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Discover the thrilling story behind the making of Escape from New York and celebrate its legacy in this visually stunning, exclusive retrospective. Over forty years after the release of the iconic hit, Escape from New York: The Official Story of the Film delves into the archives to showcase the creation of the movie. Directed by John Carpenter and released in 1981, Escape from New York thrilled audiences worldwide with its memorable characters, gritty premise and creative special effects. This must-have book is the ultimate retrospective to the cult-classic movie, illustrating the production process of the science-fiction blockbuster, plus the impact and influence in popular culture, as well as the costuming, special effects, music, posters, and much more. Featuring brand new interviews with cast and crew, plus a foreword written by award-winning filmmaker, Corin Hardy, this extraordinary collection of never-before-seen art will give fans exclusive insight into every aspect of the movie.
Now a Nickelodeon Original Movie! Over 100 Weeks on the New York Times Bestseller List! 44 State Award Lists! Discover what James Patterson calls “the coolest library in all the world” in this fun-filled, action-packed bestseller from the much-loved co-author of I Funny and Treasure Hunters! “A worthy successor to.…Willy Wonka.” —Booklist, Starred Review When Kyle learns that the world's most famous game maker, Luigi Lemoncello, has designed the town's new library and is having an invitation-only lock-in on opening night, he's determined to be there! But the tricky part isn't getting into the library—it's getting out. Because when morning comes, the doors stay locked. Kyle and the other kids must solve every clue and figure out every secret puzzle to find the hidden escape route! Don't miss bonus content in the back of the book—extra puzzles, an author Q&A, and more! And look for the puzzle-packed sequels—Mr. Lemoncello's Library Olympics and Mr. Lemoncello’s Great Library Race! “Full of puzzles to think about, puns to groan at …this solid, tightly plotted read is a winner for readers and game-players alike.” —Kirkus Reviews, Starred Review
Actors, writers, directors and producers who helped define the genre offer unique insight about western movies from the early talkies to the present. Interviewed here are Glenn Ford, Warren Oates, Virginia Mayo, Andrew V. McLaglen, Harry Carey, Jr., Julie Adams, A.C. Lyles, Burt Kennedy, Edward Faulkner, Aldo Sambrell, Jack Elam, Andrew J. Fenady, and Elmore Leonard. Movies they discuss include Red River, The Searchers, 3:10 to Yuma, High Noon, Bend of the River, Rio Bravo, The Wild Bunch, and The Good, the Bad, and the Ugly, among many others.
#1 New York Times bestselling detective Billy Harney of The Black Book is chasing down a billionaire crime boss and a prison escape artist while a young girl's life hangs in the balance. As Chicago PD's special-ops leader, Detective Billy Harney knows well that money is not the only valuable currency. The filthy rich man he's investigating is down to his last twenty million. He's also being held in jail. For now. Billy's unit is called in when an escape plan results in officers down and inmates vanished. In an empty lot, Billy spots two Kevlar vests. Two helmets. Two assault rifles. And a handwritten note: Hi, Billy Are you having fun yet?
In the midst of vast cultural and political shifts in the early twentieth century, politicians and cultural observers variously hailed and decried the rise of the “New Negro.” This phenomenon was most clearly manifest in the United States through the outpouring of Black arts and letters and social commentary known as the Harlem Renaissance. What is less known is how far afield of Harlem that renaissance flourished—how much the New Negro movement was actually just one part of a collective explosion of political protest, cultural expression, and intellectual debate all over the world. In this volume, the Harlem Renaissance “escapes from New York” into its proper global context. These essays recover the broader New Negro experience as social movements, popular cultures, and public behavior spanned the globe from New York to New Orleans, from Paris to the Philippines and beyond. Escape from New York does not so much map the many sites of this early twentieth-century Black internationalism as it draws attention to how New Negroes and their global allies already lived. Resituating the Harlem Renaissance, the book stresses the need for scholarship to catch up with the historical reality of the New Negro experience. This more comprehensive vision serves as a lens through which to better understand capitalist developments, imperial expansions, and the formation of brave new worlds in the early twentieth century. Contributors: Anastasia Curwood, Vanderbilt U; Frank A. Guridy, U of Texas at Austin; Claudrena Harold, U of Virginia; Jeannette Eileen Jones, U of Nebraska–Lincoln; Andrew W. Kahrl, Marquette U; Shannon King, College of Wooster; Charlie Lester; Thabiti Lewis, Washington State U, Vancouver; Treva Lindsey, U of Missouri–Columbia; David Luis-Brown, Claremont Graduate U; Emily Lutenski, Saint Louis U; Mark Anthony Neal, Duke U; Yuichiro Onishi, U of Minnesota, Twin Cities; Theresa Runstedtler, U at Buffalo (SUNY); T. Denean Sharpley-Whiting, Vanderbilt U; Michelle Stephens, Rutgers U, New Brunswick; Jennifer M. Wilks, U of Texas at Austin; Chad Williams, Brandeis U.
Continues the story that picks up where the classic 1981 film left off.
Continues the story that picks up where the classic 1981 film left off.
"Prepare for the road trip of a lifetime. Jack Burton and Snake Plissken haul the Pork-Chop Express across the dystopian plains of America to stop their worlds from coming to an end."--page 4 of cover
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.