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În lucrarea de față, Theo Von Cezar relateaza suișurile și coborâșurile unei femei și ale unui bărbat ale căror destine se împletesc într-un mod dramatic dar totodata natural. Asta dovedește că toți trăim consecințele acțiunilor noastre și ale altora, iluzii, uneori judecăți, dar destinul pare să joace un rol major în viața noastră. Mai devreme sau mai târziu, fiecare dintre noi își va trăi propria dramă.
The story starts with friends Ahma and Jovian who, like most humans, have fallen on terrible luck. There’s nothing special about these two or humanity in general. The dystopian, grey world the men live in is held tightly in the grip of overpopulation. People are subsisting and not much more. The friends have nothing to look forward to until they happen to find the Church of All Nonbelievers. What’s the guiding principle of this somewhat sacrilegious institution? As the book states, “GOD IS NOT INDEBTED TO THE UNIVERSE AND TIME—WE ARE INDEBTED TO OUR GOD.” Enter a paranormal being who offers Ahma and Jovian the chance to rise above their meager existence. The offer comes with a warning. Should the two mess up the opportunity, they’ll bring their own ruination. The story leads the friends down a winding path that is one half The Matrix and another half Heresy. In the end, the men find out their ties run deeper than ever thought, the government’s guiding hand in their lives more invasive, and the lines between religion and science so completely blurred that both begin to look like futuristic psychology.
Catalog to accompany exhibition at DiverseWorks, Texas, January 28 to March 5, 2005 and Aldrich Contemporary Art Museum, May 1 to August 7, 2005.
All 48 preludes and fugues in all major and minor keys. Authoritative Bach-Gesellschaft edition. Explanation of ornaments in English, tempo indications, music corrections.