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It is two years after the entry in Granada by the Christians in 1492. In this brilliant sequel to his first historical novel Al-Andalus: His last years, Howard Headworth elaborates a rich mix of personal drama and historical detail, and presents a magnificent sense of the place. Including the military campaigns of the great captain in Italy against the French, the wedding of the Infanta Jeanne in Flanders with Philip the Beautiful, the scandals of the Borgias in Rome and The Adventures of Christopher Columbus in the Indies in search of gold, the Catholic Monarchs seeks To forge the future grandeur and destiny of Spain. Howard Headworth lives in Almeria, Spain, for twenty years. He was born in Wales and studied geology at the university there and at the Imperial College in London. He uses his great experience as a scientific director as well as his passion for the history of his adopted country in this historical novel.
"They were unconscious: we undressed them and, when the commander of the flight gave us the order, we opened the door and threw them out, naked, one by one. This is the true story, nobody can deny it". - Adolfo Scilingo, former officer of the Argentine Navy. Destino Final is the Spanish term for "final destination", the final arrival place of any plane trip. For at least 5,000 people in opposition to the Argentine military dictatorship, this term gained an atrocious meaning: drugged and loaded on military planes, infamously known as "death flights", they were thrown, still alive, in the final part of the Rio de la Plata, just before it reaches the Atlantic Ocean, their final, definitive destination. From 1976 until 1983, a military dictatorship governed Argentina. During the dictatorship, the military waged a war against "subversion," known in the international press as the so-called Guerra Sucia, the Dirty War, and attempted to purge the country of all individuals they considered to be "subversives." An estimated 30,000 people died at the hands of the military, which executed a systematic plan to exterminate subversives in concentration camps. Some of these centres were located on military premises. Others, right in the middle of the city, at regular houses, in front of everybody's eyes. Today, many of the buildings are in the same conditions they where at that time. 4,000 detainees, imprisoned in these centers were killed. Just a few of their bodies were recovered. Their families are still looking for their remains and are seeking punishment for the guilty. Hundreds of grandmothers await the identification of their grandchildren born in captivity and robbed by the military. During the development of the project Destino Final, photographer Giancarlo Ceraudo, together with Miriam Lewin, a journalist and ex-desaparecida (disappeared), begun an investigation that brought to the discovery, after more than 30 years, of five Navy planes used for the "death flights", and most importantly, of the detailed flight plans. Everything was recorded: the plane model, series number, day, itinerary, pilot's name, mission duration... What has been discovered by the two journalists is now seen by prosecutors as proof and is used for indictments. Lawyers have already renamed them "the most important documents on the dictatorship found in the last 10 years". All these documents are now in the hands of judicial authorities and trial cases have been re-opened and are currently in progress. Giancarlo Ceraudo's photographic investigation, developed over more than eight years, documents this discovery, as well as the work of the forensic anthropologists, the tenacious fight of the Madres de Plaza de Mayo, the citizen protests, and the on-going court trials. The emotional core of the work is the portrayal of the few survivors, as well as the relatives of desaparecidos, and the interiors of the detention and tortures center which were the stage for these atrocious events, and trace the dark side of Argentina's modern history. The photographs are accompanied by documents and material regarding the investigation on the "death flights". The main text of the book is written by Miriam Lewin. The introduction is by Horatio Verbitsky. Shorter contributions by the famous Spanish judge Baltasar Garz�n Real who took the Argentine naval officer Adolfo Scilingo successfully to trial (he is serving 30 years in a Spanish prison now, sentenced for crimes against humanity), by Enrique Pi�eyro on analysing the discovered flight plans, by Taty Almeida - one of the Madres de Plaza de Mayo - on her desparecido son, and by Carlos "Maco" Somigliana on the work of the forensic anthropologists in this investigation.
The career of Spain's celebrated author Carmen Martín Gaite spanned the Spanish Civil War, Franco's dictatorship, and the nation's transition to democracy. She wrote fiction, poetry, drama, screenplays for television and film, and books of literary and cultural analysis. The only person to win Spain's National Prize for Literature (Premio Nacional de las Letras) twice, Martín Gaite explored and blended a range of genres, from social realism to the fantastic, as she took up issues of gender, class, economics, and aesthetics in a time of political upheaval. Part 1 ("Materials") of this volume provides resources for instructors and a literary-historical chronology. The essays in part 2 ("Approaches") consider Martín Gaite's best-known novel, The Back Room (El cuarto de atrás), and other works from various perspectives: narratological, feminist, sociocultural, stylistic. In an appendix, the volume editor, who was a friend of the author, provides a new translation of Martín Gaite's only autobiographical sketch, alongside the original Spanish.
Examines issues of sex and society in early twentieth-century Spain, using a specific case history, namely that of Hildegart Rodriguez (1914-1933) who came to be one of the central players in the Spanish chapter of the World League for Sexual Reform (WLSR) and made famous by her dramatic demise when murdered by her mother.
" The Politics of the Essay is that rare scholarly work that provides both a history of this relatively new field and of its formal characteristics and inspires its readers to want to participate in the making of this history." --Signs The first in-depth study of the relationship between women and essays. Employing gender, race, class, and national identity as axes of analysis, this volume introduces new perspectives into what has been a largely apolitical discussion of the essay. Includes an original essay by Susan Griffin.
¿Te sientes infravalorado en tu trabajo? ¿Lidias con jefes ineptos, desfasados y limitantes? ¿Quieres dar un giro a tu vida profesional? ¿Quieres progresar en tu carrera de forma rápida y eficiente? Si has respondido Sí a alguna de estas cuestiones, ha llegado la hora de plantearte algo nuevo. José Antonio Calvo tiene el don de contagiarte su pasión por el estilo de vida del freelance, por la seducción de gozar de libertad para decidir tu futuro y llevar las propias riendas de tu vida profesional. Y, en el caso de tengas un contrato laboral, te convencerá para hacer un cambio que te libere de la presión de los jefes y de la organización que coartan tus posibilidades. José Antonio es un freelance convencido y te cuenta todos los trucos para que puedas acceder a este colectivo evitando los errores que él cometió y, además, te detalla qué debes hacer para conseguir clientes y cómo gestionarlos, organizar bien tu trabajo para que te consolides y crezcas, llevar las cuentas para que tengas un negocio solvente, crecer a nivel personal, y preparar y gestionar la recta final de tu carrera profesional. Aquí están las respuestas que convertirán tus dudas en certezas. Aquí está el conocimiento que necesitas para desarrollar una carrera profesional de éxito y sin miedo. ¿Estás preparado? Ha llegado la hora de tomar el mando de tu vida. De alcanzar las metas y objetivos que realmente deseas. Ha llegado el momento de ser freelance.
"Examines how postcolonial literature depicts the clash of traditional and European cultures, reflects the impact of the Macias reafricanization process, and addresses the themes of individual and national identity, Hispanic heritage, and the Equatoguinean diaspora"--Provided by publisher.
Dire word of the cultural threat of the lowbrow goes back at least to the ancient Greeks, and yet, Stephanie Sieburth suggests, no division between "high" and "low" culture will stand up to logical scrutiny. Why, then, does the opposition persist? In this book Sieburth questions the terms of this perennial debate and uncovers the deep cultural, economic, and psychological tensions that lead each generation to reinvent the distinction between high and low. She focuses on Spain, where this opposition plays a special role in notions of cultural development and where leading writers have often made the relation of literature to mass culture the theme of their novels. Choosing two historical moments of sweeping material and cultural change in Spanish history, Sieburth reads two novels from the 1880s (by Benito Pérez Galdós) and two from the 1970s (by Juan Goytisolo and Carmen Martín Gaite) as fictional theories about the impact of modernity on culture and politics. Her analysis reveals that the high/low division in the cultural sphere reinforces other kinds of separations--between social classes or between men and women--dear to the elite but endangered by progress. This tension, she shows, is particularly evident in Spain, where modernization has been a contradictory and uneven process, rarely accompanied by political freedom, and where consumerism and mass culture coexist uneasily with older ways of life. Weaving together a wide spectrum of diverse material, her work will be of interest to readers concerned with Spanish history and literature, literary theory, popular culture, and the relations between politics, economics, gender, and the novel.