, taking in a variety of subject matter. Thirteen essays are included, with the first seven being related to drama and literature, the following three to art, and the final three to 'savouring things of the world'. Detailed notes and a biography are also included. This book will be of value to anyone with an interest in Hazlitt and his writings.
Go on a journey of discovery, magic, science, and hope with this remarkable debut novel about a girl's powerful connection to a mysterious lake. Twelve-year-old Addie should stay away from Maple Lake. After all, her twin brother, Amos, drowned there only a few months ago. But its crisp, clear water runs in Addie's veins, and the notebook Amos left behind -- filled with clues about a mysterious creature that lives in the lake's inky-blue depths -- keeps calling her back. So despite her parents' fears, Addie accepts a Young Scientist position studying the lake for the summer, promising she'll stick to her job of measuring water pollution levels under adult supervision. Still, Addie can't resist the secrets of Maple Lake. She enlists the lead researcher's son, Tai, to help her investigate Amos's clues. As they collect evidence, they also learn that Maple Lake is in trouble -- and the source of the pollution might be close to home. Addie finds herself caught between the science she has always prized and the magic that brings her closer to her brother, and the choice she makes will change everything.